Autodesk LUSTRE 2011 Manuale utente

Whether you work in ﬁlm or television post,

Autodesk®Lustre® software gives you creative

tools you need to help build a look that establishes

your unique vision or sells your client’s ideas with

compelling eect.

Creative Tools

Shape the audience experience using complex

secondaries to isolate the parts of the shot you need

to draw out and highlight. With Lustre software’s

rich creative toolset, your imagination is the limit.

Production-Proven Nonlinear Color Grading

Compare multiple shots in your sequence to help

maintain continuity of color and lighting across your

entire timeline. Jump between shots instantly, and

see them side by side in dierent contexts. With a

nonlinear workﬂow and a faster, higher-quality image

pipeline, you have time to do more by experimenting

with many grades and variations.

Streamlined Facility Workﬂow

Take advantage of the ﬂexibility of the Lustre system

to help build open and scalable collaborative color

grading workgroups. Save time with Autodesk®

Wiretap®technology, an advanced application

programming interface (API) that provides access to

media, clips, and timelines created by Autodesk visual

eects and ﬁnishing applications. This capability

enables you to color grade an Autodesk®Smoke®

 or Autodesk®Flame® software timeline in

Lustre without duplicating media or transferring

media across the network.

Lustre is extremely user

friendly and compatible

with our in-house tools –

us the ﬂexibility and

independence we need

with project and shot

management.

— Patrice Barrette

Colorist

Hybride Technologies,

a Ubisoft©Division

Shape Color and Light

Autodesk Lustre  software is a leading high-performance

digital color grading solution for creative look development.

Control color and light with artistic freedom to help establish

narrative tone and create stylized looks.

The Woman with a Broken Nose. © Neue Mediopolis Filmproduktion Filmhouse Bas Celik, 2010.

Image courtesy of CinePostproduction.

Image courtesy of Zee Networks.

Key Features

Creative Tools

Explore creative options and develop looks in ﬁlm

and television with the innovative Autodesk Lustre

creative toolset.

• Primaryandsecondarygrading  

• Freehandshapesandgeometries  

• Hierarchicalshapesystem   

• AdvancedGMasks   

• Multipointandregion-of-interesttracking 

and stabilization

• Keying     

• Panandscan    

• Degrainandautomaticdustremoval

GPU-Accelerated Processing

Lustre takes advantage of the graphical processing unit

(GPU)toacceleratethecoreprimaryandsecondary

grading tools and several of the Lustre eects plug-ins.

GPUgradingsignicantlyhelpsboostthereal-time

interaction and capability of the Lustre system.

Multilayer Timeline

Lustre provides a powerful conform toolset for building

timelines and handling editorial changes, which, in

the Digital Intermediate (DI) suite, are a fact of life.

The multilayer timeline in Lustre gives colorists the

gestural tools to help make edits, shot versions, and

grade versions faster. Try out multiple looks on a

single shot or rearrange the shots of an assembled

edit decision list (EDL) and then simply apply the

looks across multiple shots.

Stereoscopy

Autodesk solutions are designed to help develop a

holistic stereo pipeline, from D to D compositing

and color grading. Speed up the process of grading,

previewing, and rendering left- and right-eye media

with the automated stereoscopic tools in Lustre. A

bidirectional stereoscopic timeline and cross-product

media compatibility mean that facilities can easily

add Lustre color grading to Flame visual eects and

Smoke editorial ﬁnishing workﬂows already in place.

Parallel Lustre grading workﬂow with Smoke 

and Flame  for visual eects and editorial ﬁnishing

allows artists to work more eciently from a shared

pool of media.

Autodesk, Flame, Lustre, Smoke, and Wiretap are registered trademarks or trademarks of Autodesk, Inc., and/or its subsidiaries and/or aliates in the USA and/or other countries. All other

brand names, product names, or trademarks belong to their respective holders. Autodesk reserves the right to alter product and services oerings and speciﬁcations and pricing at any time

without notice, and is not responsible for typographical or graphical errors that may appear in this document.

©2010Autodesk,Inc.Allrightsreserved.BroC1-000000-MZ36

Color Decision List

Lustre integrates the American Society of

Cinematographers’ color decision list which was

developed to help make sure that images appear the

same when displayed in two dierent places on two

dierent platforms, for a more consistent look across

the dierent stages of post-production — from on

set look creation to dailies to ﬁnal grade.

Interoperability

With support for multiple digital formats RED™

CODE RAW, Panasonic®P2, Sony®XDCAM,Apple®

QuickTime®, and multi-channel OpenEXR ﬁle formats,

Autodesk Lustre software enables you to develop a

more ﬂexible workﬂow.

Autodesk Control Surface

A unique and beautiful modular three-ball control

surface is designed with colorists in mind to give you

faster, more intuitive access to the most common

color grading functions, and is available as an optional

component of any Lustre conﬁguration. The control

surface gives colorists a highly ergonomic means to

access Lustre controls, and the response sensitivity

can be customized according to each colorist’s

individual preference.

Autodesk Lustre Conﬁgurations

Autodesk Lustre conﬁgurations oer a ﬂexible way

to help customize your pipeline. Configuration

optionsincludeAutodeskLustreMasterStation,

Autodesk Lustre HD Station, and Autodesk Lustre

Assistant Station. For details on conﬁguration, visit

www.autodesk.com/lustre.

To purchase a license of Autodesk Lustre or obtain

information about Autodesk visual eects, editing,

ﬁnishing, and color grading products:

NorthAmerica:+1-800-869-3504

International:+1-415-507-4461  

www.autodesk.com/contactus

www.autodesk.com/lustre

The Last Station. © Egoli Tossell Film, Zephyr Films. Image courtesy of CinePostproduction.

Digital Arts.

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