JVC KB-700 Manuale utente

Thank

you

for

pu

rchasing

JVC's KB-700 Stereo Keyboard.

To

use

the

KB-7DO correctly and extend its life, be sure

to

read these

instruc1:ions

carefully. After reading, retain this

manual

for

future

reference.

IMPORTANT

A voltage

selector

is

provided

on

the

rear as shown

in

the

illustration

on

page

3. Before connecting

the

mains supply

plug, check

that

i1:

is

set

to

correspond to your local power

voltage (120 V,

220

Vor

240

V).

For areas

where

the

voltage

is

between 110 V and 127

V,

set

to

the

120

V

position.

IMPORTANT

(In

the United Kingdom)

Mains Supply

(AC

240 V"v, 50 Hz

only)

Do

not

make

any

connection to

the

Larger Terminal

coded E

or

Green.

The wires

in

the

mains lead are

coloured

in

accordance

with following code:

Blue

to

N

(Neutral)

or

Black

Brown

to

L

(Live;

or

Red

If

these

colours

do

not

correspond with

the

terminal

identifications

of

your

plug,

connect

as

foliows:

Blue wire

to

terminal

coded N (Neutral)

or

colQured

Black. Brown

wire

to

terminal coded L (Live) or

coloured Red.

If

in

doubt

-

consult

a competent electrician.

WARNING

There are high

voltages

inside this unit. Before removing the

bottom

cover, be

sure

to

unplug

the

mains power supply cord.

CAUTION

To

prevent

electric

shock, do

not

remove screws, covers

or

cabinet.

No

user-5erviceable parts inside. Refer servicing

to

qualified

service personnel.

Note

Disconnect

the

mains

plug from the supply socket when not

in use.

WARNING:

TO PREVENT FIRE

OR

SHOCK

HAZARD, DO

NOT

EXPOSE

THIS

APPLIANCE TO

RAIN OR MOISTURE.

Eftersom denna

apparat

använda det sekundär ström-

knappsystem, konsumeras

en

liten mängd ström (ungefär

1

W)

även

om

POWE

R knappen star pa ON.

För

att

stänga av

strömen

helt

och

hallet, drag

ut

strömkontakten

-1-

FEATURES

•

Sound

quality

is

the

most striking feature

of

JVC Stereo

Keyboards; this

is

a development based

on

our

long experi-

ence

in

audio. The KB-700 has 12 Orchestral Preset Voioes

and

4 Solo Synthesizer Preset Voices.

• Key Split; this allows the keyboard

to

be divided into

two

parts. The melody keys played by

the

right hand can be

enhanced with

the

preset voioes while

the

left hand provides

the

string and bass accompaniment.

• Faseinating Chord

automatic

accompaniment

is

the

easiest

way a professional sound can

be

achieved with 4 bass line

patterns, 3 arpeggio patterns, 2 rhythmic accompaniments

(piano

or

guitar) and string chords.

• Auto

Rhythm

-

14

different rhythms plus 2 Intro & Fill

In

patterns.

• Key Transpose lets you transpose any key so

that

you can

play

in

C - this

is

convenient for playing

with

other

instru-

ments or vocalists.

• Compueorder stores

the

chord and bass progressions for up

to

64

bars

in

each of 3 tracks so

that

up

to

192 bars can be

replayed from memory.

• Ultra Chord adds harmony

to

a melody

fine

played by

the

right hand.

•

In

addition

to

the

JVC-<leveloped two-speaker stereo effect,

effect

controls are provided for Ensemble, Presence,

Tremolo, Orchestral Sustain and Bass Sustain.

• Magie Foot switch controls Sustain, Intro & Fill

In

and

Pitch Bending.

• Stereo Pan Pot Mixer lets you create any acoustic image

with 7 sound

level

controlsand

5 panoramic potentiometers

giving all

the

functions of a recording studio.

•

MIC

input terminal allows

the

connection

of

an external

audio source a microphorie,

another

electric musical

instrument, a

tape

deck

or

a stereo system.

• Stereo

output

terminals are provided for the oonnection

to

other

equipment and for recording.

CONTENTS

Features

...............................

