Strymon DIG Manuale utente

USER MANUAL

DIG - Dual Digital Delay User Manual ®

pg 2

Front Panel

TAP

Tap to set your master delay

time. The TAP LED will flash

to indicate your tempo. Hold

to engage Circular Repeats.

BYPASS

Engages and bypasses the

effect. LED on indicates that

the effect is engaged.

MIX 2

Controls wet/dry mix for

Delay 2. Full clockwise is

100% wet.

TYPE

TIME

Controls delay time for

Delay 1. Acts as a master

time control for both

delays.

MOD

Sets the amount of modulation

added to the delay lines.

TIME 2

Sets the rhythmic

subdivision between

Delay 1 and Delay 2. Select

triplet, eighth, golden ratio,

dotted eighth, or dotted

quarter.

REPEATS

Sets the amount of repeats

for both delays.

MIX

Controls wet/dry mix for

Delay 1. Full clockwise is

100% wet.

24/96 – Modern, clean,

and pure delay with subtle

dynamics processing.

adm – Early 80s adaptive

delta modulation process,

providing snappy,

percussive delays.

Choose from three delay conversion process choices:

12 bit – Mid 80s 12-bit

conversion method yields

slightly darker and warmer

delays.

DIG - Dual Digital Delay User Manual ®

pg 3

Press and hold both footswitches

simultaneously while turning the desired knob

to access the secondary functions.

Secondary Functions

SYNC/FREE

MODE

Turn to right side of knob

to engage Free Mode.

Disables time sync and

subdivisions between

Delay 1 and Delay 2. Gives

Time 2 knob a full delay

range from 20ms to 1.6s.

Turn to left side of knob

to engage Sync Mode.

Enables time sync and

subdivisions between

Delay 1 and Delay 2.

Sync Mode is default

operation.

DELAY 1

SUBDIVISION

Sets a Tap Tempo

subdivision for

Delay 1. Turn left for

Dotted Eighth note,

center for Quarter note,

right for Half note.

Quarter note is default

operation.

DELAY 2 REPEATS

Sets the Delay 2 Repeats.

Turn fully right to Track

Repeats, which ties Delay 1

and Delay 2 repeats together.

Track Repeats is default

operation.

FILTER

Sets feedback filter

response. Turn left for

High Cut, center for Flat

response, right for Low

Cut.

Flat response is default

operation.

CONFIG

Turn left for Series,

center for Ping Pong,

or right for Parallel

configuration.

Series is default

operation.

See page 4 for detailed

Config information.

DIG - Dual Digital Delay User Manual ®

pg 4

Dual Delay Config

The secondary function for the MIX 2 knob sets the Dual Delay configuration.

Press and hold both TAP and BYPASS footswitches while turning the MIX 2

knob to adjust. Turn left for Series, center for Ping Pong, or right for Parallel

configuration.

SERIES

In Series configuration, Delay 2

feeds Delay 1. This is equivalent

to putting two single delay pedals

in succession on your pedal

board. A mono input feeds both

left and right channels.

PING PONG

In Ping Pong Mode, the delays

are configured in a series

‘ping-pong’ configuration. When

using a mono output signal, this

configuration is the same as the

Series configuration.

In stereo, each delay acts as

a ping-pong delay, and they

interact when both Mix knobs are

turned up.

PARALLEL

In Parallel configuration, the

delays do not interact with each

other, but produce their outputs

‘side-by-side’.

In Stereo, Delay 1 outputs to the

left channel, and Delay 2 outputs

to the right channel. When the

right output is not used, the wet

signal sums to mono so that

both parallel delays are heard

from the left output.

DIG - Dual Digital Delay User Manual ®

pg 5

Voicings

A one bit, high sample rate A/D/A

conversion technique that evolved from

telecommunications voice coding.

The conversion and supporting signal

conditioning, limiting and pre-emphasis/

de-emphasis create a percussive wide-

band delay that adds more character

when input dynamics increase.

A clean, high-resolution, high-bandwidth

delay with a hint of dynamics that allow

the delay to sit nicely with the analog dry

signal. Twenty-four bit resolution and a

96kHz sampling rate ensure uncolored,

artifact-free repeats.

A 12-bit, 32kHz PCM conversion made

possible by monolithic IC chips developed

in the late ‘70s. Pre-emphasis/de-

emphasis and companding combine with

the converters to produce a warm delay

with a dimensional sense.

