Sony Odyssey7Q+ Manuale utente
Updated February 23, 2015 | Firmware Release v5.10.100
ProRes 422 (HQ)
ProRes 422
ProRes 422 (LT)
4K Apple ProRes
23.98, 25, 29.97 (Odyssey7Q+)
HD Apple ProRes
1080p23.98,24,25,29.97,50*,60*
720p50/60
SONY α7S
Odyssey7Q+
Odyssey7Q
SETUP GUIDE
SONY α7S
NOTES ABOUT USING THE ODYSSEY WITH THE A7S
The Odyssey7/7Q do not support 1080p59.94 or 4K over HDMI due to a hardware constraint. If Auto
HDMI output is used, the camera will output 1080i. (Odyssey7Q+ it will accept 4K or 1080p59.94)
PRORES RECORD TIMES
24 25 30 50 60
422(HQ)
4K to 4K ProRes 168 161 134
4K to HD ProRes 670 643 536 322 268
HD ProRes 670 643 536 322 268
422
4K to 4K ProRes 220 221 176
4K to HD ProRes 1060 1016 848 508 424
HD ProRes 1060 1016 848 508 424
422(LT)
4K to 4K ProRes 328 316 264
4K to HD ProRes 1516 1456 1212 728 604
HD ProRes 1516 1456 1212 728 604
Note: 4K and 1080p50/60 over HDMI is only supported on the 7Q+, to record 1080p50/60 on an Odyssey7 or
Odyssey7Q you must use a HDMI to SDI converter, as 7/7Q are limited to 1080p30 over HDMI due to a hardware
constraint.
Note: Odyssey 7 only has 1 SSD slot
FORMAT DETAILS
4K Apple ProRes 3840x2160 10-bit log video, originated from HD 8-bit camera signal, recorded as Apple
ProRes compressed 4K video .MOV
4K to HD ProRes 1920x1080, 10-bit log video, originated from 4K RAW 12-bit camera signal, transformed
and recorded as Apple ProRes compressed HD video
HD Apple ProRes 1920x1080,1280x720 10-bit log video, originated from HD 8-bit camera signal, recorded
as Apple ProRes compressed HD video .MOV
FRAME RATE SUPPORT
The Following A7s frame rates are supported on the Odyssey:
• 4K 23.98-30 (HDMI - Odyssey7Q+ Only)
• 1080p59.94/50 (HDMI - Odyssey7Q+ / HDMI to SDI Converter - Odyssey7Q)
• 1080i50/59.94
• 1080p25/29.97
• 1080p23.98 (24p output and 3:2 pulldown)
TYPICAL DOWNLOAD TIME IN MINUTES
Media USB3.0 Thunderbolt
256G SSD 20 10
512G SSD 40 20
1TB SSD 80 40
Actual transfer rates are dependent on computer system and desnaon media.
USB 3.0 or Thunderbolt connecons are recommended by Convergent Design for ecient data rates.
1
CONTINUED »
CAMERA SETTINGS
1. SWITCH CAMERA TO VIDEO MODE
ROTATE THE MODE DIAL TO THE POSITION.
2. SET INTERNAL RECORDING
MENU » » PAGE 2 » RECORD SETTING » (59.94/50/29.97/25/24)
XAVC-S for 30p / AVCHD fo 60i
3. SET CLEAN HDMI OUTPUT
MENU » » PAGE 3 » HDMI SETTINGS » HDMI INFO DISPLAY » OFF
4. SET HDMI OUTPUT
HD
MENU » » PAGE 3 » HDMI SETTINGS » (AUTO/1080P/1080I)
NOTE: You may need to change 24p/60p output depending on your frame rate.
The A7s can output 23.98 over HDMI so this can be used or 1080i and 3:2 pulldown can
be used to achieve 1080p23.98 recording to the Odyssey.
4K (ODYSSEY7Q+)
Be sure that your Odyssey7Q+ is connected to your A7S via HDMI in order to enable
HDMI 4K output from the camera.
MENU » » PAGE 3 » HDMI 4K OUTPUT » (24P/25P/30P)
A notication will appear: When outputting 4K movies, you cannot record movies to
recording media. Click OK.
SONY α7S
2
SONY α7S
5. SET HDMI TIMECODE/CAMERA TRIGGER
MENU » » PAGE 3 » HDMI SETTINGS » TC OUTPUT » ON
This will output timecode to the Odyssey, which will be recorded with your video signal.
MENU » » PAGE » HDMI SETTINGS » REC CONTROL » ON
This allows you to start/stop recording on the Odyssey with the record button on the A7S.
HDMI Info Display must be set to OFF before you can select HDMI 4K Output.
6. SET PICTURE PROFILE (SLOG-2)
MENU » » PAGE 5 » PICTURE PROFILE » PP7
Note: You may use any of the picture prole settings, however, The PP7 setting (SLOG-2)
gives you the full range of the sensor.
Note: If you use SLOG-2 you will need to congure the LUT control on the Odyssey by
tapping LUT on the lower menu and selecting Sony F5/F55 (SLOG-2). This LUT setting
matches the SLOG-2 on the A7S.
3
SONY α7S
ODYSSEY CONFIGURATION
1. SET ODYSSEY TO HD->HD APPLE PRORES MODE
HD RECORDING
☼
» SETUP » CAMERA » SONY » HD->HD PRORES(.MOV)
UHD TO HD RECORDING (ODYSSEY7Q+)
☼
» SETUP » CAMERA » SONY » 4K/UHD PRORES(.MOV)
4K RECORDING (ODYSSEY7Q+)
☼
» SETUP » CAMERA » SONY » UHD HDMI TO HD PRORES(.MOV)
2. MAKE A7S THE RECORD TRIGGER
☼
» SETUP » RECORD TRIGGER » CAMERA
3. SET TIMECODE SOURCE
☼
» SETUP » TIMECODE SOURCE » SDI/HDMI
The HDMI input is automatically detected when connected to the Odyssey.
