Marshall Amplification CODE 25 Manuale utente

OWNER’S MANUAL

INTRODUCTION

OVERVIEW

WARNING! IMPORTANT SAFETY INSTRUCTIONS

1) Read these instructions.

2) Keep these instructions.

3) Heed all warnings.

4) Follow all instructions.

5) Do not use this apparatus near water.

6) Clean only with dry cloth.

7) Do not install near any heat sources

such as radiators, heat registers, stoves, or

other apparatus (including ampliers) that

produce heat.

8) Do not defeat the safety purpose of

the polarized or grounding-type plug. A

polarized plug has two blades with one

wider than the other. A grounding type

plug has two blades and a third grounding

prong. The wide blade or the third prong

are provided for your safety. If the provided

plug does not t into your outlet, consult an

electrician for replacement of the obsolete

outlet.

9) Protect the power cord from being

walked on or pinched particularly at plugs,

convenience receptacles, and the point

where they exit from the apparatus.

10) Only use attachments/accessories

specied by the manufacturer.

11) Unplug this apparatus during lightning

storms or when unused for long periods of

time.

12) Refer all servicing to qualied service

personnel. Servicing is required when

the apparatus has been damaged in any

way, such as power-supply cord or plug

is damaged, liquid has been spilled or

objects have fallen into the apparatus,

the apparatus has been exposed to rain or

moisture, does not operate normally, or has

been dropped.

13) WARNING: To reduce the risk of re or

electric shock, do not expose this apparatus

to rain or moisture.

14) The appliance coupler is used as the

disconnect device, the disconnect device

shall remain readily operable.

15) The apparatus shall not be exposed to

dripping or splashing and that no objects

lled with liquid, such as vases, shall be

placed on the apparatus.

This “bolt of lightning” symbol indicates uninsulated material

within your unit may cause an electric shock. For the safety of

everyone in your household, please do not remove product covering.

The “exclamation point” calls attention to features for which

you should read the enclosed literature closely to prevent

operating and maintenance problems.

COMPLIANCE STATEMENT

This device complies with Part

15 of the FCC Rules.

Operation is subject to the

following two conditions: (1)

This device may not cause

harmful interference, and (2)

This device must accept any

interference received, including

interference that may cause

undesired operation.

Warning: Changes or

modications to this unit not

expressly approved by the party

responsible for compliance

could void the user’s authority

to operate the equipment.

Note: This equipment has been

tested and found to comply

with the limits for a Class B

digital device, pursuant to

Part 15 of the FCC Rules.

These limits are designed to

provide reasonable protection

against harmful interference in

a residential installation. This

equipment generates, uses and

can radiate radio frequency

energy and, if not installed

and used in accordance with

the instructions, may cause

harmful interference to radio

communications. However,

there is no guarantee that

interference will not occur

in a particular installation. If

this equipment does cause

harmful interference to radio or

television reception, which can

be determined by turning the

equipment off and on, the user

is encouraged to try to correct

the interference by one or more

of the following measures:

- Reorient or relocate the

receiving antenna.

- Increase the separation

between the equipment and

receiver.

- Connect the equipment into

an outlet on a circuit different

from that to which the receiver

is connected.

- Consult the dealer or

an experienced radio/TV

technician for help.

This equipment complies

with FCC RF radiation

exposure limits set forth for an

uncontrolled environment. This

equipment should be installed

and operated with a minimum

distance of 20 centimeters

between the radiator and your

body.

Industry Canada caution.

This device complies with

Industry Canada licence-

exempt RSS standard(s).

Operation is subject to the

following two conditions:

(1) This device may not cause

interference, and (2) This device

must accept any interference,

including interference that may

cause undesired operation of

the device.

Francais:

Le présent appareil est

conforme aux CNR d’Industrie

Canada applicables aux

appareils radio exempts de

licence.

L’exploitation est autorisée aux

deux conditions suivantes:

(1) l’appareil ne doit pas

produire de brouillage, et

(2) l’utilisateur de l’appareil

doit accepter tout brouillage

radioélectrique subi, même si le

brouillage est susceptible

d’en compromettre le

fonctionnement.

