Behringer B-CONTROL Istruzioni operative

BEHRINGER B-CONTROL

Programming Guide

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Screenshots were used with owners' kind permission.

Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. NATIVE

INSTRUMENTS®as well as the names of companies, institutions or publications pictured or mentioned and their respective logos are registered

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with BEHRINGER®. BEHRINGER®accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon an

description, photograph or statement contained herein. Colours and specification may vary slightly from product. Products are sold through ou

authorised dealers only. Distributors and dealers are not agents of BEHRINGER®and have absolutely no authority to bind BEHRINGER®by an

express or implied undertaking or representation. No part of this manual may be reproduced or transmitted in any form or by any means, electronic o

mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle

Studiotechnik GmbH. BEHRINGER®is a registered trademark.

BEHRINGER Spezielle Studiotechnik GmbH,

Hanns-Martin-Schleyer-Str. 36-38,

47877 Willich-Münchheide II, Deutschland.

Tel. +49 2154 9206 0, Fax +49 2154 9206 4903

BEHRINGER B-CONTROL Programming Guide 2

Table of Contents

Introduction 3

I. Operating mode selection 4

1. Mode selection with USB connection 4

2. Mode selection with double MIDI connection 4

3. Mode selection with single MIDI connection 4

II. Working with presets 5

1. Recalling presets 5

2. Storing presets 5

3. Archiving presets 5

III. Programming presets 6

1. Programming in manual EDIT mode 6

1.a Programming encoders (BCR2000 only) 6

1.b Programming push encoders 7

1.c Programming faders (BCF2000 only) 8

1.d Programming keys 8

2. Programming in automatic LEARN mode 9

2.a Programming encoders (BCR2000 only) 9

2.b Programming push encoders 9

2.c Programming faders (BCF2000 only) 10

2.d Programming keys 10

3. Programming MMC commands 11

3.a MMC in manual EDIT mode 11

3.b MMC in automatic LEARN mode 11

BEHRINGER B-CONTROL Programming Guide 3

Introduction

This programming guide will familiarize you with the programming of your B-CONTROL BCR2000 or

BCF2000. You will first learn how to select operating modes on your B-CONTROL and work with

presets, then you’ll learn how to work with the EDIT and LEARN programming modes, and will also

learn more about programming MMC commands. After reading this guide, you will be able to use

your B-CONTROL for controlling all kinds of MIDI-enabled software and hardware.

All settings of this programming guide that do not refer to programming MMC data (MIDI Machine

Control) will be demonstrated by using the PRO-53, a virtual synth from NATIVE INSTRUMENTS®.

An overlay for NATIVE INSTRUMENTS®PRO-53 is already included in the delivery. The assignment

of the control elements on this overlay doesn’t correspond to the programming guide because the

guide is intended to serve merely as a programming example.

BEHRINGER B-CONTROL Programming Guide 4

I. Operating mode selection

Before you start making changes to the settings in order to control NATIVE INSTRUMENTS®PRO-53 using

your BEHRINGER B-CONTROL, you’ll have to choose an operating mode. Mode selection depends on the

connectivity options on your computer. Selecting an operating mode is done as follows:

1. Keep the EDIT key pressed and press the STORE key at the same time. The B-CONTROL is now in

the global setup menu.

2. Turn the first push encoder (TYPE) to select an operating mode.

3. Press the EXIT key to store this setting and leave the global setup menu.

Note: A more detailed description of operating modes can be found in the B-CONTROL operating manual.

1. Mode selection with USB connection

If you connected your computer to

the B-CONTROL via USB, select

the modes U1 through U4.

2. Mode selection with double MIDI connection

If you connected your B-CONTROL (MIDI IN and MIDI OUT A) to a PC MIDI interface

using two MIDI cables, select mode S4. This mode allows parameter feedback without

the MERGE function (the MIDI commands created in the B-CONTROL are not mixed

with the incoming data).

3. Mode selection with a single MIDI connection

If you connected your B-CONTROL to a PC MIDI

interface using a single MIDI cable (MIDI OUT A),

select one of the modes S1 through S4 (this wiring

configuration doesn’t facilitate parameter feedback).

Note: The parameter feedback function of the B-CONTROL can only be used if the software you are

controlling is capable of sending MIDI data. When it comes to the software used in this programming

manual, namely, NATIVE INSTRUMENTS®PRO-53, this condition is met.

BEHRINGER B-CONTROL Programming Guide 5

II. Working with presets

The 32 presets in your BEHRINGER B-CONTROL let you store the settings you made and recall/use them

later. When we say ‘settings’, we mean addressing MIDI commands in respect to the control elements of the

B-CONTROL.