** Note the HDMI input is on the right side of the unit, on the Odyssey7Q+ but is at the
bottom of the unit for Odyssey7 and 7Q.
4. SET PRORES BITRATE
☼
» SETUP » VIDEO CODEC » (SELECT)
PRORES HQ The Apple ProRes 422 (HQ) codec oers the utmost possible quality for 4:2:2 or 4:2:0 sources
(without an alpha channel) and provides the following:
• Target data rate of approximately 220 Mbps (1920 x 1080 at 60i)
• Higher quality than Apple ProRes 422
PRORES 422 The Apple ProRes 422 codec provides the following:
• Target data rate of approximately 145 Mbps (1920 x 1080 at 60i)
• Higher quality than Apple ProRes 422 (LT)
PRORES LT The Apple ProRes 422 (LT) codec provides the following:
• Roughly 70 percent of the data rate of Apple ProRes 422 (smaller le sizes than ProRes 422)
• Higher quality than Apple ProRes 422 (Proxy)
5. FORMAT SSDs
☼
» ODYSSEY » SSD’S » FORMAT BOTH
(or FORMAT SSD1 if you do not have a second SSD drive installed.)
4
SONY α7S
6. CONNECT TO CAMERA AND VERIFY STATUS INPUT
CONNECT A7S HDMI OUTPUT TO ODYSSEY HDMI INPUT
The status on your Odyssey will display your camera’s output.
Example:
UHD 23P 4:2:2
SONY
3840 x 2160
PRORES
4K/UHD
7. SET HDMI CADENCE
Connect HDMI input, and verify the camera internal record rate matches the input indicator
on the Odyssey. If it does not a Cadence may be needed to correctly reect the format in
which you wish to record.
☼
» SETUP » VIDEO CADENCE » PROGRESSIVE
PROGRESSIVE
Use this setting for 720p50/60, 1080p24**, 25*,30*
*Note typically the camera will need to be set to record 1080p25/30 internally, and the
output is set to 1080i.
**Note that when wishing to record 1080p24, HDMI output can be set to “Auto” or 1080i or
1080p (7Q+ only), therefore Progressive should be used when auto is selected.
INTERLACED
Use this setting for 1080i50, 1080i59.94 recording
3:2 PULLDOWN*/**
Use this setting for 1080p24 recording when the camera only has a output setting of
1080i, also note the camera must be set to record 1080p24 or 1080p23.98 internally,
**Note that when wishing to record 1080p24, HDMI output can be set to “Auto” or 1080i,
therefore 3:2 pulldown should be used when 1080i is selected.
5
OFF-LOADING DATA
COPYING FILES TO YOUR COMPUTER
1. CONNECT SSD DRIVE TO ADAPTER
Connect the Convergent Design 2.5” Premium SSD Media to any off-the-shelf 2.5” SATA
adaptor (example: Seagate GoFlex Thunderbolt Adaptor or USB 3.0 Adaptor)
2. CONNECT ADAPTER TO COMPUTER
The SSD will mount within 10-20 Seconds. (You will see this mount on the desktop or
within nder on MAC, or within My Computer on Windows machines).
3. COPY FILES FOR PLAYBACK/EDITING
All Clips or Takes are located within the “Clips” directory, navigate to this and copy all of
your les to a local or external drive or RAID for playback and/or editing.
SOFTWARE UTILITIES (FREE DOWNLOAD FROM WEBSITE)
CD CLIP MERGER (RAW/DPX)
Use the Clip Merger for any Raided Record (ie if your recorded clip required more than
one SSD). See the At A Glance Chart, “No. of SSD’s Req” column, on page 2.
CD APPLE PRORESS TRANSFER TOOL (FREE DOWNLOAD FROM WEBSITE)
Use to combine clips into a single le
Use to copy all les to a single directory without folder structure.
Required in order to transfer markers to your NLE.
CD DATA UNPACKER (DPX)
Use CD Data Unpacker to convert “packed” les to “unpacked” data.
ALL UTILITIES CAN BE DOWNLOADED FROM THE FIRMWARE/DOWNLOADS
AREA OF OUR WEBSITE: Convergent-Design.com/support/rmware-downloads.html
ATTENTION MAC OSX USERS
Before installing Convergent Design Software on Mac OSX You must rst change the
following settings.
1) Navigate to Applications » Utilities » System Preferences
2) Select Security and privacy
3) Under General » Allow applications downloaded from: Select Anywhere.
6
Apple ProRes
The Odyssey can record in Apple ProRes 422 (HQ), Apple ProRes 422 and Apple ProRes 422 (LT)
compressed codecs. This allows for high quality recording while avoiding high data rates of working with
uncompressed video.
NATIVE APPLE PRORES SUPPORT
Adobe CC 2014
Apple FCP X, Aperture
Cineform Studio
Final Cut Pro 7
Black Magic DaVinci Resolve
The Foundry Nuke
Autodesk Smoke
Sony Vegas
WORKING WITH RECORDED FILES
There are numerous post systems and NLEs that can read natively the various le formats recorded by
the Odyssey. Some NLEs may require plug-ins in order to read certain le formats. Blackmagic Design
Resolve software is available for free and can read all formats recorded by the Odyssey.
FILE STRUCTURE
Note: To combine les into a single directory use our ProRes Utility.
POST PRODUCTION
☎ ++(720)221-3861
✉ CDSupport@convergent-design.com
☁ Convergent-Design.com
© 2015 Convergent Design, Inc. - All Rights Reserved. All copyrights and trademarks remain the property of their respective owners. Updated February 23, 2015
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