Kustom KMA35X DFX Manuale utente

OWNER'S MANUAL
KMA35X DFX
Congratulations on the purchase of your new Kustom amp! Your KMA35X DFX model
successfully draws on more than 30 years of amplifier design and manufacturing
experience at Kustom. This amp was planned from the ground up by our engineers to
offer top-notch tone and dependable performance. Inside this manual, you'll find useful
information about the amp's features and some suggested settings to illustrate its tonal
capabilities. We wish you many years of enjoyment with your Kustom amplifier.

KMA35X
DFX
Model Power Channels Impedance Effects
Equalizer Amplifier Type Dimensions Weight
30 W 3 Band Two 8 Ohms 8 Preset
Digital EFX
MOS-FET Transistor 31 Lbs.
15.5 Kg
DURATION PER DAY IN HOURS
8
6
4
3
2
1
1/2 HR. or LESS
DANGER
EXPOSURE TO EXTREMELY HIGH NOISE LEVELS MAY CAUSE A
PERMANENT HEARING LOSS. INDIVIDUALS VARY CONSIDERABLY TO
NOISE INDUCED HEARING LOSS BUT NEARLY EVERYONE WILL LOSE
SOME HEARING IF EXPOSED TO SUFFICIENTLY INTENSE NOISE FOR A
SUFFICIENT TIME.
THE U.S. GOVERNMENT'S OCCUPATIONAL SAFETY AND HEALTH
ADMINISTRATION (OSHA) HAS SPECIFIED THE FOLLOWING PERMISSIBLE
NOISE LEVEL EXPOSURES:
ACCORDING TO OSHA, ANY EXPOSURE IN THE ABOVE PERMISSIBLE
LIMITS COULD RESULT IN SOME HEARING LOSS. EAR PLUGS OR
PROTECTORS IN THE EAR CANAL OR OVER THE EARS MUST BE WORN
WHEN OPERATING THIS AMPLIFICATION SYSTEM IN ORDER TO PREVENT A
PERMANENT HEARING LOSS. IF EXPOSURE IN EXCESS OF THE LIMITS AS
PUT FORTH ABOVE, TO INSURE AGAINST POTENTIALLY HARMFUL
EXPOSURE TO HIGH SOUND PRESSURE LEVELS. IT IS RECOMMENDED
THAT ALL PERSONS EXPOSED TO EQUIPMENT CAPABLE OF INDUCING
HIGH SOUND PRESSURE LEVELS, SUCH AS THIS AMPLIFICATION SYSTEM,
BE PROTECTED BY HEARING PROTECTORS WHILE THIS UNIT IS IN
OPERATION.
WARNING!
!THIS APPARATUS SHALL NOT BE EXPOSED TO DRIPPING OR
SPLASHING. NO OBJECTS FILLED WITH LIQUIDS SUCH AS
VASES SHALL BE PLACED ON THE APPARATUS.
!TO AVOID ELECTRICAL SHOCK, DO NOT DISASSEMBLE.
REFER SERVICING TO QUALIFIED PERSONAL ONLY!
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO
NOT REMOVE CHASSIS. NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
THIS SYMBOL IS INTENDED TO ALERT THE USER TO THE
PRESENCE OF UNINSULATED "DANGEROUS VOLTAGE" WITHIN THE
PRODUCT'S ENCLOSURE THAT MAY BE OF SUFFICIENT MAGNITUDE
TO CONSTITUTE A RISK OF ELECTRIC SHOCK TO PERSONS.
THIS SYMBOL IS INTENDED TO ALERT THE USER TO THE
PRESENCE OF IMPORTANT OPERATING AND MAINTENANCE
(SERVICING) INSTRUCTIONS IN THE LITERATURE ACCOMPANYING
THE UNIT.
Kustom Inc., 4940 Delhi Pike, Cincinnati, OH • USA
(800) 999-5558 Fax: (513) 347-2192 / www.kustom.com
IMPORTANT
1. Read all safety and operating instructions before using this product.
2. All safety and operating instructions should be kept for future reference.
3. Obey all cautions in the operating instructions and on the back of the unit.
4. All operating instructions should be followed.
5. This product should not be used near water i.e. bathtub, sink, swimming pool,
wet basement, etc.
6. This product should be located so that its position does not interfere with
proper ventilation. It should not be placed flat against a wall or placed in a
built-in enclosure that will impede the flow of cooling air.
7. This product should not be placed near a source of heat, such as a stove,
radiator, or another heat producing amplifier.