" 1

Names

of

Sections

..........................

2

Preparations

..............................

3

Stereo Pan Pot

Mixer.

. . . . . . . . . . . . . . . . . . . . . .

..

4

Key Spllt

................................

5

Accompaniment Strings and Bass. . . . . . . . . . . . . . .

..

5

Orchestral Presets and Solo Synthesizer Presets

.......

6

Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

..

7

Auto

Rhythm

.............................

8

Fascinating Chord

.......................

, .

..

9

Ultra Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

..

11

Key Transpose

......................

, . . . .

..

12

Compucorder . . . . . . . . . . . . . . . . . . . . . . . . . . . .

..

13

Magic

Foot

Switch and Expression Pedal

............

15

Connection Terminals and Pitch Controls

.........

"

..

16

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . .

..

17

Safety Precautions

..........................

17

Specifications

.............................

18

NAMES

OF

SECTIONS

Control panel

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Side panel

o Bass Variation selectors (see pages 9 - 10)

To

seleet

the

automatie

aeeompaniment bass patterns,

..

Compucorder (pages

13

-14)

To store

accompaniment

ehords and bass lines

in

memory.

@)

Key Split mode selector (page

5)

This seleets

the

keys alloeated for

the

left hand accompani-

ment

and right

hand

melody. LEDs indieate the mode and

dotted

lines

the

key

split position.

o Key Transpose

switch

(page 12)

This

is

used

to

transpose

from any key

to

the

key of C.

• Accompaniment

tone

selector (pages 9 - 10)

To

seleet piano

or

guitar

tone

for automatie accompani-

ment

rhythmie

ehords.

G Arpeggio Variation selector (pages 9 - 10)

To seleet

the

automatie

aeeompaniment arpeggio pattern.

• Fascinating Chord mode selectors (pages 9 10)

To

seleet

the

automatie

aecompaniment mode.

G Chord Memory switch (pages 9 - 10)

To

eontinue

the

automatie aeeompaniment after

the

fingers are removed from

the

keyboard.

CI)

Beat Conductor (page

8)

LEDs whieh

show

the

tempo and beat

of

the

rhythm.

•

Auto

Rhythm

controls

(page

8)

This section ineludes

the

Rhythm Tempo slide eontrol,

the

Start

&

Stop

switeh,

the

Synehro Start switeh,

the

Intro

& Fill

In

switeh,

the

7 rhythm seleetors and

the

upper/

lower seleetor for selecting one

of

fourteen rhythms.

• Stereo Pan Pot Mixer (page

4)

This section eonsists

of

7 slide controls

to

adjust

the

sound

level

of

eaeh

of

the

keyboard's seven sounds.

48

Stereo Pan Pots (page

4)

Five

potentiometers

under

the

plastic cover adjust

the

position

of

the

acoustic image.

• Magic

Foot

selector (page 15)

To select

the

function

of

the

foot

switeh,

Rear panel

CD

Presence Control (page 7)

To regulate the stereo and ensemble effeets.

.,

Sustain control -Bass (page 7)

To adjust

the

time

the

bass

is

sustained.

.,

Sustain control -Orchestral (page

7)

To

adjust

the

time

the

Orchestral Presets are sustained.

• Ultra Chord mode selector (page 11)

Two types

of

harmony ean aecompany

the

right-hand

melody.

I)

Stereo/Ensemble selector (page 7)

The Ensemble effeet gives a softer, richer

tone.

6\)

Tremolo switch (page

7)

The Tremolo effeet can

be

used

to

enhanee

the

Organ

and Jazz Organ voices.

Ci)

Solo SynthesizErr Preset voices (page

6)

One

of

tour

voices ean be seleeted using

the

two

voiee

selectors and

the

upperflower selector.

Solo Keying and Solo Caneel switehes are also provided

in

this seetion.

• Orchestral Preset voices (page

6)

One

of

twelve voices can be selected using six voiee seleetors

and the upper/lower seleetor.

• Total Volume control (page 3)

To adjust

the

overall volume.

• Power switch (page

3)

The

LED

lights when

the

power

is

on.

• Microphone

Inputjack

(page 16)

.,

Microphone Volume control (page 16)

..

