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PERSONAL

KEYBOARD

OWNER’S

MANUAL

fo

a

:

Seeneooats—_

{=

Se

e+

oy

KAWAT

Se

ee

ee

ITU

TT

Care

and

Mainteivance

Congratulations!

You:are

now

the

proud

owner

of

a

Kawai

WK40

Personal

Keyboard.

To

keep

this

delicate

electronic

instrument

in

top

performing

condition

and’

ensure

years

of

troublefree

playing

enjoyment,

please

observe

the

following

precautions.

Location

:

Avoid

continued

use

or

storage

in

the

presence

of

the

following

environmental

factors

as

they

may

contribute

to

faulty

operation

or

breakdowns:

®

Exposure

to

direct

sunlight

©

Excessive

heat

or

humidity

@

Sand

or

dust

@

Excessive

vibration

,

Short

Circuits

Eo,

5;

Gates

.

eee

Pee

“Never

allow

liquids

or

foreign

objects

—

especially:

metallic

objects

—

to

fallbetween

the

keys.

They

can'léad

to

dangerous

short

circuits

that

cah

damage

the

instrument

—

usually

béyond

repair.

=

@

Never

attempt

to

disassemble,

service,

or

otherwise.modify

the

internal

components.

Such

willful

tampering

not

only

invalidates

your

warranty,

but

also

entails

the

risk

of

a

short

circuit.

Power

Supply

©

Connect

the

PS121

or

PS123

AC

adapter

to

a

power

outlet

with

a

voltage

matching

the

one

on

the

ratings

plate.

@

Before

connecting

or

disconnecting

the

power

supply,

make

sure

that

the

POWER

switch

is

OFF.

Cleaning

Wipe

with

a

clean,

dry

cloth.

Under

no

circumstances

use

benzene,

paint

thinner,

or

any

other

organic

solvents.

Battery

Backup

The

keyboard

contains

a

lithium

battery

that

maintains

memory

contents

even

after

the

main

power

supply

is

removed.

This

battery

normally

lasts

for

four

years.

Connect

your

nearest

authorized

Kawai

dealer

for

a

replacement

promptly

after

the

four

years

have

elapsed.

Major

Parts

FYavo

MM

al:\i

mt

aie

laleni(olacsy

@

POWER

switch

1.1.

Front

Panel

This

controls

power

to

the

keyboard.

@

MASTER

VOLUME

This

controls

the

output

level.

@®

Joystick

This

provides

a

quick

and

easy

way

to

change

certain

aspects

of

the

melody

during

a

performance.

Note:

The

joystick

automatically

returns

to

its

central

position

when

released.

DUET

—

When

the

automatic

accompaniment

is

in

operation,

pulling

the

stick

forward

adds

another

note

of

a

lower

pitch

to

subsequent

notes

that

you

play

on

the

keyboard.

Pulling

the

stick

forward

a

second

time

cancels

the

effect.

VIBRATO

—

Pushing

the

stick

away

from

you

adds

vibrato

to

the

output.

The

amount

of

vibrato

added

increases

with

distance

from

the

center.

BEND

UP

—

Pushing

ithe

stick

to

the

right

raises

the

pitch

of.

the

output.

The

size

of

the

pitch

change

increases

with

distance

from

the

center.

BEND

DOWN

—

Pushing

the

stick

to

the

left

lowers

the

pitch

of

the

output.

The

size

of

the

pitch

change

increases

with

distance

from

the

center.

@

PATTERN

MAKER

1.2

Rear

Panel

This

section

allows

you

to

replace

the

built-in

two-bar

accompaniment

patterns

with

your

own.

OFF

—

Deactivates

the

PATTERN

MAKER

section.

CHORD

—

Activates

the

CHORD

EDIT

function.

BASS

—

Activates

the

BASS

EDIT

function.

RHYTHM

~—

Activates

the

RHYTHM

EDIT

function.