8. Connect only to a power supply of the type indicated on the back of the
amplifier near the power supply cord.
9. Do not break off the ground pin of the power supply cord.
10. Power supply cords should always handled carefully. Never walk or place
equipment on power supply cords. Periodically check cords for cuts or signs of
stress, especially at the point where the cord exits the unit.
11. The power supply cord should be unplugged when the unit is unused
for long periods of time.
12. If this product is to be mounted in an equipment rack, rear support should be
provided.
13. Metal parts and vinyl covering may be cleaned with a damp rag.
14. Care should be taken so that objects do not fall and liquids are not spilled into
the unit through the ventilation ports or any other openings.
15. This unit should be checked by a qualified service technician if:
A. The power supply cord or plug has been damaged.
B. Anything has fallen or been spilled into the unit.
C. The unit does not operate correctly.
D. The unit has been dropped or the enclosure damaged.
16. The user should not attempt to service this equipment. All service work
must be done by a qualified service technician for warranty repairs.
CAUTION
THIS AMPLIFIER HAS BEEN DESIGNED AND CONSTRUCTED
TO PROVIDE ADEQUATE POWER RESERVE FOR PLAYING
MODERN MUSIC WHICH MAY REQUIRE OCCASIONAL PEAK
POWER. EXTENDED OPERATION AT ABSOLUTE MAXIMUM
POWER IS NOT RECOMMENDED SINCE THIS COULD
DAMAGE THE ASSOCIATED LOUDSPEAKER SYSTEM.
PLEASE BE AWARE THAT MAXIMUM POWER CAN BE
OBTAINED WITH VERY LOW SETTINGS OF THE MASTER
VOLUME CONTROLS IF THE INPUT SIGNAL IS VERY STRONG.
SOUND LEVEL dB FLOW RESPONSE
90
93
95
97
100
103
110
11
//
15 ”x18 ”x12 ”
88
38.5x46x30.5 CM

1 2 57910 1211
834413 14
1. BRIGHT ROOM
2. MELLOW ROOM
3. BRIGHT HALL
4. MELLOW HALL
5. CHORUS
6. CHORUS/REVERB
7. SLAPBACK
8. DELAY
KMA35 DFX
LOW HI-MIDLO-MID HIGHGAIN 1 GAIN 2
MIC/LINE
INPUT 1
MIC/LINE
INPUT 2
POWER
EQUALIZER DIGITAL EFFECTS
LEVEL PROGRAM
5
6
7
8
2
3
4
1
MIC/LINE
INPUT 1
MIC/LINE
INPUT 2 EFFECTS
ON
OFF
MIC
LINE
MIC
LINE
PREAMP
6
1.) Mic/Line Input Jack 1 - this is a 1/4" 2 conductor input jack for plugging in your instrument. It is intended for
keyboards or Hi-Z microphones but will accept other instruments as well.
2.) Mic/Line Input Jack 2 - this is a 1/4" 2 conductor input jack for plugging in your instrument. It is intended for
keyboards or Hi-Z microphones but will accept other instruments as well.
3.) Gain 1 - this control is the output volume control for the Input #1. Slowly increase the control to increase the
volume. If you are using a keyboard with a preamp, set it's level for a mid position before increasing this control
otherwise distortion may occur. Both inputs follow the same tone circuit as the other input.
4.) Mic/Line Switch - this switch will allow impedance matching depending on whether you are using a instrument
or a microphone input in the associated input.
5.) Gain 2 - this control is the output volume control for the Input #2. Slowly increase the control to increase the
volume. If you are using a high impedance microphone, be careful when increasing the volume. Depending on
mic position, it may feedback if mic is in front of speaker. Both inputs follow the same tone circuit as the other
input.
6.) Low - this control is the bass control. It is active and set to boost or cut frequencies at 55 Hz. This will effect
the low frequency signals. Turning it fully clockwise, the signal is boosted 18 db. Turning it counterclockwise,
the low will be rolled off -18db. Especially good for "cleaning up" preset patches or making thin patches sound
fuller.
7.) Lo Mid - this control is the Low Midrange control. It is active and set to boost or cut frequencies at 350 Hz.
This will effect the mid-low frequency signals. Turning it fully clockwise, the signal is boosted 12 db. Turning it
counterclockwise, the low-mids will be rolled off -12db. Especially good for "cleaning up" preset patches.
8.) Hi Mid - this control is the High Midrange control. It is active and set to boost or cut frequencies at 2.5KHz.