1. Recalling presets

When you power up the B-CONTROL, a preset is automatically loaded in the buffer. Of course, you can

also load up a different preset using the PRESET arrow keys. The preset you selected is loaded into the

buffer as soon as you let go of the PRESET key. You can start programming immediately after that.

2. Storing presets

After you assign the control elements of your B-CONTROL to the software parameters you want to control,

you can store your settings. Do the following:

1. Press the STORE key. The LED blinks.

2. Press the STORE key again. The LED stops blinking. The preset is now stored.

Note: To store your settings, you can also use a destination preset different from the one that is currently

selected: press the STORE key. The LED blinks. Using the arrow keys, select the desired destination preset.

Press the STORE key. The LED and the display stop blinking, and the preset is stored. Details about using

presets can be found in the B-CONTROL user manual.

Note: After you have programmed a B-CONTROL preset, you should always store it. Otherwise, all new

settings will get lost if you turn off your B-CONTROL or switch to another preset.

3. Archiving presets

Once all storage slots on your B-CONTROL have been used up, you will probably want to archive your

presets on an external medium. To do that, you may want to use a MIDI freeware programs such as SEND

SX or MIDI OX. You can also put one MIDI track of your sequencer into recording mode and use the single

preset dump function on your B-CONTROL:

1. Recall the preset you want to archive by using the PRESET arrow keys. The preset you selected is

loaded up as soon as you let go of the preset key.

2. Put your MIDI program in receiving mode or select RECORD on your software sequencer.

3. Keep the EDIT key pressed and press the PRESETXkey. The current preset is now being sent to the

sequencer and can be stored on your computer.

Note: When in the global edit menu, the ALL DUMP function lets you externally save all presets of your

B-CONTROL. This function is described in detail in the B-CONTROL user manual.

BEHRINGER B-CONTROL Programming Guide 6

III. Programming presets

Programming the BEHRINGER B-CONTROL means assigning individual control elements to one or several

parameters of some MIDI hardware of software. In the following examples, we will control the filter section of

NATIVE INSTRUMENTS® PRO-53 using the B-CONTROL (BCF2000 or BCR2000). To do that, you will

need to be familiar with PRO-53’s MIDI implementation (part of the documentation delivered with your

NATIVE INSTRUMENTS®software).

Our goal:

- assign RESO, ENV AMT and KBD parameters of the PRO-53 to three B-CONTROL

encoders.

- assign CUTOFF and HPF parameters of the PRO-53 to a B-CONTROL push encoder.

- assign ATTACK, DECAY, SUSTAIN and RELEASE parameters of the PRO-53 to four

B-CONTROL faders.

- assign the INV parameter of the PRO-53 to a single key on the B-CONTROL.

There are two ways to do all this, and we will show both:

- You can either program your B-CONTROL in the EDIT mode (optimal way of doing things to learn

how the B-CONTROL works and how to control it);

- Or you program your B-CONTROL in the LEARN mode (quickly done; done to assign functions to

individual control elements).

1. Programming in manual EDIT mode

1.a Programming encoders (BCR2000 only)

Assigning RESO, ENV AMT and KBD parameters to the first three B-CONTROL encoders. PRO-53 MIDI

implementation:

RESO = CC 71, ENV AMT = CC 72 and KBD = CC 73 / in each case, possible values = 0 through 127.

Programming the first encoder for controlling the RESO parameter:

1. Keep the EDIT key pressed, briefly turn the first encoder and then release the EDIT key.

2. Push Encoder 1 (TYPE = MIDI command): select Control Change (CC).

3. Push Encoder 2 (CH = MIDI channel): Select a MIDI channel. This channel must correspond to the

receiving channel on the PRO-53 (setup in the “MIDI Settings“ windows of the plug-in).

4. Push Encoder 3 (PAR = parameter): Select controller 71.

5. Push Encoder 4 (VAL 1 = minimum value): Select the lowest value (0).

6. Push Encoder 5 (VAL 2 = maximum value): Select the highest value (127).

7. Push Encoder 6 (MODE = controller mode of the respective control elements): Select “Absolute“ (AbS).

8. Push Encoder 7 (OPTION = LED circle performance): Select “1d.“

9. Push Encoder 8 (DISPLAY VALUE = display performance): Select “ON“ to have the display show

parameter changes when the encoder is turned. No parameters are displayed if you select “OFF.“

10. Exit the edit mode by pressing EXIT.

Repeat these steps again to assign ENV AMT and KBD parameters to the second and the third

encoders.