CLEAR

switch

—

Clears

(erases)

the

pattern.

@®

LOWER

MODE

This

section

controls

the

accompaniment.

facilities

for

the

lower

keyboard.

OFF

—

Deactivates

the

LOWER

MODE

functions.

AUTO

—

Activates

the

automatic

accompaniment

func-

tion.

CHORD/BASS

—

Activates

the

chord

or

bass

accom-

paniment

function.

.

DRUMS

—

Activates

the

hand

percussion

function.

©

MIXER

This

section

controls

the

volume

balance

between

the

various

parts.

MELODY

—

Controls

the

relative

volume

for

the

melody.

CHORD

—

Controis

the

relative

volume

for

the

chords.

BASS

—

Controls

the

relative

volume

for

the

bass

part.

RHYTHM

—

Controls

the

relative

volume

for

the

rhythm

accompaniment.

~

hii

®

GO

@

®

STEREO

DC

iN

PHONES

S¥-I2¥

@

MELODY

TONE

switches

These

offer

a

selection

of

20

tone

voices

for

the

melody.

RHYTHM

switches

Thesé

offer

a

selection

of

20

patterns

for

the

rhythm

accompaniment.

Note:

To.

activate

the

RHYTHM

switches,

you

must

first

press

the

RHYTHM/BASS

selector.

@_

CHORD

TONE

switches

These

offer

a

selection

of

5

tone

voices

for

the

chords.

BASS

TONE

switches

These

offer

a

selection

of

5

tone

voices

for

the

bass

accompaniment.

Note:

To

activate

the

BASS

switches,

you

must

first

press

the

RHYTHM/BASS

selector.

.

()

RHYTHM/BASS

selector

This

changes

the

MELODY

and

CHORD

switches

into

their

RHYTHM

and

BASS

counterparts.

(2

RECORDER

switches

This

section

controls

the

operation

of

the

song

re-

cording/playback

facilities.

REC

—

Activates

the

recording

function.

PLAY

—

Plays

back

the

recorded

song.

STOP/SELECT

—

Pauses

recording/playback

and

se-

lects

the

song.

TEMPO

switches

Adjust

the

playback

speed.

()

DEMO

switch

This

plays

a

built-in

demonstration

song.

@

START/STOP

switch

This

activates/deactivates

the

rhythm

accompaniment.

SYNC/FILL

IN

switch

If

the

rhythm

accompaniment

has

not

already

started,

this

synchronizes

the

start

of

the

accompaniment

with

the

next

note

played

on

the

keyboard

(SYNC).

Other-

wise,

it

provides

a

rhythm

variation

(FILL

IN).

@

INTRO/ENDING

If

the

rhythm

accompaniment

has

not

already

started,

this.

plays

a

one-bar

introduction

and

then

starts

the

rhythm

accompaniment.

Otherwise,

it

completes

the

current

bar

of

the

rhythm

pattern,

plays

a

special

ending

rhythm

pattern,

and

then

shuts

off

the

rhythm

ac-

companiment.

Note:

The

INTRO,

ENDING,

and

FILL

IN

patterns

vary

with

the

base

rhythm

pattern.

MIDI

connectors

These

provide

a

world-standard

interface

for

connecting

the

instrument

to

a

wide

variety

of

electronic

equipment

—

other

musical

instruments

and:personal

computers;

for

example.

MIDI

OUT

—

Transmits

MIDI

data.

MIDI

IN

--

Accepts

data

from

other

MIDI

equipment.

STEREO

PHONES

jack

:

This

connects

to

headphones

or

audio

equipment.

@

DC

IN

jack

This

connects

to

the

AC

adapter.

This

instrument

runs

on

either

batteries

or.

household

current.

2.1

Battery

Operation

:

Remove

the

cover

from

the

battery

compartment

under

the

instrument

and

insert

six

“C”

dry

cells.

