Radial Engineering ProD8 Manuale utente

ProD8 Rackmount DI

www.radialeng.com

Owner’s Manual

True to the Music

Radial Engineering Ltd.

1638 Kebet Way, Port Coquitlam BC V3C 5W9

tel: 604-942-1001 • fax: 604-942-1010

email: [email protected] web: www.radialeng.com

Radial ProD8 Owner's Manual V1.0 - Part #: R870 1190 00

Subject to change without notice

TABLE OF CONTENTS PAGE

Introduction .................................................................... Inside Cover

ProD8 Overview ............................................................................... 1

Feature Functions ............................................................................ 2

Rackmounting .................................................................................. 3

Using the ProD8 ............................................................................... 4

Adding Effects .................................................................................. 5

Typical Stage Set-up ........................................................................ 6

Redundant Inputs for Backup Instruments ....................................... 7

Redundant Inputs for Backup Playback ........................................... 8

FAQ .................................................................................................. 9

Warranty Information .........................................................Back Cover

Radial Engineering

1638 Kebet Way, Port Coquitlam BC V3C 5W9

tel: 604-942-1001 • fax: 604-942-1010

email: [email protected] web: www.radialeng.com

Speciﬁcations and appearance subject to change without notice.

Radial ProD8 Owner’s Manual

Congratulations on your purchase of the Radial ProD8.

The Radial ProD8 is a simple yet remarkably clever direct box in that it provides all of the standard features

one would ﬁnd in a typical rackmount DI plus several reﬁnements: First off, it jams eight (8) direct boxes into

a single rack space making it the highest density DI on the market. Secondly, it is equipped with redundant

inputs on each channel that are pre-merged mono to reduce mixer and snake channel requirements or can

be used as redundant inputs for system backup. Thirdly, an effects-loop on each channel lets you share

your effect with two devices saving money and space. And ﬁnally, reversible rack rails let you position the

inputs and the outputs on the front or back of the rack to best accommodate your live or studio set-up.

As with all Radial products, we highly recommend that you read this short manual before using the ProD8

so that you become familiar with all of the features and functions to get the most out of this device. Should

you have any questions, please visit the FAQ section on our Radial web site as this is where we post the

latest applications. You can also email us at [email protected] should you have a question that is not

answered.

We are conﬁdent that you will enjoy years of trouble free performance with your new Radial ProD8 and we

look forward to hearing back from you about new an innovative ways you have found to use it. Now start

reading and plugging away!

Radial Engineering Ltd. ProD8 Owner’s Manual

True to the Music

OVERVIEW

The Radial ProD8 is an 8 channel passive direct box

and does not require any powering whatsoever to make

it work. The high performance Radial transformers are

extremely efﬁcient and will both balance the signal and

convert the high source impedance of your keyboards to

a balanced, mic level low impedance output.

All channels are identical and completely isolated. Each

channel features two inputs that are merged to mono

using a resistive mixer. This means you can use either

input for a mono source. If you have a stereo source

such as a synthesizer or digital piano, connecting the

instrument to the two inputs will yield a mono mix at the

XLR output. Should you wish to connect a high output

device like a CD player to the ProD8, a -15dB PAD will

reduce the input level going to the transformer to avoid

saturation. The ¼” THRU is a direct feed that would be

used for your personal monitoring system.

To further advantage the user, an effects-loop has been provided that allows the two inputs on each chan-

nel to share the same effects processor. Each channel features an internal switch that lets you assign the

THRU output either pre or post the effects-loop depending on how you intend to use the system.

IN-A

IN-B

EFFECT

LOOP

-15dB

PAD

THRU

PRE/POST

EFX LOOP

THRU

OUT

POLARITY

REVERSE

GROUND

LIFT

CHASSIS

GROUND

LIFT

XLR

OUT

PASSIVE

SUMMING

SECTION

*One of eight channels.

BLOCK DIAGRAM

As previously mentioned, the ‘engine’ inside the ProD8 is the Radial transformer. This ‘hi-Z to lo-Z’ device

is designed to convert the impedance and balance the signal so that it matches the level of a typical micro-

phone. This way, the keyboards connected to the ProD8 can be ‘managed’ just like microphones and used

with mic splitters as well as the mic inputs on the mixing console. A polarity reverse switch toggles pins 2

and 3 to allow older pre-AES standard gear to be connected in phase.