2200

ENGLISH ENGLISH

Power (RMS)

Presets

Speaker

Footcontroller

Weight

Size (in mm)

Connectivity

25 Watts

100 User editable Presets

10” Custom Voiced

4-Way Programmable (PEDL-91009, Sold separately)

8 kg

350 x 340 x 215

Bluetooth®4.0 & USB 2.0

CODE25 TECHNICAL SPECIFICATION

CODE is a new generation of Marshall amplier. Fully programmable, CODE combines

authentic modelling of classic and contemporary Marshall tones with professional

quality FX. CODE preamp, power amp and speaker cabinet models have been developed

in collaboration with audio software pioneers Softube to create Marshall-Softube

(MST) modelling. Featuring Bluetooth® & USB connectivity, and Marshall Gateway™

compatibility, CODE is a powerful tool that lets you make music your way.

CODE is loaded with sonic possibilities. It has 14 MST preamps, 4 MST power amps

and 8 MST speaker cabinets. CODE features 24 FX: including Compressor, stompbox

Distortions, Auto Wah, Pitch Shifter, Chorus, Vibrato, Phaser, Vibes, Flanger and Tremolo.

It includes Studio, Vintage, Multi and Reverse Delays, Tap Tempo, and studio quality

Reverbs. Including Gate, you can have up to 5 FX simultaneously.

Using the Marshall Gateway App for your iOS or Android device you can control CODE’s

settings remotely via Bluetooth and share Presets with other CODE users. You can stream

audio from your device, computer or MP3 player through CODE’s speaker or headphones

for practice, or jam along with tracks from your music library. Connect via USB to use your

CODE amplier as a DAW interface.

We sincerely hope that you enjoy your CODE amplier and we wish you every success,

whatever your performance situation. Thank you for choosing Marshall.

- The Marshall Team

MARSHALL AMPLIFIER HISTORY (CONT.)

MST modelling recreates the tonal and sonic characteristics of some of the most successful

and respected amplier preamps from the past fty plus years.

JTM45™

The JTM45 was the rst Marshall amplier. It was made in 1962 by Jim Marshall and his

small team of engineers in a workshop at his music store in Hanwell, London. This 30 Watt

two channel amplier began a revolution that changed forever the sound of rock and

blues music. The JTM45 is still made today as part of the Vintage Re-Issue™ Series and

Handwired™ Series.

1962 Bluesbreaker™

The 1962 Bluesbreaker was the rst combo made by Marshall. Launched in 1965, it had

two 12” speakers with an output of 30 Watts. The 1962 was famously used by Eric Clapton

on the inuential blues album ‘John Mayall’s Bluesbreakers’ in 1966 – hence the 1962’s

‘Bluesbreaker’ nickname. The 1962 Bluesbreaker is still made today as part of the Vintage

Re-Issue Series™ and Handwired™ Series.

1959™ Plexi™

To the minds and ears of many, the 100 Watt Super Lead heads of the mid to late 1960s are

the holy grail of great rock tone. Being non-master-volume, when cranked, the 1959 power

valves overdrive producing highly responsive, harmonically rich tones. The 1959 amplier

is still made today as part of the Vintage Re-Issue Series™ and Handwired™ Series.

JCM800 2203™

The 2203 is one of the most important ampliers Marshall has ever made. It evolved in the

‘70s from the JMP and 1959 Plexi heads. In the ‘80s the 2203 became the JCM800 2203

we know today: a straightforward single channel amplier that was favoured by the heavy

metal scene that dominated much of that decade. Its popularity remained well into the ‘90s

with the emergence of Grunge and Britpop, and it’s still revered today and is considered

the benchmark by which modern all metal ampliers are measured.