:

‘Notes

”

@

If

the

sound

fades

or

suality

deteriorates

during

a

session,

it

is

time

to

change

batteries.

®

Make

sure.

that

the

batteries

face

in

the

right

direction.

(Follow.

the

guide

imprinted

in

the

lining

of

the

com-

partment.)

e@

Always

change

batteries

asa

set.

Never

change

fewer

than

six

at

a

time

or

mix

batteries

of

different

types.

@

Always

remove

the

batteries

when

not

using

the

instru-

ment

for

an

extended

period

—

when

storing

it,

for

example.

2.2

AC

Operation

Connect

the

PS121

or

PS123

AC

adapter

to

a

power.

outlet

with

a

voltage

matching

the

one

on

the

ratings

plate.

2.3

Line

Output

To

listen

to

keyboard

output

on

audio

equipment

instead

of

headphones,

buy

the

appropriate

adapter

cable

and

con-

nect

the

STEREO

PHONES

jack

on

the

keyboard

to

the

LINE

IN

jacks

on

the

audio

equipment.

(STEREO

MiNi

PLUG

PIN

PLUG

LINE

in

STEREO

vc

1M

PHONES

S¥—12¥,

3.

Changing

Tone

Voices

and

Rhythm

Patterns

Your

WK40

features

a

wide

selection

of

built-in

tone

voices

and

rhythm

patterns:

20

tone

voices

for

the

melody

20

patterns

for

the

rhythm

accompaniment

§

tone

voices

for

the

chords

5

tone

voices

for

the

bass

accompaniment

To

change

the

MELODY

or

BASS

selection,

simply

press

the

corresponding

switch.

To

change

the

RHYTHM

or

BASS

selection,

press

the

RHYTHM/BASS

selector

first.

TOP

NOTE

DUAL

Function

Holding.

down

one

MELODY

SELECT

switch

and

pressing

another

activates

the

TOP

NOTE

DUAL

function,

which

then

automatically

sounds

the

highest

note

being

played

with

two

tone

voices.

(The

lower

notes

sound

with

the

first

tone

voice

only.)

©

The

two

tone

voice

selections

must

be

different.

®

Selecting

another

tone

voice

for

the

melody.

automati-

cally

cancels

this

function.

4.

Using

the

Joystick

The

joystick

provides

a

quick

and

easy

way

to

change

certain

aspects

of

the

melody

during

a

performance.

Note:

The

joystick

functions

do

not

affect

the

LOWER

MODE

accompaniment.

Note:

-The

joystick

automatically

returns

to

its

central

position

when

reléased.

DUET

—

Pulling

the

stick

forward

adds

another

note

of

a

lower

pitch

to

subsequent

notes

that

you

play

on

the

keyboard.

If

you

play

more

than

two

notes

at

once,

only

the

highest

one

is

affected.

Pulling

the

stick

forward

a

second

time

cancels

the

effect.

;

VIBRATO

—

Pushing

the

stick

away

from

you

adds

vibrato

to

the

output.

The

amount

of

vibrato

added

increases

with

distance

from

the

center.

BEND

UP/DOWN

—

Pushing

the

stick

to

the

right

or

left

respectively

raises

or

lowers

the

pitch

of

the

output.

The

size.

of

the

pitch

change

increases

with

distance

from

the

center.

:

5.

LOWER

MODE

This

function

allows

you

use

different

tone

voices

for

the

lower

keyboard

accompaniment

and

the

melody.

AUTO

—

Activates

the

automatic

accompaniment

function,

which

then

supplies

an

appropriate

accompaniment

based

on

the

current

CHORD,

BASS

and

RHYTHM

selections.

CHORD/BASS

—

Activates

the

chord

or

bass

accompani-

ment

function.

Note:

One-

and

two-finger

chording

are

available

along

with

the

standard

chords.

Note:

The

CHORD

and

BASS

selector

switches:

deter-

mine

the

tone

voice

for

the

lower

keyboard.

