Nembrini Audio BG-EXTASY Manuale utente
BG EXTASY MODERN TUBE
BG EXTASY MODERN TUBE GUITAR AMPLIFIER
Congratulations on choosing our BG Extasy Modern Tube Guitar Amplier.
This plugin is meticulously modelled on the Bogner Ecstasy* 101B head guitar amplier. Nembrini Audio has carefully
reproduced the incredible tone and versatility of this famous boutique guitar amplier, being one of the most desirable
guitar amps on the market today.
We have also extended the possibilities of the original hardware thanks to the versatility of the digital world with new
features for the maximum control of your tone:
- a complete recording chain with six selected guitar cab emulations
- four of the best mic emulations with position and distance controls
- cleaner circuit to improve your tone
- optimized Noise Gate
- a powerful three-slot Impulse Loader
BG EXTASY MODERN TUBE GUITAR AMPLIFIER
Front Panel
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1 - Sound Style: This control is a pentode/triode emulation selector. In the “new” position, the power section is opera-
ting in pentode, which means all elements within the power tubes are working. In the “old” or Triode mode only 3 out
of 5 elements within each modelled tube are working.
2 - Excursion A/B: This modies the presence feedback loop. The BG Extasy offers you three options; “T” (Tight), “L”
(Loose) & “M” (Medium). The Tight setting will be more “even” from low string to high string, while the Loose setting
will have a much bigger bass sound. The Medium position is midway between Loose & Tight.
3 - Presence B Select: Selects where Presence B is active, If you leave this switch on “0”, then presence “A” and
Excursion “A” will serve all 3 channels. You have the option of assigning Presence “B” and Excursion “B” to Channel 1
or Channel 3.
4 - Channels Selection: Select the amplier channels.
BG EXTASY MODERN TUBE GUITAR AMPLIFIER
Front Panel
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1 - Vol.1: This controls the channel 1 level.
2 - Treble/Middle/Bass Ch1: This section controls the equalization of ch1.
3 - Gain 1: This controls the channel 1 gain.
4 - Gain Boost Ch1: This control engages the boost gain on channel 1.
5 - Pre EQ Ch1: This controls the pre equalization section.
The Middle position is “N” or normal. “B1” is bright 1, which acts like the bright switch on an old Fender Twin. “B2”
is bright 2, even brighter than “B1”. The higher you set the gain control, the less effect the Pre EQ will have on the
sound.
BG EXTASY MODERN TUBE GUITAR AMPLIFIER
Front Panel
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1 - Vol. 2/3: This controls the channels 2/3 levels.
2 - Plexi Mode: This controls the “plexi” mode on channels 2/3.
The ”plexi” channel is voiced to please players who love that wide open 60’s British sound. Plexi is a lower gain chan-
nel than Lead. Like the older amps it emulates, the louder you turn it up the better it sounds. As you can see, the plexi
channel can be assigned to either Ch.2 or Ch.3.
3 - Treble/Middle/Bass Ch2/3: This section controls the equalization of channels 2/3.
4 - Structure: This control is an overall gain reduction switch for channels 2/3. In the “L”, or low position, both chan-
nels 2/3 have a lower gain starting point. Obviously, in the “H” position, the preamp will be higher in gain, overall.
5 - Gain Boost Ch 2/3: This control engages the boost gain on channels 2/3.
6 - Pre EQ Ch2/3: This controls the pre equalization section.The Pre EQ switches allow you to “voice” the channels
2/3 very differently. Don’t under estimate the tonal power of Pre EQ.
7 - Gain 2/3: This controls the channels 2/3 gain
BG EXTASY MODERN TUBE GUITAR AMPLIFIER
1 - Cabinet - Impulse Loader button: opens and closes the Cabinet - Impulse Loader panel
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BG EXTASY MODERN TUBE GUITAR AMPLIFIER
Cabinet - Impulse Loader panel
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1 - Recording Chain Mode: these three buttons switch between the included cabinet/recording
chain emulation, the Impulse Loader and the complete bypass of the entire cabinet/recording chain
section. The Cleaner (2), Noise Gate (3) and Levels (4) sections are always active in all the three
Cabinet Modes.
BG EXTASY MODERN TUBE GUITAR AMPLIFIER
2 - Cleaner: this lter section has been added to our BG Extasy to clear your tone
Rumbling: reduces the low frequency content
Harsh: reduces the high frequency content
3 - Noise Gate: allows you to eliminate the noise produced by the large amount of gain
Power: activates the Noise Gate circuit
Threshold: denes the level where the gate is activated
Range: selects the quantity of noise reduction
4 - Levels: this section lets you to control the level before the plugin process and after all the processing
Input : adjust the input level from minus innite to +12db
Output : adjust the output level from minus innite to +12db
5 - Fix button: by pressing this button your input level remains the same when you change presets
BG EXTASY MODERN TUBE GUITAR AMPLIFIER
Cabinet MODE
1 - Cabinet: you can choose between six selected cabinet emulations:
1- BG 4x12 UBERCAB: based on Bogner Ubercab* 4x12 with 2 Celestion* V30 and 2 G12T-75 speakers
2- MB RECT 4x12 V30: based on Mesa Boogie* Rectier 4x12 with Celestion* Vintage 30 speakers
3- ORANGE 4x12 V30: based on Orange* 4×12 with Celestion Vintage 30 speakers
4- SLD 4x12 LEGEND: based on Soldano* 412B 4x12 with Eminence* Legend V12s
5- BG 2x12 V30: based on Bogner* 2x12 with Celestion Vintage 30 speakers
6- TWEED 4x10 P10Q: based on Fender* Tweed Bassman 4x10 with Jensen P10Q speakers
1 2 3
BG EXTASY MODERN TUBE GUITAR AMPLIFIER
2 - Mic 1 and Mic 2 settings: You can use 2 virtual microphones for your amp recording chain and select between 4
different models, select between On or Off Axis postions, change the Position and Distance.
The emulated microphone are:
1 - DYNAMIC 57: based on popular Shure* SM-57 dynamic microphone
2 - RIBBON 121: based on modern Royer Labs* R-121 ribbon microphone
3 - CONDENSER 414: based on classic AKG* C 414 condenser microphone
4 - DYNAMIC 421: based on vintage Sennheiser* MD-421 dynamic microphone
When is selected BG 4x12 UBERCAB cabinet, Mic1 and Mic2 settings are related to Celestion* G12T-75
and Vintage 30 speakers respectively.
3 - Mixer: These 2 faders control the volume of the 2 microphones in front of the guitar and the studio reverb.
Each channel has a pan control for stereo image (active only in stereo and mono to stereo instances), solo, mute and
phase inversion button.
Indice
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