JCM2555™ Silver Jubilee™

The 25/50 Silver Jubilee Series was created in 1987 to celebrate the 25th anniversary of

the founding of Marshall Amplication and 50 years of Jim Marshall being in the music

business. Based on the JCM800 2203 and 2204™ Master Volume models, Silver Jubilee

ampliers had a special preamp circuit that featured three gain ‘modes’ which were Clean,

Rhythm Clip and a switchable Lead Channel. The 2555 was the 100 Watt head in the

Jubilee series, which was a limited edition. By popular demand the JCM2555 was re-issued

as the 2555X™ in 2015.

JCM2000™ DSL100™

Launched in 1997, the JCM2000 Dual Super Lead’s ‘dual mode’ design meant that guitarists

could choose either a Clean or Crunch tone from the Classic Gain Channel, whilst the

Ultra Gain Channel provided two lead sounds: Lead 1 & Lead 2. This tonal versatility was

aided by the Deep and Tone Shift features. It is the JCM2000 DSL100’s tonal range and

versatility that made it massively popular in its day, so much so, that its legacy lives on in

the current DSL Series.

MARSHALL AMPLIFIER HISTORY

JVM410H™

When the JVM410H launched in 2006 it caused quite a stir. This 100 Watt head is an all-

valve tonal monster that has four channels, each with three modes: Green, Orange and

Red, offering guitarists a range of 12 unique tones. Each mode recongures the channel

gain stages in order to develop different amounts of gain and tone. The JVM410H’s vast

tonal spectrum makes it the most versatile amplier Marshall has ever made, used by many

professional players.

POWER AMPLIFIERS

MST modelling recreates four classic and vintage valve power output topologies. A valve

power stage is a vital part of an all-valve amplier’s sound and its tonal character.

SPEAKER CABINETS

Marshall speaker cabinets are perhaps as famous as Marshall ampliers. The iconic 4 x 12”

design has changed little since Jim Marshall designed the rst one in 1965. Since then the

Marshall 4 x 12” has become the touchstone for all other speaker cabinets. MST modelling

recreates the sonic characteristics of eight classic Marshall speaker cabinets, including a

variety of 4 x 12”, 2 x 12” & 1 x 12” speaker congurations. Marshall speaker cabinets differ

not only in their speaker congurations, but in the speakers that they use, how they are

wired and the size of the cabinet.

ENGLISH ENGLISH

GETTING STARTED

To begin using CODE:

• Ensure that the power ON/OFF switch is set to the OFF position (#13 in this manual).

• Connect the supplied power cord to the rear power socket of the amplier before

plugging into the mains electricity supply.

• Plug your guitar cable into the amplier INPUT jack socket (#2 in this manual).

• Set the MASTER volume control to zero (#9 in this manual).

• Turn the amplier ON using the ON/OFF switch.

• Gradually turn the MASTER up to your desired volume level.

• Turn the PRESET selector to explore your CODE amplier’s factory Presets

(#8 in this manual).

Marshall

FRONT PANEL FUNCTIONS

3 4 5 6

14 15 16 17 18 19

2. INPUT

Use this jack socket to connect your

guitar to the amplier. Use a good quality

screened/shielded guitar cable to help

prevent noise interference.

3. GAIN

Controls the amount of Gain introduced to

a Preset. The higher the Gain, the harder

the preamp is driven.

4. BASS

Turning the BASS control will adjust the

warmth and low-end depth of your sound.

5. MIDDLE

Adjusting the MIDDLE control will vary the

amount of body in your sound by boosting

or cutting midrange frequencies.

6. TREBLE

Increasing the TREBLE will make your

sound brighter and more cutting. Turning

the TREBLE down will decrease tonal edge

and make the sound softer.

7. VOLUME

Controls the volume level within a selected

Preset (#8 in this manual).

Because GAIN, BASS, MIDDLE, TREBLE

& VOLUME are stored as part of a Preset,

these panel tone controls only become active

when they are used. This means that until

they are turned their position is not related to

their setting within a Preset. When you turn

a tone control it becomes active. The display

screen will show its current setting and the

stored setting.

When a GAIN, BASS, MIDDLE, TREBLE

or VOLUME control is activated the

EXIT/STORE LED will ash red to show that

the Preset’s stored settings have changed.