BEHRINGER B-CONTROL Programming Guide 7

1.b Programming push encoders

Assigning the CUTOFF parameter of the PRO-53 to the rotary function of the first push encoder on the

B-CONTROL. PRO-53 MIDI implementation:

CUTOFF = Control Change 70 / possible values = 0 through 127

1. Select one of the four push encoder groups by using the respective keys.

2. Keep the EDIT key pressed and briefly turn the first push encoder, then release the EDIT key.

3. Push Encoder 1 (TYPE): Select control change (CC).

4. Push Encoder 2 (CH): Select a MIDI channel. This channel must correspond to the receiving channel on

the PRO-53 (setup in the “MIDI Settings“ windows of the plug-in).

5. Push Encoder 3 (PAR): Select controller 70.

6. Push Encoder 4 (VAL 1 = minimal value): Select the lowest value (0).

7. Push Encoder 5 (VAL 2 = maximum value): Select the highest value (127).

8. Push Encoder 6 (MODE): Select “Absolute“ (AbS).

9. Push Encoder 7 (OPTION = LED circle performance): Select “Cut“ (short for cutoff). If the encoder is

connected, the entire LED circle lights up. When you turn the encoder to the right, the LED circle goes

out clockwise so that only the lower right LED remains lit.

10. Push Encoder 8 (DISPLAY VALUE = display performance): Select “ON“ to have the display show

parameter changes when the encoder is turned. No parameters are displayed if you select “OFF.“

11. Exit the edit mode by pressing EXIT.

Assigning the HPF parameter of the PRO-53 to the key function of the first B-CONTROL push encoder.

PRO-53 MIDI implementation:

HPF = Control Change 74 / possible values = 0 and 127.

1. Using the ENCODER GROUP key LEDs, you can make sure that the previously selected push encoder

group is still active.

2. Keep the EDIT key pressed and then briefly press the first push encoder. After that, release the EDIT

key.

3. Push Encoder 1 (TYPE): Select control change (CC).

4. Push Encoder 2 (CH): Select a MIDI channel. This channel must correspond to the receiving channel on

the PRO-53 (setup in the “MIDI Settings“ windows of the plug-in).

5. Push Encoder 3 (PAR): Select controller 74.

6. Push Encoder 4 (VAL 1 = ON value): Select 127 as your value.

7. Push Encoder 5 (VAL 2 = OFF value): Select 0 as your value.

8. Push Encoder 6 (MODE): Select “Toggle ON.“

9. Push Encoder 8 (DISPLAY VALUE = displays performance): Select “ON“ to have the display show

parameter changes when the encoder is turned. No parameters are displayed if you select “OFF.“

10. Exit the edit mode by pressing EXIT.

BEHRINGER B-CONTROL Programming Guide 8

1.c Programming faders (BCF2000 only)

Assigning the ATTACK, DECAY, SUSTAIN and RELEASE parameters of the PRO-53 to the first four

B-CONTROL faders.

PRO-53 MIDI implementation: ATTACK = CC 75, DECAY = CC 76, SUSTAIN = CC 77, RELEASE =

CC 78 / possible values = 0 through 127.

Programming the first fader for controlling the ATTACK parameter:

1. Keep the EDIT key pressed and briefly move the first fader, then release the EDIT key.

2. Push Encoder 1 (TYPE): Select control change (CC).

3. Push Encoder 2 (CH): Select a MIDI channel. This channel must correspond to the receiving

channel on the PRO-53 (setup in the “MIDI Settings“ windows of the plug-in).

4. Push Encoder 3 (PAR): Select controller 75.

5. Push Encoder 4 (VAL 1 = minimal value): Select the lowest value (0).

6. Push Encoder 5 (VAL 2 = maximum value): Select the highest value (127).

7. Push Encoder 6 (MODE): Select “Absolute “ (AbS).

8. Exit the edit mode by pressing EXIT.

Repeat these steps again to assign DECAY, SUSTAIN and RELEASE parameters to the second,

third and fourth fader.

1.d Programming keys

Addressing the INV parameter to one of the keys on the B-CONTROL.

PRO-53 MIDI implementation: INV = Control Change 79 / possible values = 0 and 127.

1. Keep the EDIT key pressed and briefly press the key you want to program, then release the EDIT

key.

2. Push Encoder 1 (TYPE): Select control change (CC).

3. Push Encoder 2 (CH): Select a MIDI channel. This channel must correspond to the receiving

channel on the PRO-53 (setup in the “MIDI Settings“ windows of the plug-in).