DRUMS

—

Activates

the

hand

percussion

function.

OFF

—

Deactivates

the

LOWER

MODE

functions.

6.

PATTERN

MAKER

This

section

allows

you

to

replace

each

of

the

four

built-in

two-bar

accompaniment

patterns

with

one

of

your

own.

@

Procedure

1.

Select

the

rhythm

pattern.

2.

Shift

the

PATTERN

MAKER

switch

to

the

RHYTHM

position

to

play

back

the

accompaniment

pattern.

3.

Press.the.

LEAR

switch

-to.erase

the

rhythm

portion.

4.

».Usé

the:

lower

kéyboard

to

construct

a

new

two-bar

rhythm.

portion.

Note:

Labels

above

the

keyboard.

give

the

percussion

instruments

assigned

to

each

key.

Note:

The

lowest

key

on

the

keyboard

provides

an

ERASE

function.

Holding

it

down

and

pressing

the

key

for

an.instrument

erases

all

notes

for

that

instrument

from

the

pattern.

Note:

The

pattern

automatically

repeats

so

that

you

may

add

new

notes

on

each

subsequent

pass.

Note:

Pressing

the

CLEAR

switch

erases

the

entire

rhythm

portion-that

is,

returns

you

to

Step

3.

5.

Shift

the

PATTERN

MAKER

switch

to

the

BASS

position

to

play

back

the

bass

portion

of

the

pattern.

Press

the

CLEAR

switch

to

erase

the

bass

portion.

7.

Select

a

tone

voice

for

the

bass

accompaniment.

8.

Use

the

lower

keyboard

to

construct

a

new

two-bar

bass

portion.

,

Note:

The

pattern

automatically

repeats

so

that

you

may

add

new

notes

on

each

subsequent

pass.

9.

Shift

the

PATTERN

MAKER

switch

to

the

CHORD

position

to

play

back

the

chord

portion

of

the

pattern.

10.

Press

the

CLEAR

switch

to

erase

the

chord

portion.

11.

Select

a

tone

voice

for

the

chord

accompaniment.

12.

Use

the

lower

keyboard

to

construct

a

new

two-bar

chord

portion.

Note:

The

pattern

automatically

repeats

so

that

you

may

add

new

notes

on

each

subsequent

pass.

13.

Press

the

rhythm

selector

switch

with

the

ili

mark

to

store

the

new

pattern.

Note:

Storing

the

new

pattern

erases

the

old.

If

you

do

not

wish

this

to

happen,

cancel

the

entire

opera-

tion

by

skipping

this

step.

Note:

The

stored

pattern

includes

the

MIXER

settings

for

the

RHYTHM,

CHORD,

and

BASS

parts.

14.

Shift

the

PATTERN

MAKER

switch

to

its

OFF

posi-

tion.

Note:

Holding

down

the

lowest

key

on

the

keyboard

(ERASE)

as

you

turn

on

the

power

resets

ail

patterns

to

the

ones.

programmed

at

the

factory.

7.

RECORDER

This

section

allows

you

to

record

and

play

back

up

to

three

of

your

own

performances

as

songs

with

a

total

of

approximately

5,000

notes.

@

Procedure

Part

I.

Simple

Recording

1.

Use

the

STOP/SELECT

switch

to

select

the

song

number.

Note:

Pressing

the

switch

shifts

the

lighted

LED.

2.

Press

the

REC

switch

to

place

the

recorder

on

standby.

Note:

The

REC

LED

lights.

3.

Play

or

press

the

PLAY

switch.

Note:

The

PLAY

LED

also

lights.

4.

‘Press

the

STOP/SELECT

switch

to

suspend

record-

ing.

Note:

Recording

stops,

and

the

REC

LED

flashes.

5.

To.continue

recording,

go

back

to

Step

2.

6.

Press

the

STOP/SELECT

switch

a

second

time

to

terminate

recording.