7 8 9 12 1311

20 22 21 10

To record with CODE using your DAW:

• Connect to your computer via USB.

• Select your CODE amplier as the input

source on your computer and within

your DAW.

To stream audio from your computer

through CODE:

• Connect to your computer via USB.

• Select your CODE amplier as your

computer’s output source.

• Use the MASTER control to adjust the

volume level (#9 in this manual).

To get CODE rmware updates:

http://my.marshall.com/Downloads

Follow this link to quickly and easily keep

your CODE amplier’s rmware up to date.

MIDI data:

• Your CODE amplier can also send and

receive MIDI data related to the front

panel controls via the USB.

1. USB

Connect via USB to use CODE as a DAW interface, to play tracks from your music library,

to get rmware updates and control via MIDI.

ENGLISH ENGLISH

FRONT PANEL FUNCTIONS (CONT.) FRONT PANEL FUNCTIONS (CONT.)

8. PRESET

A Preset is a combination of preamp, power

amp & speaker models, with tonal settings

and FX: Chorus, Flanger, Tremolo, Delay

etc, stored to a single location within your

CODE amplier’s memory. This is like a

‘snapshot’ of the whole amplier’s settings

(excluding MASTER), which can be recalled

using the PRESET selector, or with the

optional CODE footcontroller.

Turn the PRESET selector to explore your

CODE amplier’s factory Presets.

To discover how to edit a Preset, go to

‘EDITING A PRESET’ in this manual

9. MASTER

Controls the overall volume level of your

CODE amplier.

MASTER Volume control settings are not

stored as part of a Preset.

10. F/S

Use this jack socket to connect the

CODE footcontroller (PEDL-91009 sold

separately).

11. MP3 PLAYER INPUT

Use this dedicated mini-jack socket to

connect an MP3 player to practice with or

jam along to music.

12. HEADPHONE OUTPUT

Use this mini-jack socket to connect

headphones for ‘silent’ practice. This can

also be used as a line out.

13. ON/OFF

This is the mains power ON/OFF switch.

SECTION SWITCHES (14 - 20)

The Section Switches represent different ‘sections’ in the guitar signal chain. This is the

route that a guitar signal travels through a conventional amplier setup from the guitar to

the loud speaker(s).

Marshall

STOMPBOX

MOD

DELAY

REVERB

14 15

16 17 18 19 20

1617

Marshall

STOMPBOX

MOD

DELAY

REVERB

14 15

16 17 18 19 20

1617

14. PRE FX

This is where you will nd FX that would typically plug into a conventional amplier

between the guitar and the amplier’s input. These FX would typically be in pedal form,

and also known as ‘stompboxes’. The ‘stompbox’ FX in the PRE FX section are:

Compressor

Compressor affects an audio signal’s dynamic range. CODE’s compressor decreases,

or ‘compresses’, any part of your guitar sound that peaks above a certain threshold.

Any part of your guitar sound that remains below the threshold is unaffected.

Compressor can add clarity and consistency to your guitar sound whether clean or

overdriven. Compressor’s editable parameters are:

‘STOMPBOX’ FX

A:>>|<<

POWER AMP

CABINET

PREAMP

ENGLISH ENGLISH

Pressing the Section Switches (#14 – #20 in this manual)

will activate (Red LED on) and bypass (LED off) that Section.

PARAMETER VALUE RANGE DESCRIPTION

Tone 0 - 10 Adjusts the Compressor’s higher and lower

frequencies.

Ratio 0 - 10 Controls how much Compression is applied to a signal

above the threshold.

Compression 0 - 10 Adjusts the point at which Compression is applied to

the signal.

Level 0 - 10 Controls the overall volume level of the Compressor.

