DSM Noisemaker Drive Maker Manuale utente

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ThankyouforpurchasingtheDSMNoisemakerDriveMaker!Themostversatiletoolforcreatingyourdrive

toneinauniqueway.

TheConceptbehindit:

TheDriveMaker(DM)wasconceivedasaresponsetothecurrenttrendsonBoutiquepedalsandrecording

gear.Onlyahandfulofbuildersarecreatingnewthings,investigatingnewtones,circuits,functions.Too

manyTSclones,BigMuffs,FuzzFaces,Dist+,floodthemarket.Ifitisnotacheapclone,isadigitalmodel

ofacheapclone.Everyoneisstartingtosoundthesame!!

Weunderstandthatmosthomeplayerswanttosoundliketheirheroes.Butthatisnotthegoalofthis

unit.Thisisdirectedtothemusicianthatwanttofindtheirownvoice,theperfecttouch,amountof

harmonics,dynamics,andsoon.

TheNAFTADriveEngine

ThecoreoftheDMistheNAFTAdriveEngine(NAFTAstandsfor“NotAnotherFrigginTsAgain”).This

enginehasbeencarefullydesignedtohaveahugerangeofdifferentsounds.Itstartswithacoupleof

Opampstagesthatdefinethepreemphasisandlowmidgainclippingbehavior,afterthat,CMOSstages

introducetubeamplikefeelandsmoothclipping.TheGaincontrolbalancesthegainbetweeneachstage

sothere’sahugerangeofclippingbehavioravailableononeturnofthegainknob.Fromclean,yes,CLEAN

sounds,tosparky,crunchy,uptoafuzzedoutnoisymess.

MainFeatures

Voicecontrol:aunique,carefullydesignedpregaintonecontrol,tunedfromabassboostatmin,a

trebleboostatmax,andflatatthemiddle.

3clippingmodes:ODfortransparent,softclippingcharacteristics,DISTforhighergain,more

aggressivetones,andBROKEN,foraunique,veryasymmetricclippingthatrespondstoyourpicking

style.

OctaveUp:TheMDboaststhesweetestoctaveupyouwillfind.FromSitartonestosaxliketextures,

downtoweirdfuzzydrives.

Boostfunction:Itincludesafootswitchactivatedboost,upto30dB.Reallyhandyforsolosorwhen

youwanttopushyouramptubes

FXloop:AninternalFXloopletsyouactivateyourfavoriteeffectsjustbyengagingtheDrivemaker.

Also,itcanbeassignedforboostchannelonly.

GuitarorBassuse:Aninternalswitchletsyouchoosebetween2typesofoutputvoicings,designedto

workwithguitarorbassfrequencies.

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CONTROLS:

Voice:CWisatrebleboost,CCWisabassboost,flatatthemiddle.It´samazinghowthings

changebytweakingthevoiceknob...wantitfuzzy?orsparkly?ortwangy?

Gain:Goesfromclean(yes,"clean"clean)tooverdrive,tofullouttoomuchgaintocontrol.

Gate:Forhighgainstuff,somegatingisaverygoodthing.Itisnotadecimator,butithelpsa

lot...

Treble:Boost/cut+10dB

Bass:Boost/cut+10dB

Level:Outputvolume.ThisthingisLOUD.Overnoonitwilloverdriveyouramp´sinput.WHY?

Becauseyoucanuseitasaclean/mid/bass/treble/TSstyleboost!

Boost:hugeboostavailable(+24dB).Maybetoomuchsousesparingly...

Switches:

Mode:

OD:Softclipping,veryarticulatedandtransparent.Overnoon,itwillstartbehavingasan

overdriveintoatubeamp(CMOSclippingkicksin)

Dist:MoreGainandharderclipping,fatter,thickertones.

Broken:Veryasymmetric,weirddrive.Atmidgainitisverybluesyandfullofharmonics.Athigh

gain,withpowerfulpickups,it"chokes"andsoundsfuzzyandweird..veryunique.

Octave:

Low:No,itisnotasuboctave.Itisanoctaveupeffect,butmildlymixedwiththesignal.This

addsCrossoverdistortion,extraharmonicsandacrispytexture.

Normal:Octaveupoff.

High:OctaveUpfullymixed.Itisverysensitivetovoicingandmodesettings,sothere´sawhole

world.Evensitartones.

MIDS:

Scoop:formetaltones..Scoops12dBaround700Hz.

Boost:Booststhemidsaround8002kHz.Verygoodforliveuse!!

Flat:regularmidresponse,similartoaMarshallTonestack.

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Internalswitches

LoopAssign:assignstheFXlooptobeactivatedallthetime(whilethepedalisengaged),or

onlywhentheBoostisengaged(Eg:addsomedelaytothatsolowithoutsteppingon2pedals)

Guitar/Bass:ChangestheoutputEQ.Bassmodecutssomehighmidsandaddsbottomend.You

canuseeithermodereally.Whateversoundsbestforyou.

Useaprecisionscrewdriverorsomethingsimilartotoggletheseswitchesthroughtheholesatthe

bottomofthepedal.

Connections:

Input:Yes.Inputjack

FXsend:Sendjackfortheinternalfxloop

FXReturn:Yes,exactly,youcanleavetheSendemptyandusethereturnasaninsert(Eg:a

parallelcompressedcleansignal?)

Output:Ofcourse..

DCJack:CenterNegative,40mA.Youcanpoweritupfrom9Vto18Vformoreheadroom,and

differentdynamics.

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SamplesettingsForGuitar

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SAMPLESETTINGSFORBASS

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