Solo Pitch control (page 16)

.,

Main Pitch control (page 16)

GI

Foot

switch terminal (page 15)

..

Power supply section (page 3)

e Headphone jack (page 16)

• Stereo Auxiliary

Output

terminals (page 16)

• Expression pedal terminal (page

15)

2-

PREPARATIONS

1 Power can

be

supplied

to

the

KB-700

in

any

of

three

ways; from

AC

mains, from a 12 V car battery

or

from eight R20 batteries.

Power cord

(provided)

p

Car

Adaptor

CN·332

(optional)

Mains supply

•

Be

sure

that

the

voltage selector

is

set correctly.

Insert a screwdriver into the slot and move

the

switch so

that

the

voltage

in

your area

is

displayed

in

the

selector.

(See

"IMPORTANT"

on

page

1)

• The

AC

STAND·BY lamp lights when the power cord

is

connected

to

an

AC

mains socket.

Batteries

• To insert batteries, turn

the

KB·700 upside down, open

the

battery compartment and insert eight R20 batteries.

•

If

the power indicator flickers when no sound

is

being

produced, it indicates

that

the batteries are almost ex-

hausted;

in

this condition,

the

KB-700 will

be

unable

to

achieve its full potential.

•

When

the KB-700

is

not

to

be used 10r a long time or when

it

is

used with mains power supply. remove the batteries

to

prevent damage due

to

corrosion.

Car

battery

.

• To avoid trouble

due

to

incorrect polarity, use the specified

CN-332 adaptor.

2 Setting

up

the

music stand

Flip up

the

transparent board covering the control panel;

this serves as

the

music stand.

00

not press it

too

far back.

3 Switch

on

the

power

Press the front of the

POWER

switch and adjust the overall

volume with the TOTAL VOLUME contro!. Slide up

to

in-

crease the volume and down

to

decrease.

Press the front of

the

POWE

R

button

to

switch on

the

power;

the

LED

will light.

• Adjust the overall volume

to

avoid distorted sound fram

the

KB-700 and equiprnent connected

to

the

output

terminals. When the KB-700

is

connected

to

a stereo sys-

tem, the TOTAL VOLUME

contra

I

of

the KB-700 should

be set

to

its mid

point

and the volume controlled from the

stereo system.

.dlilill.

..

TOTAL

c::::I

VOLUh1l€

f'OW€A

-3-

STEREO PAN POT MIXER

This consists

of

seven

mixer slide controls and five panoramic potentiometers under

the

plastic cover.

Mixers These

control

the

volumes

of

each

of

the

KB-700's Pan Pots These adjust

the

balance

of

various voices bass,

sound

systems:

auto

rhythm, bass, rhythmic accom- rhythmic accompaniment chords and arpeggios,

paniment

chord,

arpeggio, accompaniment strings, accompaniment strings and orchestral preset strings,

orchestral

presets and solo presets. orchestral presets (excluding String Ensemble) and

Their

arrangement

can be seen at a glance. solo synthesizer presets and microphone -between

the

left and right channels.

Slide

up

each control

to

increase

the

level

and down

to

decrease.

Turn clockwise

to

move

the

sound

to

the

right and

counterclockwise

to

move

the

sound

to

the

left.

The

Mixer

controls

should be used

to

adjust

the

balance;

use

the

TOT

AL

VOLUME control

to

adjust

the

overall

volume.

STEREO

PA~

POT

. . · . . . . . .

o 0

.c" o O0 .0

..

O·

..

0"

.

o " 0

I H (

f.l

I H \ ;:l

BASS

STR!NGS

Ot<:CI1ESTRAl

50;'0

SYNTHE

'"

M1C

STEREO

PAN POT

MIXER

AUTO

ACCOMP

CRCrlES-

sm.o

RHVfHM BASS

ACCOMP

ARPEGGiO

$TRINGS

TRAl

SYNTHE

4-

KEY SPLIT .

The 61-key

keyboard

of

the

KB-700 can be divided

in

two

ways

into

lett and right sections, each

of

wh

ich can have different tones.