Distortion

CODE’s stompbox Distortion’s three Modes simulate solid-state Distortion and

Overdrive FX pedals. GUV Mode is a Marshall Guv’nor™ with Drive and Tone

controls. ODR & DIS Modes provide avours of classic overdrive and distortion

stompboxes. Stompbox Distortion is particularly effective when used with classic

and vintage MST preamp models to provide more drive and sustain. Distortion’s

editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Mode GUV, ODR & DIS Marshall Guv’nor, Classic OD pedal

& Classic Distortion pedal.

Drive 0 - 10 Controls the amount of Overdrive or Distortion

applied to the signal.

Tone 0 - 10 Adjusts the amount of upper mid and higher frequency

content in the Overdrive or Distortion before the

signal reaches the amplier panel tone controls.

Level 0 - 10 Controls Distortion’s overall volume level.

FRONT PANEL FUNCTIONS (CONT.)

14. PRE FX (CONT.)

Auto Wah

Auto Wah is a dynamic lter, similar to a Wah Wah pedal. A Wah Wah pedal has a

‘rocker’ footplate to control the frequency at which the lter operates. Auto Wah has

no ‘rocker’ footplate, so in ENV Mode the rocker automation responds to input level.

In LFO Mode the rocker motion is fully automated. Auto Wah’s editable parameters

are:

‘STOMPBOX’ FX

A:>>|<<

ENGLISH

PARAMETER VALUE RANGE DESCRIPTION

Mode ENV & LFO Envelope Filter & Low Frequency Oscillator.

Frequency 0 - 10 Controls the resting frequency, or fully closed posi-

tion, of the Wah, thereby setting how far the lter

opens when playing.

Sensitivity 0 - 10 ENV Mode: Controls how much the Wah opens in

relation to the pick attack.

LFO Mode: Controls the speed at which the Wah

opens and closes. Set to zero and Auto Wah acts as a

xed rocker Wah.

Resonance 0 - 10 Adjusts the magnitude, bandwidth and shape of the

lter’s resonant peak.

Pitch Shifter

Pitch Shifter generates chromatic harmonies with the ability to ne tune. This

enables you to pitch up or down to produce octaves or 3rd, 4th or 5th harmonies.

Pitch Shifter can also produce more discordant, quirkier sounds. Pitch Shifter’s

editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Semitone -12 to +12 Selects the pitch of the generated note chromatically

from an octave below to an octave above the note

played.

Fine Tune -50 to +50 Fine tunes the pitch of the generated note.

Regeneration 0 - 10 Adjusts the percentage of the signal fed back into the

Pitch Shifter. Set to zero for a single pitch shifted tone.

Mix 0 - 10 Adjusts the balance between the guitar signal and the

generated note.

FRONT PANEL FUNCTIONS (CONT.)

ENGLISH

15. AMP

AMP is short for preamp. MST modelling faithfully recreates classic and modern Marshall

valve tones as well as other famous valve amp tones. Each AMP model creates an authentic

preamp setting. The MST preamp models are classied into three groups: Clean, Crunch &

Overdrive.

Your CODE amplier’s MST preamp models are:

A:>>|<<

PREAMP MODELS

OD JVM

OD DSL

OD American

OD Silver Jubilee

JVM410H on OD1 Channel in Red Mode.

JCM2000 DSL Lead 2 Channel.

Classic American higher gain overdrive.

JCM2555 Silver Jubilee Lead Channel.

OVERDRIVE

JTM45™

CL DSL

CL American

CL JVM

Acoustic Simulator

JTM45 2245 on a clean setting.

DSL100H on the Classic Gain Channel, Clean setting.

Classic American pure-valve sound.

JVM410H on the Clean Channel in Green Mode.

Simulates the sound of an electro-acoustic guitar.

CLEAN

Bluesbreaker™

Plexi™

CR American

JCM800™

‘50s British

1962 Bluesbreaker combo overdriven.

1959SLP Overdriven.

Classic American valve overdrive.

JCM800 2203 overdriven (high sensitivity input).

Classic British valve combo overdrive.

CRUNCH

If the noise Gate is applied, when your sound level drops below the set threshold

it will activate, preventing any signal below that threshold from passing through.

It progressively attenuates the guitar signal, following its dynamics, to suppress

unwanted noise.