Transformers are particularly advantageous with keyboards and other devices that are electrically powered

through the common AC electrical system as they isolate the input from the output to help eliminate hum

and buzz caused by ground loops. A ground-lift switch further helps reduce noise by disconnecting pin-1 on

the XLR thus allowing the system tech to derive the channel ground from either the input or the output.

Radial Engineering Ltd. ProD8 Owner’s Manual

True to the Music

¼" PHONE PANEL

REVERSABLE RACK EARS

allow you to setup the ProD8

with either the ¼" jacks or XLR

connectors facing front.

IN-A/B dual inputs on each

channel auto-merge to mono.

THRU parallel thru-put connects

to on-stage amp or mixer for

personal monitoring.

LOOP each channel features

an effects-loop on a TRS jack.

Works like an insert on a mixing

console.

-15dB PAD reduces the input

level by -15dB to prevent

overload from high output

devices.

XLR PANEL

XLR OUTPUTS are balanced

600 ohm, mic-level and 100%

transformer-isolated to prevent

ground loops.

LIFT disconnects pin-1 on the

XLR output to isolate ground via

the transformer.

180° reverses pins 2 & 3 on the

XLR inverting the signal polarity

to correct out-of-phase signals.

INTERNAL

WELDED 14-GUAGE STEEL

rackmount enclosure is ﬁnished

in durable baked enamel.

RADIAL TRANSFORMER

with linear frequency response

from 20Hz to 18KHz for natural

sound. Mu-metal shield blocks

electromagnetic interference.

PRE/POST EFX internal switch

allows the THRU output to be

pre or post the effects-loop.

Factory set to post effects-loop.

CHASSIS GROUND internal

switch allows individual ground

paths for each channel.

Factory set in the lifted position.

MIILITARY-GRADE double-

sided PCB is bolted to steel

standoffs for toughness.

ISOLATED CONNECTORS

extremely tough glass-ﬁlled

nylon for true channel isolation

from chassis ground.

1235

678

13 14

910

Radial Engineering Ltd. ProD8 Owner’s Manual

True to the Music

RACKMOUNT OPTIONS

Reversible rack rails allow you to decide which connector panel faces the front of your rack.

Depending on your system setup, you may want to have the XLRs facing ‘out’ of your rack and the ¼” inputs

and thru-puts on the inside. This would be the most common approach especially if you are using a number

of rack-mounted sound modules.

Some system techs prefer to have access to the ¼" inputs. They will then have an XLR or multi-pin breakout

panel made to connect the snake systems. This approach is useful when using the ProD8 with non-rack-

mounted instruments.

The ProD8 can accommodates both setups. Simply unscrew the two large Phillips screws on the rack ear,

loosen the center screw and rotate the rack ear to the side that works best for you. Re-insert the screws so

that they are nice and tight and you are ready to go!

CHASSIS GROUNDING

The Radial ProD8 is equipped with a threaded ground lug on the chassis to allow star grounding. The

ground lug connection, along with the internal chassis ground switch, would likely only be used in complex

stage set-ups where extreme noise problems may occur. We suggest you speak with a qualiﬁed technician

should you plan to use alternate grounding schemes.

Threaded ground lug connections

(one obscured by rack ear).

Radial Engineering Ltd. ProD8 Owner’s Manual

True to the Music

USING THE RADIAL ProD8

For live touring, the most common approach to using a direct box is to connect the instrument to the A/B in-

puts, your personal monitoring amp system from the THRU and the balanced XLR output to the PA system.

The Radial ProD8 of course does this and then multiplies this by eight. Since the ProD8 is so ﬂ exible, the

following diagrams show some of the system set-ups that you could apply.

LOOP

THRU

IN-A

IN-B

OUT

PAD

House Mixing

Console

MONO

Personal Mixing

Console

MONO

LOOP

THRU

IN-A

IN-B

OUT

PAD

LOOP

THRU

IN-A

IN-B

OUT

PAD

L R

House Mixing

Console

L R

STEREO

Personal Mixing

Console

STEREO

8 MONO KEYBOARDS

As described above, the ProD8 is plug & play

easy to use as any standard passive DI. Con-

nect an instrument to either input, the THRU to a

monitor system and the XLR out to a mixer.

4 STEREO KEYBOARDS

You can set up 4 stereo keyboards and have

them all play in stereo. Connect the keyboard

stereo out two ProD8 channels.

8 MERGED MONO KEYBOARDS

Stereo keyboards can easily be merged to mono

to save snake and mixer channels. Connect the

stereo keyboard to the A/B inputs on one ProD8

channel. The signal is merged to mono.