With

the

right hand

playing

the

melody and

the

left

the

accompaniment, this allows

the

KB-700

to

be used as a two-keyboard

spinet-type electron

ic

organ.

Press

the

NORMAL button_

• This makes sure

that

the

automatie

accompaniment mode

is

released.

If

an automatie accom-

paniment mode

is

engaged,

the

left

of

the

split keyboard will produce a different

tone.

See

f-----.

pages 9

10

for details.

1.--+i---48111

Press

the

KEY

SPLIT

button

to

select

the

desired key split mode. Each

time

the

button

is

~

J

p""ed

th,

mOd"h",

..

in

th,

"qu'noe

F

UL

L,

" 2;

thi,

i,

indi''''d

by

th,

",hting

0'

LED"

I

rULLI

The Key Split

is

disengaged and

the

full

61

keys can be used for melody.

m

The

keysfrom

bottom

C

to

F#

one octave

above

wi

11

be

the

accompaniment keys

(up

to

dotted

line

[TI).

\.~-~

::::::~~~~~'j-"

Accompaniment

keys

Melody

keys

The keys from

bottom

C

to

8 onll octave

cce>

above will be

the

accompaniment keys

(up

to

dotted

line

~).

Accompaniment

keys

Tones available

from

: Orchestral preset voices, Solo syn- Tones available

from

: Strings, bass (For details, see below.)

melody keys thesizer preset voices. (For details, accompaniment keys

see page

6.1

ACCOMPANIMENT STRINGS AND BASS

Two voices can be used

with

the

accompaniment keys. Adjust

the

respective STEREO

PAN

POT MIXER controls for

the

required

response.

Strings

Bass

With the Fascinating Chord switched off, this produces

up

to

This

is

monophonie; only

the

note eorresponding

to

the

lowest

8 notes;

with

the

Fascinating Chord switehed

on,

it produees key pressed will be produced.

up

to

4 notes.

STEREO

PAN POT

MIXER

"'·"·"'0'4"13,,'"

1l;;fO

.o.CCOIAP

ORC>-tES

$01.0

AUTO "';::COM1"

DReHES

SOLO

qo.jl'!H~

SASS

AceO,",p

ARPEGG)O

ST"lINGS

"AAL

Sl'''ITHE.

RH'(T>l\A

SASS

AeCOM?

"'APEGGlO

S"tAINGS

Ha_L

S'l'''-THf.

-5

---

ORCHESTRAL

PRESETS AND SOLO SYNTHESIZER'PRESETS '

The

melody

keys

can

be

used

to

produce either

one

Orchestral Preset voice and one Solo synthesizer preset voice

or

both

at

the

same

time.

DRC;.;fS'RAl

PRESETS

;'i&i'''UE'

SOLO

SVNTI'lE

ORCHESTRAL PRESETS

These voices are

polyphonie

and can produce up

to

eight notes

at

one

time. (When

more

than

eight keys are pressed simultaneously,

the

eight highest notes will

be

pro-

duced.)

Twelve preset voices can be selected

with

the

six selectors and

the

upper/lower

selector

on

the

right.

The voices are as listed with

the

selector

in

its

in

(

~

) and

out

(

...

) positions.

ISTRING

I

ORGAN!

HARPSI-

VIBRA-

Upper I

: ENSEMBLE

PIANO

CHORD

TRUMPET

PHONE

!

.!

ITR~MBONE

ELECTRIC

I

JAZZ

HAWAIIAN

! i

CLARINET

JA

ZZ

i Lower '

i

PIANO

i

ORGAN!

GUITAR

FLUTEd

Use

the

ORCHESTRAL slide control of

the

STEREO

PAN

POT MIXER

to

adjust

the

relative

sound

level

of

the

Orchestral Preset voice.

SOLO SYNTHESIZER PRESETS

These voices are

monophonie

and,

when more

than

one

key

is

pressed, only

the

top

one

is

heard.

Four preset voices can be selected with

the

two voice selectors and

the

upper/lower

selector

on

the

right.