7.

Press

the

PLAY

switch

to

play

back

the

recorded

song.

Part

ll.

Overdubbing

8.

To

overdub,

repeat

the

entire

procedure

above

as

often

as

necessary.

Note:

The

maximum

numbers

of

simultaneous

voices

used

in

each

portion

of

the

song

must

add

up

toa

number

less

than

twelve.

9.

To

abandon

the

most

recently

overdubbed

‘portion

and

return

to

the

preceding

version

of

the

song,

hold

down

the

REC

switch

and

press

the

STOP/SELECT

switch.

10.

Repeat

the

previous

step

to

abandon

the

entire

song.

Notes

@

The

recorder

does

not

support

the

joystick’s

DUET

and

VIBRATO

functions

or

the

TOP

NOTE

DUAL

function.

The

recorder

does

not

store

the

tempo

with

the

data.

Instead

it

uses

the

tempo

in

effect

at

the

time

of

playback.

®

Holding

down

the

first

(ERASE)

and

third

white

keys

on

the

keyboard

as

you

turn

on

the

power

erases

the

song

as

well

as

the

new

accompaniment

patterns.

8.

Other

Functions

.

Holding

down

the

two

CHORD

tone

switches

(PIANO

and

E.

GUITAR)

and

simultaneously

pressing

the

two

lowest

biack

keys

on

the

keyboard

activates

the

auxiliary

functions

TUNE,

TRANSPOSE,

and

MIDI

channel

number,

Note:

The

REC

and

PLAY

LEDs

in

the

RECORDER

section

flash

alternately

while

these

functions

are

in

effect.

Pressing

any

switch

not

used

by:these

functions

—the

START/STOP

switch

or

a

BASS

tone

voice

selector,

for

example

—

returns

the

keyboard

to

normal

operation.

All

three

functions

return

to

there

default

values

when

the

power

is

removed.

Note:

Note:

8.1

TUNE

This

function

allows

you

to

adjust

the

WK40's

tuning

to

match

that

of

another

instrument

—

for

ensemble

playing,

for

example.

Use

the

UP

arrow

TEMPO

switch

to

raise

the

pitch

and

the

DOWN

arrow

to

lower

it

Simuitaneously

pressing

both

arrow

keys

returns

the

instrument

to

the

standard

tuning.

The

tuning

range

is

up

to

a

quarter

tone

(50

cents)

on

either

side

of

the

standard

pitch.

:

MIDI

8.2

TRANSPOSE

This

function

tells

the

WK40

keyboard

to

automatically

transpose

what

you

play.

Press

the

REC

switch

and

then

use

the

UP

arrow

TEMPO

switch

to

transpose

up

a

semitone

and

the

DOWN

arrow

switch

to

transpose

down

the

same

amount.

Simultaneous-

ly

pressing

both

arrow

keys

returns

the

instrument

to

the

standard

pitch.

The

transposition

range

is

up

to

half

an

octave

on

either

side.

8.3

MIDI

channel

number.

The

MIDI

standard

provides

16

data

channels.

To

com-

municate,

the

transmitting

and

receiving

MID!

devices

must

be

using

the

same

channel.

The

default

transmitting

channel,

the

one

in

effect

when

the

power

is

first

applied,

is

channel

No.

1.

You

may

change

this

setting,

however,

with

the

MELODY

tone

voice

switches.

The

internationally

recognized

MIDI

standard

allows

you

to

connect

your

WK40

to

personal

compuiers,

electronic

musical

instruments,

and

other

MIDI

devices.