4. Push-Encoder 3 (PAR): Select controller 79.

5. Push Encoder 4 (VAL 1 = ON value): Select 127 as your value.

6. Push Encoder 5 (VAL 2 = OFF value): Select 0 as your value.

7. Push Encoder 6 (MODE): Select ”Toggle ON.“

8. Exit the edit mode by pressing EXIT.

BEHRINGER B-CONTROL Programming Guide 9

2. Programming in the automatic LEARN mode

Now you will learn hot to program your B-CONTROL in LEARN mode using the examples in the first chapter

of this programming guide. In doing so, you will not have to pay attention to the PRO-53’s MIDI

implementation parameters.

Note: All the steps in LEARN mode only work if the B-CONTROL was wired via a USB connection (U1

through U4) or via a “double” MIDI connection in one of the stand-alone operating modes (S1 through S4).

2.a Programming encoders (BCR2000 only)

Assigning the RESO, ENV AMT and KBD parameters of the PRO-53 to the first three

B-CONTROL encoders.

Programming the first encoder for controlling the RESO parameter:

1. Keep the LEARN key pressed and briefly turn the first encoder, then release the LEARN key.

2. Turn the RESO rotary control on your PRO-53 using the mouse. The B-CONTROL display shows

the received MIDI data. As soon as the data transfer is completed, “GOOd“ appears in the display.

Repeat these steps again to program the second and the third encoder for controlling ENV AMT

and KBD parameters of the PRO-53.

2.b Programming push encoders

Assigning the CUTOFF parameter of the PRO-53 to the rotary function of the first B-CONTROL push

encoder.

1. Select one of the four push encoder groups by using the respective keys.

2. Keep the LEARN key pressed and briefly turn the first push encoder, then release the LEARN key.

3. Turn the CUTOFF control on your PRO-53 using the mouse. The B-CONTROL display shows the

received MIDI data. As soon as the data transfer is completed, “GOOd“ appears in the display.

Assigning the HPF parameter of the PRO-53 to the key function of the first B-CONTROL push encoder.

1. Using the ENCODER GROUP key LEDs, you can make sure that the previously selected push

encoder group is still active.

2. Keep the LEARN key pressed and briefly push the first push encoder, then release the LEARN key.

3. Press the HPF key on your PRO-53 using the mouse. The B-CONTROL display shows the received

MIDI data. As soon as the data transfer is completed, “GOOd“ appears in the display.

4. You will have to program the second key function value in the EDIT mode. To do that, keep the EDIT

key pressed and briefly press the push encoder that is already partially programmed, and then

release the EDIT key.

5. Push Encoder 5 (VAL 2 = OFF value): Select 0 as your value.

6. Push Encoder 6 (MODE): Select ”Toggle ON.“

7. Exit the edit mode by pressing EXIT.

BEHRINGER B-CONTROL Programming Guide 10

2.c Programming faders (BCF2000 only)

Assigning the ATTACK, DECAY, SUSTAIN and RELEASE parameters of the PRO-53 to the first four

B-CONTROL faders.

Programming the first fader for controlling the ATTACK parameter:

1. Keep the LEARN key pressed and move the first fader, then release the LEARN key.

2. Turn the ATTACK control on your PRO-53 using the mouse. The B-CONTROL display shows the

received MIDI data. As soon as the data transfer is completed, “GOOd“ appears in the display.

Repeat these steps again to program the second, the third and the fourth fader encoder for

controlling DECAY, SUSTAIN and RELEASE parameters of the PRO-53.

2.d Programming keys

Assigning the INV parameter of the PRO-53 to a key on the B-CONTROL.

1. Keep the LEARN key pressed and briefly press the key you want to program, then release the

LEARN key.

2. Press the INV key on your PRO-53 using the mouse. The B-CONTROL display shows the received

MIDI data. As soon as the data transfer is completed, “GOOd“ appears in the display.

4. You will have to program the second key function value in the EDIT mode. To do that, keep the EDIT

key pressed and briefly press the key that is already partially programmed, and then release the

EDIT key.

5. Push Encoder 5 (VAL 2 = OFF value): Select 0 as your value.

6. Push Encoder 6 (MODE): Select ”Toggle ON.“

7. Exit the edit mode by pressing EXIT.

NOTE: After you have programmed a B-CONTROL preset (regardless of whether you did it in the LEARN or

in the EDIT mode), you should always store it. Otherwise, all new settings will get lost if you turn off your

B-CONTROL or switch to another preset.

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