LOOP

THRU

IN-A

IN-B

OUT

PAD

L R

House Mixing

Console

MONO

Personal Mixing

Console

MONO

8 MERGED STEREO KEYBOARDS

You can set up 8 stereo keyboards and have them

all play in stereo by using the dual A/B inputs on

two ProD8 channels.

LOOP

THRU

IN-A

IN-B

OUT

PAD

LOOP

THRU

IN-A

IN-B

OUT

PAD

L R

House Mixing

Console

STEREO

Personal Mixing

Console

STEREO

Radial Engineering Ltd. ProD8 Owner’s Manual

True to the Music

ADDING EFFECTS

The LOOP jack on each channel works like an "insert" connection on a mixing console. The LOOP jack is

a TRS type that can send the signal out to a processor and return it to the ProD8 signal path. Connect the

input and output of an effects processor to the LOOP jack using an "insert cable" which may be purchased

at a music retailer.

Each channel is ﬁ tted with an internal EFX PRE/POST switch. The position of this switch determines if the

THRU output will be PRE or POST the effects-loop. When the switch is set to PRE, the THRU output will

be unaffected by the effects-loop. When the switch is set to POST, the effect processor will be heard at the

THRU output. The XLR output is always POST effects-loop. The ProD8 ships factory set to post effects-

loop so a processor in the loop will be heard on all outputs.

STEREO EFFECTS

When two of the ProD8 channels are

conﬁ gured for a stereo keyboard, con-

nect the LOOP jacks on both channels

to the left and right inputs/outputs of a

stereo effect processor with two insert

cables. If the dual A/B inputs on a ProD8

channel are used to connect two stereo

keyboards the effects processor is

shared between them.

MONO EFFECTS

When one ProD8 channel is conﬁ gured

for a mono keyboard connect the LOOP

jack to the input and output of the effects

processor with one insert cable. If the

dual A/B inputs on a ProD8 channel are

used to connect two mono keyboards

the effects processor is shared between

them. This can save mixer channels and

money. This also lets you share effects

when running redundant modules for

backup.

LOOP

THRU

IN-A

IN-B

OUT

PAD

House Mixing

Console

Personal Mixing

Console

MONO

Digital Multi Effect

MONO

Insert Cable

LOOPLOOP

THRU

IN-A

IN-B

OUT

PAD

THRU

IN-A

IN-B

OUT

PAD

House Mixing

Console

STEREO

Personal Mixing

Console

STEREO

Digital Multi Effect

STEREO

Insert Cable

Radial Engineering Ltd. ProD8 Owner’s Manual

True to the Music

FLEXIBLE FOR LARGE KEYBOARD SETUPS

It is important to note that channels may be conﬁ gured in different ways. For in-

stance, in the example below channels 1 and 2 are used for a stereo master key-

board and a pre-patched backup that is ready to go. Channels 3 through 6 are used

for mono sound modules. Channels 7 and 8 are set up in stereo for a drum machine

with a stereo effect processor. All the instruments are connected to a personal mon-

itor mixer via the THRU outputs and to a main mixer through the XLR outs.

Personal Monitor

Console

L R

House Mixing

Console

M M M

Insert Cable

Backup MIDI Controller

L R

Master MIDI Controller

Radial Engineering Ltd. ProD8 Owner’s Manual

True to the Music

MIDI

REDUNDANT MODULAR KEYBOARDS

Major concert tours cost millions to setup. Today, keyboard players often travel with

back-ups to minimize downtime should a module fail. The merged inputs allow a

second set of modules or keyboards to be connected in standby should a back-up

be needed.

Master MIDI Controller Backup MIDI Controller

L R L R

Synth Module 1

Backup

Synth Module 2

Backup

Synth Module 3

Backup

Synth Module 4

Backup

Radial Engineering Ltd. ProD8 Owner’s Manual

True to the Music

House Mixing Console

REDUNDANT BACK-UP TRACKS

The use of backing tracks has become common in today’s concerts as fans expect to hear the full orches-

tration and backing vocals of their favorite songs. The ProD8 provides an effective means to connect two

tape recorders via the dual A/B merged inputs on each channel. Simply place the back-up recorder on mute

and sync both machines together. Should a problem occur, mute the main playback recorder and un-mute

the backup system. The show will go on!

Primary Playback Machine

Backup Playback Machine

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