24/96

ADM

12 BIT

DIG - Dual Digital Delay User Manual ®

pg 6

EXP

INPUT

9VDC

RIGHT OUTLEFT OUT

TRS

Rear Panel

INPUT

High impedance input.

Default configuration is

mono input. Can be used

as TRS stereo input by

flipping internal jumper

switch.

See page 10 for TRS stereo

input information.

TAP / FAVORITE SWITCH

Connect an external tap switch to tap in your

delay time. Or plug in a Favorite switch to

save and recall a favorite preset.

See page 7 for EXP jack setup.

EXPRESSION PEDAL

Connect a standard TRS

expression pedal for

continuous control over any

one knob with your foot.

See page 7 for EXP jack setup.

STEREO OUTPUTS

Use LEFT OUT for mono signal

output. Use both outputs for

stereo operation.

POWER

Maximum 9 volts DC center

negative, with a minimum of

250mA current.

DIG - Dual Digital Delay User Manual ®

pg 7

Expression Input Modes

EXPRESSION PEDAL

Power up with both toggle switches

in the UP position while both

holding footswitches to configure

for use with an expression pedal.

Connect a standard TRS expression

pedal for control over any knob.

To assign the knob

controlled by the

expression pedal:

Power down your

pedal. Hold the TAP

footswitch during

power up, while

turning the knob

you’d like to assign.

The maximum

position the knob is

turned up to becomes

the expression pedal

“toe down” maximum

value.

FAVORITE SWITCH

Power up with both toggle switches

in the MIDDLE position while

holding both footswitches to

configure for use with a FAVORITE

switch. To save a favorite setting,

press and hold the Bypass switch.

EXTERNAL TAP

Power up with both toggle switches

in the DOWN position while holding

both footswitches to configure for

use with an external TAP switch.

HOLD BOTH AT POWER UP while changing toggle

switch position to set Expression Input Mode

The EXP jack on your DIG is set up for Expression Pedal from the factory. To change the

Expression Input mode, hold down both TAP and BYPASS footswitches while powering up.

While holding down, move the toggle switches to one of the three positions shown below.

DIG - Dual Digital Delay User Manual ®

pg 8

Bypass Modes

DIG is set up for True Bypass from the factory. To change to Analog

Buffered Bypass mode with delay trails, hold down the BYPASS switch

while powering up. Repeat this process to revert back to True Bypass.

TRUE BYPASS

Our True Bypass circuit is

simply a mechanical relay to

switch the input signal directly

to the output, with absolutely

no components attached.

BUFFERED BYPASS

Our high-quality Analog Buffered Bypass

circuit features a 1Meg input impedance,

keeping the character of your guitar pickup

unaltered. The output impedance is 100

Ohms and can drive hundreds of feet of cable

without coloring your sound. This mode also

enables delay trails, allowing your delay to

persist even after bypassing the effect.

HOLD BYPASS while powering

up to change Bypass Mode

DIG - Dual Digital Delay User Manual ®

pg 9

Kill Dry Mode

DIG can be set up to mute the dry signal, useful for Parallel effects loops.

To change this operation, hold down both TAP and BYPASS footswitches

while powering up. While holding down, turn the TIME knob to one of two

ranges shown below.

HOLD BOTH AT POWER UP while turning the TIME

knob to change the Kill Dry mode.

KILL DRY OFF

Set here to disable Kill Dry.

Kill Dry Off is standard operation.

KILL DRY ON

Set here to enable Kill Dry. This

will mute the dry signal, allowing

the MIX and MIX 2 controls to be

used as effect levels.

DIG - Dual Digital Delay User Manual ®

pg 10

Holding down the TAP footswitch enables Circular

Repeats, where both delay lines maintain a static

volume and repeat continuously until the TAP

footswitch is disengaged. At this point, all previous

settings will be restored.

The 1/4” input can be set for either mono input or

TRS stereo input. The pedal ships in mono input

configuration from the factory. Here’s how to

change the input configuration:

Remove the back cover of your pedal. On the left

side of the circuit board, you’ll see a jumper that

can be set in two positions. Place the jumper on the

left 2 pins for TRS stereo input. Place the jumper

on the right 2 pins for mono input.

In order to use the TRS stereo input,

you’ll need a TRS stereo input adapter

like the one shown below.

Mono inputStereo input

Circular Repeats

TRS Stereo Input

RING

RIGHT 1/4” INPUT

LEFT 1/4” INPUT

TIP

SLEEVE TIP

RING

Press and hold to engage the

Circular Repeats feature.

Release to return the controls

to their previous settings.

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