GATE

PARAMETER VALUE RANGE DESCRIPTION

Threshold 0 - 10 Sets the point at which the Gate begins to close.

The Natural preamp is designed to be used with external FX without the tonal

colour of an MST modelled preamp. It provides EQ for tonal shaping and access

to the Gate.

NATURAL

FRONT PANEL FUNCTIONS (CONT.) FRONT PANEL FUNCTIONS (CONT.)

16. MOD (CONT.)

ENGLISH ENGLISH

16. MOD

MOD is short for Modulation. Modulation FX in a conventional setup can be in stompbox

or rack form and often connect via an amplier’s FX loop:

Chorus

Chorus and Vibrato FX apply a subtle pitch variation to the guitar signal taking your

sound from shimmering, delicate undulations to full on wobble. This can add depth

and width to clean sounds and fatten up solos. Chorus’s editable parameters are:

MODULATION FX

A:>>|<<

PARAMETER VALUE RANGE DESCRIPTION

Mode CLS & VIB Classic Chorus & Vibrato.

Speed 0 - 10 Controls the rate of the Chorus or Vibrato effect.

Depth 0 - 10 Adjusts the depth of the Chorus or Vibrato effect.

Tone 0 - 10 Boosts or cuts high & low frequency content in the

sound.

Flanger

Flanger can produce Chorus-like sounds, but is more vivid and is harmonically more

complex. It can create weird and wonderful sonic textures, like ‘jet plane’ Doppler FX

and resonant metallic whooshes. Flanger’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Mode JET & MET Jet Flanger & Metallic Flanger.

Speed 0 - 10 Controls the rate of the Flanger effect.

Depth 0 - 10 Adjusts the depth of the Flanger effect.

Regeneration 0 - 10 Adjusts the amount of signal that is fed back to the

effect input, which makes the Flanger effect sharper.

Phaser

Phaser uses all-pass lters to shift the guitar signal very slightly. Modulating the

shifted, or phased, signal in relation to the original signal produces the classic Phaser

sound - great for tight funky lines, sweeps and swells. Phaser’s editable parameters

are:

PARAMETER VALUE RANGE DESCRIPTION

Mode CLS & VBE Classic Phaser & Vibe.

Speed 0 - 10 Controls the rate of the Phaser or Vibe effect.

Depth 0 - 10 Adjusts the depth of the Phaser or Vibe effect.

Regeneration 0 - 10 Adjusts the amount of signal that is fed back to the

effect input, which makes the Phaser effect sharper.

Tremolo

The cool sounding Tremolo effect is created by the signal amplitude being modulated

up and down. Tremolo can produce a variety of sonic characteristics from delicate

shimmer to heavy Tremolo throb. Tremolo’s editable parameters are:

MODULATION FX

A:>>|<<

PARAMETER VALUE RANGE DESCRIPTION

Mode VLV & SQR Valve Tremolo & Square Wave Tremolo.

Speed 0 - 10 Controls the rate of Tremolo oscillation.

Depth 0 - 10 Adjusts the depth of the Tremolo effect.

Skew -50 to +50 Adjusts the shape of the waveform that is performing

the amplitude modulation. The variation of the wave

shape across the value range moves between vintage

and modern sounding Tremolo.

17. DEL

DEL is short for Delay. Delay FX in a conventional setup can be in stompbox or rack form

and often connect via an amplier’s FX loop. When you select DEL the switch’s LED will

remain lit red for two seconds before ashing to indicate the current Delay tempo. CODE’s

Delay FX are:

Studio

Studio Delay is a high delity delay line that has up to 4 seconds delay. This long delay

time enables the creation of layered loops you can jam along with. Studio Delay’s

editable parameters are:

DELAY TYPES

PARAMETER VALUE RANGE DESCRIPTION

Time 0 - 4000 Controls the Delay repeat time in milliseconds.

Feedback 0 - 10 Adjusts the number of Delay repeats.

Frequency 0 - 10 Adjusts the amount of higher frequency content in the

Delay repeats.