This will effect the mid-high frequency signals. Turning it fully clockwise, the signal is boosted 12 db. Turning it
counterclockwise, the low-mids will be rolled off -12db. Increasing this will add punch to keyboard patches or
vocal presence.
9.) High - this is the high frequency tone control. It is active and set to boost or cut frequencies at 8KHz. This will
effect the high frequency signals. Turning it fully clockwise, the signal is boosted 18 db. Turning it
counterclockwise, the low-mids will be rolled off -18db. This will add or subtract the high end shimmer and
clarity.
10.) Effects On/Off - this switch engages the digital effects section.
11.) Effects Level - this control adds the digital effects section and mixes it into the main signal buss. Several
different effects are available.
12.) Program Select - this switch will select any of eight different effects. 4- Reverb, 2- Chorus, and 2- delay.
13.) Jewel Light - this jewel light lets you know that the amplifier is on.
14.) Power - this switch turns on and off the AC power to the amp.
Back Panel - (not pictured)
Speaker Out - this is a 2 conductor 1/4" speaker output jack. This will disconnect the internal speaker and
allow an external speaker cabinet to be employed. Rating is 8 ohms.
Line Output - this is a 2 conductor 1/4" line output jack. This will allow an external amplifier or mixing board to
be supplied with the signal from this amp. This signal is attenuated and from the power amp.
Headphone Jack - this is a 1/4" 3 conductor jack for plugging headphones. It will sum the signal and put the
sound in both ears, thereby creating a pseudo-stereo sound. It will disconnect the internal speaker when
plugged in. This will allow quiet practicing.
Footswitch- this is a mono 1/4” jack. Plug a single non LED type footswitch (optional) into this jack to
turn the digital effects on and off.

1. BRIGHT ROOM
2. MELLOW ROOM
3. BRIGHT HALL
4. MELLOW HALL
5. CHORUS
6. CHORUS/REVERB
7. SLAPBACK
8. DELAY
LOW HI-MIDLO-MID HIGHGAIN 1 GAIN 2
EQUALIZER DIGITAL EFFECTS
LEVEL PROGRAM
5
6
7
8
2
3
4
1
MIC/LINE
INPUT 1
MIC/LINE
INPUT 2 EFFECTS
ON
OFF
MIC
LINE
MIC
LINE
PREAMP
1. BRIGHT ROOM
2. MELLOW ROOM
3. BRIGHT HALL
4. MELLOW HALL
5. CHORUS
6. CHORUS/REVERB
7. SLAPBACK
8. DELAY
LOW HI-MIDLO-MID HIGHGAIN 1 GAIN 2
EQUALIZER DIGITAL EFFECTS
LEVEL PROGRAM
5
6
7
8
2
3
4
1
MIC/LINE
INPUT 1
MIC/LINE
INPUT 2 EFFECTS
ON
OFF
MIC
LINE
MIC
LINE
PREAMP
Suggested Settings
(These settings are general starting points. They
are designed to get you close to the sound you
are looking for. If the control is not shown, then it
doesn't apply to this particular sound. )
Standard Dual Instrument Setup - in this setup two keyboards or instruments are plugged into
Inputs 1 & 2. (Remember, if you are using pre-amplified keyboards or a drum machine, we suggest
that you turn their output levels to about mid way up and this will give you a cleaner sound as well as
giving you available headroom for leads.) You can also plug in any combination of keyboards,
microphones or guitars. The two guitar setup is especially useful for teaching studios.
Of course, you can adjust the tone controls to any desired sound but in this setup, we suggest these
tone control settings. It will deliver a clear, clean sound that has enough top end clarity to cut through.
Add low and low mid for a beefier presence but be careful as this can "muddy up" the sound. Adjust
the reverb and chorus according to taste.
Standard Dual Microphone Setup - in this setup two Hi-Z microphones are plugged into Inputs 1 &
2. This is a basic mini-PA system. This can be also be used for plugging in a CD player or cassette
decks and a microphone for karaoke, teaching studios, small public address or even DJ work. It can
be used for singing over prerecorded tapes with mixing capabilities.
As mentioned earlier, you can adjust the tone controls to any desired sound, but in this setup we
suggest these tone control settings. Of course it depends on the listening environment. It will deliver a
clear, clean sound that has enough top end clarity to let the voices cut through.
Adjust the reverb and chrous to suit the music or to your taste. In public address work, you usually
don't use reverb unless you are singing.
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