Upper

TRUMPET

GUITAR

•

Lower

PAN

FLUTE

SYNTHESIZER

TONE

SOLO CANCEL

SOLO KEYING

When this

is

pressed,

the

selected Solo Synthesizer Preset voice

is

cancelled and

is

not

produced. Pressing this

button

again reactivates

the

voice.

Since

the

Solo Synthesizer Presets are

monophonie,

only

the

high-

est

note pressed

is

produced.

If

the

right hand

is

removed when

playing with

both

hands,

the

highest note played by

the

left hand

is

produced. Solo Keying prevents this; when it

is

pressed,

the

highest note pressed by

the

left hand

is

not

produced

as long as

the

keys pressed by

the

left hand are

not

changed.

Use

the

SOLO SYNTHE slide control

of

the

STEREO

PAN

POT MIXER

to

adjust

the

relative sound

level

of

the

Solo Synthesizer Preset voice.

6-

EFFEC1S

~----'-,

-5IJSt,olIN-

PI'II;SENCE

CON"I'AOl

SASS

Ol'lCHES1RAl

....

STEREO

fRE.MOLe

ORCHESTRAL

susrAIN

.-..

ENSEMSLE

___

S,f!A€O

lREUOlO

OI'lCHfS"'QAl

SUSTAIN

..-.

ENSEUSl€

-sus"'"~~

~ESENCE

CONHWl

GASS

OFICHI

SfRAL

r

-.

STEREO

When

the

STEREO/ENSEMBLE

button

is

in

its

out

position,

the

KB-100 produces

stereo

sound.

The

expansion and

depth

of

the

stereo

effect can be

con-

trolled by

the

PRESENCE

CONTROL slider.

ENSEMBLE

Press

the

STEREO/EMSEMBLE

button

to

produce

the

rich

sound

of

many instruments

playing together.

The

depth

of

this

effect

can also be

controlled

by

the

PRESENCE

CONTROL

slider.

ORCHESTRAL SUSTAIN

PRF:SfNCE

CONr~

SASS

ORCHESTRAL

SlEi"EO

TREMOLO ORCHES7RAl..

SUST"'IN

ENSE~alf

TREMOLO

Pressing this

button

gives

the

ORGAN

and

JAZZ

ORGAN

ORCHESTRALPRESETSa

tremoloeffect,

which can

now

be achieved electronically.

With sustain,

sound

continues even

after

the

key

is

released

and

fades gradually. This

effect

can only

be given

to

the

Orchestral Presets.

Each Orchestral Preset voice has a sustain

that

makes as close as possible

to

the

natural

sound;

the

, ,

~

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. ,

:.

:

.

I"

,

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,

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~

...

o

ORCHESTRAL

SvSTAIN

___

ENse"'SlE

...

STEREO

TRE~

ORCHESTRAL SUSTAIN

button

and

SUSTAIN-ORCHESTRAL slide

control

can be used

to

vary

these

predetermined

sustain times. (Press

the

button

to

activate

the

function

and move

the

slide con-

trol

up

to

lengthen

the

sustain

time

and

down

to

shorten

it.)

Original sustain

time

of

Orches-

tral Preset Voice Press

To

vary

the

sustain

time

in

the

middle

of

a

tune,

preset

the

new sustain time

with

the

slide

control

before starting

the

tune

and

press

the

ORCHESTRAL SUSTAIN

button

in

the

middle

of

the

tune

to

switch over

to

the

new

sustain time.

BASS SUSTAIN

Slide

to

adjust

the

bass sustain time.

-1-

AUTORHYTHM

With

the

KB·700,

the

rhythmic effeets use

both

the

left and right ehannels

to

obtain

the

required results.

BEAT

CONOUCTORJ

STEREO

PAN

POT

MIXER

' 2 3 4 AUTO ACCOMP ORCHES- SOLO

[• C C

Cl

$YNCHRO

RHVTHM

BASS

ACCOMP

ARPEGGIO STRINGS

TRAl

SYNTH€

RHYTHM

TEMPO

S,ART

• Seleet one of

14

rhythms using

the

seven seleetors and the

upper/lower seleetor

on

the

right.

..

Use

the

AUTO RHYTHM slide eontrol

to

obtain

the

re·

quired relative volume

of

the

rhythm instruments.