Level 0 - 10 Adjusts the level of the Delay effect.

A:>>|<<

FRONT PANEL FUNCTIONS (CONT.)

18. REV

REV is short for Reverb. Reverb FX in a conventional amplier setup can be in stompbox

form, rack form or integrated within an amplier. Your CODE’s Reverb FX are:

FRONT PANEL FUNCTIONS (CONT.)

17. DEL (CONT.)

The DEL Section Switch LED will ash in time to the current Delay time or tempo

when active.

A:>>|<<

ENGLISH ENGLISH

Vintage

Vintage Delay recreates the sound of analogue delays. Vintage Delay’s editable

parameters are:

DELAY TYPES

PARAMETER VALUE RANGE DESCRIPTION

Time 0 - 4000 Controls the Delay repeat time in milliseconds.

Feedback 0 - 10 Adjusts the number of Delay repeats.

Age 0 - 10 Adjusts the amount ‘utter’ and higher frequency

roll-off for a more vintage sounding Delay.

Level 0 - 10 Adjusts the volume level of the Delay effect.

A:>>|<<

Multi

Multi Delay adds a rhythmic repeat for more complex delay patterns. Multi Delay’s

editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Time 0 - 4000 Controls the Delay repeat time in milliseconds.

Feedback 0 - 10 Adjusts the number of Delay repeats.

Tap Pattern 1 - 4 Select from four different Delay repeat patterns

Level 0 - 10 Adjusts the volume level of the Delay effect.

Reverse

Reverse Delay’s repeats run backwards. This can add texture and an eerie quality to

your sound. Reverse Delay’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Time 0 - 4000 Controls the Delay repeat time in milliseconds.

Feedback 0 - 10 Adjusts the number of Delay repeats.

Frequency 0 - 10 Adjusts the amount of higher frequency content in the

Delay repeats.

Mix 0 - 10 Adjusts the level of the Delay effect relative to the

unaffected signal. As the amount to Delay is increased,

the unaffected signal is decreased, and vice versa.

17. DEL (CONT.)

Tap Tempo

Set the Delay time by tapping the EDIT selector, or by tapping an assigned button on

the optional CODE footcontroller. This enables you to quickly and easily match the

Delay time with the tempo of the music you are playing.

To activate TAP TEMPO:

• Press MOD and DEL Section Switches together.

• The display screen will show the Delay time in milliseconds.

• Either turn the EDIT selector to select the delay time in milliseconds or tap it

repeatedly to nd your delay time or to match a tempo.

• Press EXIT/STORE once to exit TAP TEMPO and return to the main Preset screen.

DELAY TYPES

A:>>|<<

REVERB TYPES

Room

Room Reverb recreates the acoustic reections of small to larger rooms. Room

Reverb’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Decay 0 - 10 Controls how long the it takes for the reections to

fade.

Pre-delay 0 - 10 Adjusts the amount of time before the rst reection

is heard.

Tone 0 - 10 Adjusts the amount of higher frequency content in the

reections.

Level 0 - 10 Adjusts the level of the Reverb effect.

FRONT PANEL FUNCTIONS (CONT.)

18. REV (CONT.)

ENGLISH

POWER AMP MODELS

19. POWER

This is the section of a conventional amplier that provides power to drive the speaker(s).

The power valves are an integral part of how an all-valve amplier sounds. MST modelling

faithfully recreates the four valve power amps models in CODE:

FRONT PANEL FUNCTIONS (CONT.)

A:>>|<<

ENGLISH

18. REV (CONT.)

REVERB TYPES

A:>>|<<

REVERB TYPES

Hall

Hall Reverb recreates the longer acoustic reections of a hall-sized space. Hall

Reverb’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Decay 0 - 10 Controls how long the it takes for the reections to

fade.

Pre-delay 0 - 10 Adjusts the amount of time before the rst reection

is heard.

Tone 0 - 10 Adjusts the amount of higher frequency content in the

reections.