You

may,

for

example,

contro!

a

drum

machine

from

your

WK40

keyboard

or,

going

in

the

opposite

direction,

play

the

keyboard

from

another

MID!

device.

lm

WK40

as

MASTER

The

WK40

MIDI

interface

transmits

the

following

informa-

tion:

~~...

nh

:

@.-Note

data

—

NOTE

NUMBER

(pitch)

and

NOTE

.ON/OFF

(duration)

.,

®

Program

changes

—

Commands

to

other

devices

e

PITCH

BEND

information

@

PROGRAM

CHANGE

NUMBERS

@

WK40

as

SLAVE

The

WK40

MIDI

implementation

receives

on

the

following

channels:

[Channet

Part

1-4

MELODY

TONES

Data

accepted

“]

KEY

ON/OFF,

VELOCITY,

PROGRAM

CHANGE,

BENDER

KEY

ON/OFF,

VELOCITY,

PROGRAM

CHANGE

KEY

ON/OFF,

VELOCITY,

PROGRAM

CHANGE

KEY

NUMBER,

VELOCITY

14

CHORD

TONES

15

BASS

TONES

16

DRUMS

Key

Numbers

for

Percussion

Instruments

Tone

Voice

No.

Tone

Voice

No.

Tone

Voice

nel

Tone

Voice

No.

Tone

Voice

MELODY

VOICE

2

|

PIANO

3

|

PIPE

ORGAN

4

|

WOW

BRASS

5

|

ELECTRIC

GUITAR

6

|

STRINGS

7_|

FLUTE

8

|

ELECTRIC

PIANO

|

9

|

JAZZ

ORGAN

10

|

TRUMPET

HARMONICA

12

|

PLUCK

HARP

-

43

|

OBOE

14

|

HARPSICHORD

15

|

ACCORDION

SAX

17

|

SHIMMER

18

|

MUSIC

BOX

19

|

SYNTHESIZER

20

|

VIBRAPHONE

CHORD

1

|

PIANO

2

|

ELECTRIC.GuITAR

|

3

|

ELECTRIC

PIANO

|

4

|

FUZZ

MUTE

BRASS

ELECTRIC

BASS

2

|

2

|

SLAP

BASS

3

|

WOOD

BASS

4

|

SYNTHESIZER

BASS

TUBA

|

Instrument

Key

No.

Instrument

Key

No.

Instrument

38

BD

44

HIHAT

OPEN

LO.CONGA

39

CLAPS

45

HI

TOM

LO

COWBELL

40

SD

46

|

CRASH

Hi

CONGA

41

ESD

47

|

E.LO

TOM

HI

COWBELL

42

HIHAT

CLOSED

48

|

E.HI

TOM

483

MID

TOM

49

|

RIDE

Date:

Aug.

1988

Version:

1.0

PERSONAL

KEYBOARD

MODEL

WK40

MIDI

IMPLEMENTATION

Function

...

Transmistted

Recognized

Remarks

Basic

Default

1

1—4,

14—16

Recognized

on

multiple

Channel

Changed

1—16

x

channels

(CH

1-4,

14-16),

Default

3

3

Mode

Messages

x

x

Altered

ie

HEKKREKEER,

x

Note

36

—

84 30

—

102

Channels

5-13

ignored.

Number

:

True

voice

erent

ts

:

j}——

Velocity

Note

ON

X

OnV

=

127,96,

64,32

|

X

SnvV

=

1

—

12

Channels

5-13

ignored.

Note

OFF

xX

9nV=0

X

9nV

=

0,

B8nV

=

XX

XX

ignored.

After

A

;

Key's

x

x

Touch

Ch's:

x

x

Pitch

Bender

.

ie)

te)

me

Xx

x

3

Control

Change

Prog

CH1-4:

1-20,

CH14-15:

1-5

|

O

1-128

CH1-4:

24-128

f

Rhenee

Seg,

senEEEAEER

cHa-t5:6-128

sete

System

Exclusive

x¢

x

,

Syets

:

Song

Pos

x

x

ystem

:

;

Common

'

Song'Sel

x

x

:

Tune

x x

System

:

Clock

x

x

Does

not

transmit

RealTime.

Commands

x x

CONTINUE.