•

Start

the

rhythm

by pressing one

of

buttons A, B

or

C.

® START &

STOP

Press

to

start

anormal

rhythmie aeeompaniment.

@ INTRO &

FILL

IN

Press this

for

Intro & Fill

In

for

the

first bar; normal

rhythm

starts from

the

seeond bar. (See item

Cf))

START

When this

is

pressed, normal rhythm starts when

the

first

aeeompaniment

key

is

pressed.

o

Use

the

RHYTHM TEMPO slide eontrol

to

adjust

the

tempo.

Slide up

to

speed

up

and down

to

slow down.

The tempo and beat are indieated by

the

BEAT CONDUC·

TOR LEDs.

Cf)

Use

the

INTRO & FILL

IN

button

to

vary

the

rhythm; it

varies

the

rhythm

image

of

the

bar being played and

is

most

effeetive

in

the

introduetion or between ehoruses.

..

To

stop

the

rhythm, press

the

START & STOP

button.

WALTZ

SAMBA

BOSSANOVA DISCO ROCK I

POLKA/MARCH

I

RHUMBA

TANGO

ROCK'N'ROLL

ROCK

II

1 Upper

REGGAE SWING i

.....

Lower

SLOW ROCK

SHUFFLE

..JIIIL.

8-

FASCINATING CHORD , - _

This

is

a JVC original

automatie

accompaniment

technique

using

the

latest

computer

teehnology.

III

~

NQRMAL

ONE

MUlJI

CHORO

FINGER

FINGER MEMORY

FASCINATONG

eHORD

o

t::::J

c:::J

0

1 2 3 AUTO

VARI

r--...

8A

•.

.....

5

5..

VAlIlAT.'

•..

O

•..

N

...

'...

:

10

g00

Aeeo","

...

",ANO

ARPEGGIO

.-.GUlTAR

\JARl

Press

either

the

NORMAL, ONE FINGER

or

MULTI-FINGER

button

to

seleet

the

mode.

NORMAL

The

automatic

aceompaniment

is

disengaged.

ONE FINGER Chords are

produeed

by playing

with

just

one

finger

of

the

left hand.

MULTI FING

ER

Select this position

to

play ehords with

the

left hand.

Fascinating Chord

is

used

together

with

the

Split Key funetion; select Split Key 1 or 2

with

the

KEY SPLIT

button

(See page 5).

The Fascinating Chord produees

the

following

four

types of accompaniment;

the

sound

level of each

is

adjusted with

the

corresponding STEREO PAN POT MIXER

slide

control.

• Bass

Four

bass line

patterns

are provided

for

eaeh

rhythm.

Select

one

of

these with

the

BASS VARIATION

buttons.

1 Basic

pattern

2 - Variation

of

basic

pattern

3 - Walking bass

AUTO VARI -

three

bars

of

pattern

1,

then

one bar

of

pattern

2.

Use

the

BASS slide

control

to

adjust

the

sound

level.

• Rhythmic

accompaniment

chords

These can have

two

tones,

piano or guitar; select with

the

upper/lower selector

(ACCOMP PIANO/GUITAR)

and

adjust

the

volume

with

the

ACCOMP. slide

control.

• Arpeggio

Three arpeggio

patterns

are provided.

Use

the

ARPEGG10 VAR I. switch

to

select

the

required

pattern

and

the

ARPEGGIO slide control

to

adjust

the

volume.

•

Accompaniment

strings

This provided a

continuous

string accompaniment; adjust

the

volume with

the

ACCOMP. STRINGS slide contro!.

The

rhythmie

accompaniment

chords and arpeggios are

not

output

until

the

Auto

Rhythm

is

started.

Up to

four

notes can be used for

accompaniement

strings and

the

bass

is

within one

octave (if

different

Cs

are pressed,

the

same C pitch will produced).

CHORD MEMORY

When this

button

is

pressed,

the

automatie

accompaniment

continues after

the

accom-

paniment

keys have been released.

NOFU"AL

ONE MUl1: CHORO

FINGER

F!NGEFI

MEMORY

FASCINATING

CHORO

-9-

JVC KB-700 Manuale utente

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