Level 0 - 10 Adjusts the level of the Reverb effect.

Spring

Spring Reverb is a classic, analogue way of creating Reverb FX. Conventional Spring

Reverb uses a metal tray containing rows of springs. The guitar signal passes along

the springs creating a vintage sounding Reverb effect. Spring Reverb’s editable

parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Decay 0 - 10 Controls how long the it takes for the reections to

fade.

Pre-delay 0 - 10 Adjusts the amount of time before the rst reection

is heard.

Tone 0 - 10 Adjusts the amount of higher frequency content in the

reections.

Level 0 - 10 Adjusts the level of the Reverb effect applied to the

unaffected signal.

Stadium

Stadium Reverb recreates the acoustic reections of a very large space. Stadium

Reverb’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Decay 0 - 10 Controls how long the it takes for the reections to

fade.

Pre-delay 0 - 10 Adjusts the amount of time before the rst reection

is heard.

Tone 0 - 10 Adjusts the amount of higher frequency content in the

reections.

Level 0 - 10 Adjusts the level of the Reverb effect.

A:>>|<<

Classic Marshall 100W

Class A/B 100 Watt with EL34 valves.

PARAMETER VALUE RANGE DESCRIPTION

Presence 0 - 10 In a conventional amplier Presence is a power stage

function that adds higher frequency content to the

sound.

Resonance 0 - 10 In a conventional amplier Resonance is a power stage

function that adds lower end thud to the sound.

ENGLISH ENGLISH

20. CAB

CAB is short for Speaker Cabinet. A cab’s speaker conguration and its size play a signicant

role in the overall sound produced by the whole amplier setup.

The MST modelled speaker cabinets in your CODE amplier are faithful recreations of

classic Marshall cabs:

1960

1960V

1960AX

1960HW

1936

1936V

1912

1974CX

Classic 4 x 12” Celestion G12-T75 speakers.

4 x 12” with Celestion ‘Vintage 30’ speakers.

4 x 12” with Celestion G12M-25 speakers.

4 x 12” with Celestion G12H-30 speakers.

Classic 2 x 12” Celestion G12-T75 speakers.

2 x 12” with Celestion ‘Vintage 30’ speakers.

Classic 1 x 12” Celestion G12-B150 speakers.

1 x 12” Handwired with G12M-20 speaker.

CABINET TYPES

21. EXIT/STORE

While on any screen pressing EXIT/STORE returns you to the main Preset screen.

Press and hold EXIT/STORE while on any screen to QUICK STORE your edited settings.

Your edited settings will store over the current Preset and the display will return you to

the main Preset screen.

22. DISPLAY

The Display Screen shows a Preset’s name, number, parameter settings and the tuner

display.

A:>>|<<

FRONT PANEL FUNCTIONS (CONT.)

19. POWER (CONT.)

POWER AMP MODELS

A:>>|<<

Vintage Marshall 30W

Class A/B 30 Watt with 5881 valves.

PARAMETER VALUE RANGE DESCRIPTION

Presence 0 - 10 In a conventional amplier Presence is a power stage

function that adds higher frequency content to the

sound.

Resonance 0 - 10 In a conventional amplier Resonance is a power stage

function that adds lower end thud to the sound.

FRONT PANEL FUNCTIONS (CONT.)

British Class A

Class A 30 Watt with EL84 valves.

PARAMETER VALUE RANGE DESCRIPTION

Presence 0 - 10 In a conventional amplier Presence is a power stage

function that adds higher frequency content to the

sound.

Resonance 0 - 10 In a conventional amplier Resonance is a power stage

function that adds lower end thud to the sound.

American Class A/B

Class A/B 100 Watt with 6L6 valves.

PARAMETER VALUE RANGE DESCRIPTION

Presence 0 - 10 In a conventional amplier Presence is a power stage

function that adds higher frequency content to the

sound.

Resonance 0 - 10 In a conventional amplier Resonance is a power stage

function that adds lower end thud to the sound.

!To discover how to store and name a Preset, go to STORING A PRESET in this manual.

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