
6
(OPTIONAL)...................................................................................... 57
6.3.10 _MAPPING THE CHANNELS OF DIFFERENT
FORMATS ..........................................................................................57
6.3.11 _SENDING PINK NOISE TO VERIFY THE
ROUTING OF THE SPEAKERS............................................58
6.3.12 _ADD A PARAMETRIC EQUALIZER....................59
6.3.12 .1 _ A D D A P EQ ..............................................................60
6.3.12.2 _DELETE A PEQ...................................................... 61
6.3.12.3 _SAVE A NEW PEQ GROUP ................................ 62
..................................................................................................... 62
6.3.12.4 _DELETE A PEQ GROUP ......................................63
6.3.12.5 _OVERWRITE A PEQ GROUP ............................63
IF AN EXISTING EQ GROUP NEEDS MODIFICATION,
IT IS POSSIBLE TO OVERWRITE IT WITH THE NEW
PARAMETERS. TO DO SO, PLEASE FOLLOW THIS
PROCEDURE: ..........................................................................63
.....................................................................................................63
6.3.12.6 _GENERATE PINK NOISE....................................64
6.3.13 _SETTING UP AN ARRAY OF SPEAKERS......64
6.3.13.1 _EXAMPLE OF AN ARRAY OF SPEAKERS.... 65
6.3.13.2 _ADJUST THE GAIN ............................................. 65
6.4 _SETUP BASS MANAGEMENT............... 66
6.4.1 _OVERVIEW OF THE BASS MANAGEMENT
SETUP PROCEDURE................................................................. 67
6.4.2 _BASS MANAGEMENT MODE.................................68
6.4.3 _QUICK SETUP MENU................................................... 69
6.4.3.1 _SET FILTERS ...........................................................70
6.4.3.2 _APPLY TO SELECTED SPEAKERS................... 70
6.4.4 _INDIVIDUAL SETUP MENU...................................... 71
6.4.4.1 _REGULAR BASS MANAGEMENT..................... 71
6.4.4.2 _INTERMEDIATE BASS MANAGEMENT.........72
6.4.5 _LFE & MISC ......................................................................... 73
6.4.5.1 _LOW FREQUENCY EFFECT SETUP................. 74
6.4.5.2 _REDIRECT LFE CHANNEL TO ONE OR MORE
SATELLITE(S).......................................................................... 74
6.4.5.3 _+10 DB ON LFE ........................................................ 74
6.4.5.4 _STACKED SUB CORRECTION ........................... 74
6.5 _USING TRINNOV 3D MICROPHONE......75
6.5.1 _THEORETICAL REQUIREMENTS FOR THE
MEASUREMENT ENVIRONMENT ................................... 76
6.5.2 _REFERENCE MEASUREMENT POINT............. 76
6.5.3 _POSITION AND ORIENTATION OF THE
MICROPHONE FOR THE REFERENCE POINT......... 76
6.6 _SETTING THE VOLUME FOR THE
CALIBRATION................................................... 77
6.7 _SETTING THE CROSSOVERS
(OPTIONAL).......................................................78
6.7.1 _OVERVIEW OF THE CROSSOVER SETUP
PROCEDURE ................................................................................... 78
6.7.2 _ACTIVE FILTERS AUTO CALIBRATION............. 79
6.7.3 _ACTIVE FILTERS MANUAL CALIBRATION
(EXPERTS ONLY).......................................................................... 80
6.7.3.1 _SETTING THE CROSSOVERS............................80
6.7.3.2 _CALIBRATING THE CROSSOVERS ..................82
6.7.4 _NO CALIBRATION............................................................84
6.8 _CALIBRATION........................................... 85
6.8.1 _SINGLE-POINT CALIBRATION............................... 85
6.8.2 _MULTI-POINT CALIBRATION .................................86
6.8.3 _COMMON PROBLEMS DURING CALIBRATION
88
6.8.4 _WEIGHTING........................................................................89
6.9 _COMPUTE ................................................. 89