:

Local

ON/OFF

|

X

x

Aux

:

All

Notes

OFF

|

X

x

Messages

:

Active

Sense

|

X

x

;

‘

x

{

Reset

x

Mode

1:

OMNI

ON,

POLY

Mode

2:

OMNI

ON,

MONO

Mode

3:

OMNI

OFF,

POLY

Mode

4:

OMNI

OFF,

MONO

xO

Ze

Prtstettatey

ate)

Keys

49

Voices

;

max.12

,

MELODY

tone

voices

20

:

VOICE,

PIANO,

PIPE

ORGAN,

WOW

BRASS,

ELECTRIC

GUITAR,

STRINGS,

FLUTE,

ELECTRIC

PIANO,

JAZZ

ORGAN,

TRUMPET,

HARMONICA,

PLUCK

HARP,

OBOE,

HARPSICHORD,

ACCORDION,

SAX,

SITAR,

MUSIC

BOX,

SYNTHESIZER,

-

VIBRAPHONE

RHYTHM

patterns

20

e

16-BEAT,

BOSSA

NOVA,

DIXIELAND

JAZZ,

FUNK,

WALTZ,:ROCK,

8-BEAT,

MAMBO,

JAZZ,

SAMBA,

SHUFFLE,

BLUES,

DISCO,

SALSA,

COUNTRY,

REGGAE,

BOUNCE,

MARCH,

RAP,

TANGO

CHORD

tone

voices

5

ELECTRIC

BASS,

SLAP

BASS,

WOOD

BASS,

SYNTHESIZER

BASS,

TUBA

BASS

tone

voices

5

PIANO,

ELECTRIC

GUITAR,

ELECTRIC

PIANO,

FUZZ

MUTE,

BRASS

Effectors

;

VIBRATO,

DUET,

TOP

NOTE

DUAL,

BEND

UP/DOWN

Storage

RECORDER:

Three

songs,

up

to

5,000

notes

total

PATTERN

MAKER:

Four

2-bar

patterns

with

chord,

bass,

and

rhythm

portions

Other

switches

:

DEMO,

START/STOP,

SYNC/FILL

IN,

INTRO/ENDING

Speakers

Two,

10

cm

in

diameter,

2.5

W

each

Power

supply

DC

Six

“C"

dry

cells

AC

adapter

:

Jacks

:

PHONES/AUX

OUT,

STEREO

MINI,

MIDI

IN/OUT,

DC

IN

(9-12V)

Dimensions

770

x

285

x

70

mm

(30.4

x

11.3

x

2.8)

Weight

3.9

kg

(8.6

Ib)

WARNING:

This

equipment

generates,

uses,

and

can

radiate

radio

frequency

energy.

If

not

installed

and

used

in

accordance

with

the

instruction

manual,

it

can

cause

interference

to

radio

communications.

The

rules

with

which

it

must

comply

afford

reasonable

protection

against

interference

when

used

in

most

locations.

However,

there

can

be

no

guarantee

that

such

interference

will

not

occur

in

a

particular

installation.

If

this

equipment

does

cause

interference

to

radio

or

the

related

equipment

off

and

on,

the

user

is

encouraged

to

try

correct

the

interference

by

one

or

more

of

the

following

measures:

—

reorient

the

receiving

antenna.

—.move.the

receiver

away

from

the

instrument.

~~~

plug

the

instrument

into

a

different

outlet

so

that

it

and

receiver

are

on

different

branch

circuits.

—

consult

the

dealer

or

a

qualified

service

personnel.

@

This

instrument

complies

with

the

limits

for

a

class

B

digital

apparatus,

pursuant

to

the

Radio

Interference

Regulations,

C.R.C.,

c.

1374.

Kawai

Musical

Instruments

Manufacturing

Co.,

Ltd.

200

Terajima-cho,

Hamamatsu,

Japan

OW302E

Printed

in

Japan