©
The GigRig ltd Jan 2009
All rights reserved. Design rights claimed. Moral rights asserted. © May 2008 Page 9
Vintage fuzz’s and Treb e Boosters can sound awfu if they receive
Buffered inputs; however, a buffer can improve the tone of some
effects, not to mention driving the ong cab e between the Pro-14 and
the amp ifier. Try the buffer on each preset and see which you prefer.
The pre buffer can a so be used as a master vo ume input eve , from a
gain of X3 down to nothing. If your guitar has a very high output, you
can use this vo ume contro to reduce the eve , or boost the eve to
drive your peda s harder. So, now with every pre-set, you have the
choice between buffered or true bypass, attenuation or Gain.
3. & 4. Remote switches 1 & 2.
If you use an amp ifier with bui t in effects such as reverb or vibrato
or an amp with two channe s, then these remote switches are
price ess. Your amp can now be contro ed by the Pro-14.
Instead of p ugging an extra footswitch into the back of your amp,
simp y p ug the footswitch out from your amp into the remote switches
on the Pro-14. (The remote switches are fu y iso ated and wi switch
tip to ring if stereo p ugs are used.)
Norma y c osed and Norma y open refers to the po arity of the
switch in defau t position (off).
E.g. If you wou d ike to use the remote switch to contro the reverb in
your amp, simp y p ug a ead from the footswitch out of your amp and
into either of the remote switches.
One of them wi mean your reverb defau ts to ‘on’, and the other wi
defau t to off.
With a channe -changing amp, you can simp y p ug the footswitch from
your amp to the remote switch in TheGigRig Pro-14.
5. & 6. Output 1 & 2 Mute.
On the far eft hand side of the Pro-14 you wi see 2 outputs.
Not surprising y, these are ca ed output 1 and output 2.
TheGigRig enab es you to choose any combination of these outputs.
Simp y mute the output that you don’t want your signa to go to by
turning on the ‘output mute’ for that particu ar output. Contro switch
5 mutes OUT1 and contro switch 6 mutes OUT2.
Use a c ean/dirty amp set up or two comp imentary sounding amps, you
can even send a ine direct y to the desk as we as your amp and then
switch between them.
Using combinations of the effects oops and the contro functions the
possibi ities are virtua y end ess.