Shure PG48 Manuale utente
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microphone
guide
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Welcome to the club
Your new PG microphone is part of a complete vocal, instrument and drum
microphonefamily.It’srealgearforseriousplay.Soyoucanamplifyyourmessage.
Capturetheimaginationofyouraudience.Andmakeaconnectionwithyoursound.
Just as artists, visionaries and social leaders across generations and around the
world have done with Shure products for more than 75 years.
Up and running fast
PGmicrophonesareengineeredtobeeasytooperate.ThePowerUpguideonthe
insidepackagecoverwillhaveyoureadytogoinnotime.Formoredetailedsetup
and usage suggestions, please see page 4 of this guide.
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A great microphone for spoken
word applications.
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Lead Vocals
Back up Vocals
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A rugged microphone tuned to
accentuate the clarity of lead and
back up vocals.
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Guitar Amplifier
Brass and Saxophone
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Aversatilemicrophoneforusewith
amplified or acoustic instruments.
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Acoustic Guitar
Cymbals
Piano
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Strings
Woodwinds
Ensembles
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A sensitive, flat response microphone ideal
for use with acoustic instruments.
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Speech
Karaoke
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Kick Drum
Bass Amplifier
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A high-performance microphone
specifically tuned to capture low-
end punch.
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Snare Drum
Rack/Floor Toms
Percussion
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A compact drum microphone for
closemiking.Drummountincluded.
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The following suggestions will help you get the best sounding results
from your PG microphones:
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use one microphone per sound source.
7RDYRLGIHHGEDFNDQGXQZDQWHGURRPQRLVH aim the micro-
phone directly toward the sound source and away from reflective
sources and loudspeakers. IRUGHWDLOVVHHSDJH
)RUH[WUDEDVVUHVSRQVHDQGOHVVURRPQRLVH work close to the
microphone.
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avoid excessive handling with vocal microphones.
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keep the microphone switch in the “OFF” position.
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and avoid covering the grille with your hand.
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Usage
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Desired Response
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Minimal “p” popping
and “s” sounds.
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Maximum isolation
from other sources.
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Emphasized bass,
maximum isolation
from other sources.
Setup
cm _ in
away from the mouth, slightly
off to one side.
cm _in
away from the mouth,
directly in front of microphone.
cm _in
away from the mouth,
directly in front of microphone.
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Usage
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Desired Response
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Emphasized bass.
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Higher frequency
sound.
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Balanced sound.
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Clear sound.
Setup
cm_in
away from speaker, centered directly in front of
speaker cone.
cm_in
away from speaker, at the edge of speaker cone.
cm_in
awayfromspeaker,directlyinfrontofspeakercone.
cm_in
away from the instrument and directly in
front of the bell.
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Usage
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Desired Response
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Goodplacementwhen
leakage or feedback
is a problem.
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Full sound.
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Less detail.
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Wellbalanced,slightly
bright.
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(hi-hat)
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(overhead)
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Setup
cm_in
from the sound hole.
cm_in
from the sound hole.
cm_in
from the bridge.
cm_in
above the side, over the bridge.
cm_in
aim microphone down toward cymbal, a few
inches over edge.
cm_in
above drummer’s head.
cm_in
just over open top, above treble strings. Good
placement when only one microphone
is used.
cm_in
just over open top, one microphone above
bassstrings,onemicrophoneabovetreblestrings
for stereo.
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Usage
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Desired Response
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Maximum bass
sound,highestsound
pressure level.
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Balanced sound.
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Balanced, resonant
sound.
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Emphasized bass.
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Higher frequency
sound.
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Full, balanced sound.
Setup
cm_in
away from beater head (inside drum), slightly
off–center from beater.
cm _in
away from beater head (inside drum), directly in
front of beater.
cm_in
awayfromoutsidehead,directlyinfrontofbeater
(double head kick drum only).
cm_in
from speaker, directly in front of the center of
speaker cone.
cm_in
from speaker, at edge of speaker cone.
cm_in
from speaker, directly in front of the center of
speaker cone.
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Usage
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Desired Response
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Crisp “snap.”
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Full, balanced sound.
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Natural sound.
Insertthethreaded
end of the drum
mount knob into
the PG56.
Rotatetheknobon
the drum mount
clockwise until it
is tight. Do not
overtighten with
tools.
Clampthebottomof
thedrummountover
the outside edge of
the drum rim.
Pull up to lock into
desired postion.
Insert the XLR
connectorintothe
end of the PG56.
Setup
WRcm_WRin
above rim of top drum head. Aim mic at drum
head.
WRcm_WRin
one PG56 on each tom, or between each pair of
toms, above drum heads. Aim each mic at top
drum heads.
WRcm_WRin
above rim of top head of drum. Aim mic at drum
head.
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*What is feedback?
During the normal operation of any sound system, sound produced by the loudspeakers can be
pickedupbythemicrophones,re-enterthesystemandbecomeamplified.Atcertainpointsthiscan
cause the system to create a noisy, sustained “howl” known as feedback.
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1. Position the front of the
microphone as close as
possible to the sound
sourceyou’retryingtomic.
2. Keep the microphone as
far away as possible from
loudspeakers.
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