Senal SC-550X Manuale utente

Table of Contents:

Introduction �� 2

Overview ��3

Precautions ��4

Mounting the Microphone �� 5

Positioning the SC-550X ��6

Using the Pop-Filter ��6-7

The Attenuation Pad �� 7

The High-Pass Filter �� 7

Troubleshooting ��8-9

Speciﬁcations ��10-11

Warranty �� 12

USER’S GUIDE

Thank you for choosing Senal.

The Senal SC-550X is a professional-grade studio microphone with accurate, detailed

sound reproduction designed for use in all recording situations� Employing a condenser

element, the SC-550X achieves superior transient response and high signal-to-noise ratio�

Equally adept in both professional and project studios, the SC-550X’s warm, full-bodied

sound makes it a go-to choice for capturing vocals in the studio� Its wide, smooth frequency

response with a fat bottom end, smooth upper mids, and transparent high end offers

versatility for recording guitars, brass, strings, and piano, as well as overhead drum miking,

and even nonmusical applications like podcasting, voiceovers, and broadcast use�

The cardioid polar pattern provides a generous pickup area while minimizing off-axis noise and

reﬂections� Onboard switches add further adaptability to the SC-550X, with a high-pass ﬁlter

for low-frequency roll-off and a -10 dB pad for noise attenuation� With its 140 dB maximum

sound-pressure level, the SC-550X can accurately capture loud signals without distortion�

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Introduction

Overview

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Condenser

element

Grille

High-pass

ﬁlter

-10 dB pad

XLR connector

Shock mountCarry case

Pop-ﬁlter

Precautions

▪ Please read and follow these instructions and keep this manual in a safe place�

▪ Exposure to high sound levels can cause permanent hearing loss� Avoid listening at high volumes

for extended periods�

▪ Keep this product away from water and ﬂammable gases or liquids�

▪ Do not attempt to disassemble or repair this product yourself�

▪ Handle this product with care�

▪ Clean this product with only a soft, dry cloth�

▪ To avoid damage to this product, be careful not to overtighten or improperly thread any of the

threaded ﬁttings�

▪ Make sure this product is intact and that there are no missing parts�

Precautions

Mounting the Microphone

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Mounting the Microphone

To mount the SC-550X, follow these steps:

1� Screw the included shock mount onto a 5/8" threaded microphone stand�

2� Make sure the locking knob on the shock mount is fully tightened� While

squeezing the metal levers of the shock mount together, place the

microphone ﬁrmly into the shock mount and then let go of the levers�

The front of the microphone (the side with the Senal logo) should be

facing your sound source�

3� If you’re recording vocals, attach the included pop-ﬁlter to the shock

mount� See Using the Pop-Filter on page 6 for further reference�

4� Use an XLR cable (not included) to connect the microphone to your

mixing console, microphone preamp, or recording device� Make sure the

phantom power is engaged�

Before recording, make sure the high-pass ﬁlter is set to the ﬂat position

and the attenuation pad is not engaged� See The High-Pass Filter and The

Attenuation Pad on page 7 for further reference�

Positioning the SC-550X

The SC-550X’s cardioid polar pattern will capture sound mostly from in front of the

microphone� You will usually want the front of the microphone (the side with the

Senal logo) to face your sound source, although it is important to experiment with

microphone placement and positioning to ﬁnd the best solution for your speciﬁc

needs�

You can adjust the vertical angle of the microphone by loosening the locking knob

on the shock mount� When the desired angle is set, make sure to fully tighten the

locking knob�

Using the Pop-Filter

When recording vocals with the SC-550X, use the included pop-ﬁlter to reduce noise

from aspirated plosives like p and b sounds and to keep corrosive moisture away

from the capsule�

To mount the included pop-ﬁlter, follow these steps:

1� Mount the pop ﬁlter onto the rim of the shock mount at the

front of the microphone�

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Positioning the SC-550X / Using the Pop-Filter

The Attenuation Pad / The High-Pass Filter

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2� Adjust the position of the pop ﬁlter to suit your vocalist� The

optimal distance between the ﬁlter and the microphone capsule

is approximately 1�5" (3�8 cm)�

The Attenuation Pad

The attenuation pad lowers the SC-550X’s output by 10 dB and is useful for preventing distortion when

recording loud sounds like cymbals and electric guitar cabinets�

To engage the attenuation pad, slide the pad switch so it rests next to the -10 dB mark� To disengage

the attenuation pad, slide the pad switch so it rests next to the 0 dB mark�

The High-Pass Filter

The high-pass ﬁlter helps prevent the SC-550X from picking up low-frequency noises that can interfere

with your recording, like the rumble from an air conditioner�

To activate the high-pass ﬁlter, slide the high-pass ﬁlter switch so it rests next to the mark� To

deactivate the high-pass ﬁlter, slide the switch so it rests next to the mark�

Troubleshooting

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Troubleshooting

Problem Solution

No sound is being recorded� Make sure your mixer or ampliﬁer is turned on�

The fader of the channel or master volume on your mixing

console is turned all the way down�

Your preamp gain is turned all the way down�

Make sure the microphone is properly connected and that the

connections are secure�

Make sure phantom power is engaged�

Check your cable to make sure it’s reliable� Try switching it

with another cable�

The sound is distorted� Turn on the microphone’s attenuation pad�

Move the microphone away from the sound source�

Troubleshooting

Problem Solution

Too much low-frequency noise or

rumble is being recorded�

Turn on the high-pass ﬁlter�

Turn off air conditioners, fans, heaters, or other devices that

might be interfering with your recording�

Vocal plosives like p and b sound

distorted�

Use the included pop-ﬁlter when recording vocals�

Speciﬁcations

Element: Condenser

Polar pattern: Cardioid

Frequency response: 20 Hz to 20 kHz

Sensitivity: -36 dB ±2 dB at 1 kHz

Signal-to-noise ratio: 79 dB (1 kHz at 1 Pa)

Maximum input sound level: 140 dB

Impedance: 200 Ω

Power requirements: +48 V

Output connector: 3-pin XLR

Pad: -10 dB

High-pass ﬁlter: 80 Hz

Dimensions: 7�15" × 2" (18�2 × 5�1 cm)

Weight: 13�6 oz� (386 g)

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Speciﬁcations

Indice