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YAMAHA

SIMUL-EFFECT

PROCESSOR

PROCESSEUR

D'EFFECT

MULTIPLE

SIMUL-EFFECT

PROCESSOR

Operation

Manual

Manuel

d’utilisation

Bedienungsanleitung

Congratulations!

You

are

the

proud

owner

of

a

Yamaha

FX500

SIMUL-EFFECT

PROCESSOR.

The

FX500

is

a

high-performance

digital

effect

device

which

provides

a

chain

of

up

to

5

different

effects,

and

extensive

programming

capability

so

you

can

create

"custom"

effect

chains

to

suit

your

own

specific

musical

requirements.

With

programmable

compressor,

distortion,

equalizer,

modulation

and

reverbldelay

effect

stages,

the

FX500

gives

you

a

complete

state-of-the-art

signal-processing

system

in

one

compact

package.

60

superlative

preset

effect

programs

are

provided

that

you

can

simply

select

and

use

right

away,

while

30

RAM

memory

locations

can

be

used

to

store

your

original

signal-processing

creations.

Furthermore,

the

effects

are

all

created

using

leading-edge

Yamaha

digital

signal

processing

technology,

so

the

sound

is

nothing

less

than

superb.

Please

read

through

this

operation

manual

thoroughly

while

teaming

to

use

your

FX500,

in

order

to

take

full

advantage

of

all

the

sophisticated

capabilities

it

provides

—

and

keep

the

manual

in

a

safe

place

for

later

reference!

CONTENTS

1.

Precautions

.3

2.

The

FX500:

What

It

Is

and

What

It

Does.4

■

Effects

.

4

■

Memory

Configuration.

4

■

MIDI-Control.4

3.

Connections:

Basic

System

Setup...5

4.

The

Controls:

A

Quick

Operation

Guide.7

5.

The

MEMORY

Mode:

Selecting

Effect

Programs.9

6.

Effect

Processor

Selection

..10

■

Reversing

the

Order

of

the

Modulation

&

Reverb

Stages.10

7.

The

Parameter

Mode:

Editing

the

Effect

Programs.11

■

Editing

Parameter

Data.11

•

Assigning

MIDI

CONTROLLERS

to

Effect

Parameters

.11

•

Memory

Store

Operation.12

■

COMPRESSOR

..12

■

DISTORTION

.

1

3

■

EQUALIZER

.13

■

MODULATION

.14

•

Chorus

..14

•

Flanger.14

•

Symphonic

.15

•

Tremolo.15

■

REVERB/DELAY

.

1

5

•

Reverb

Group.16

•

Reverb

Hall

•

Reverb

Room

•

Reverb

Vocal

•

Reverb

Plate

.16

•

Early

Reflection

Group.16

•

E/R

Hall

•

E/R

Random

•

E/R

Reverse

•

E/R

Plate.16

•

Delay

Group

.

1

7

•

Delay.17

•

Echo.17

•

Reverb

and

Delay

Group

(Parallel).17

•

Reverb

+

Delay.17

•

Reverb

and

Delay

Group

(Serial).18

•

Delay

-*

Reverb

•

Reverb

-*

Delay...18

8.

The

Utility

Mode

.

1

9

■

Program

Title

Edit.19

■

MIDI

Program

Selection:

MIDI

Setup

and

Program

Change

Table

Edit.19

•

MIDI

Setup.

2

0

•

Program

Change

Table

Edit.20

■

MIDI

Parameter

Control:

Control

Change

1

Table

Edit

and

Control

Change

2

Table

Edit

....

20

•

Control

Change

1

Table

Edit.21

•

Control

Change

2

Table

Edit.21

•

Assigning

CONTROLLER

1

and

CONTROLLER

2

to

Specific

Effects.21

■

Footswitch

Function

Select.

2

2

•

Using

Tap

Tempo

Delay.22

■

Footswitch

Memory

Recall

Range

Edit

.23

9.

Specifications.24

10.

MIDI

Data

Format

.77

11.

Block

Diagram.80

12.

FX500

Parameter

Chart

.81

13.

Preset

Program

Parameters.82

r

CANADA

THIS

APPARATUS

COMPLIES

WITH

THE

"CLASS

B"

CET

APPAREIL

EST

CONFORME

AUX

NORMES

LIMITS

FOR

RADIO

NOISE

EMISSIONS

SET

OUT

IN

"CLASSE

B",

POUR

BRUITS

RADIOELECTRIQUES.

RADIO

INTERFERENCE

REGULATIONS.

TEL

QUE

SPECIFIER

DANS

LE

REGLEMENT

SUR

LE

BROUILLAGE

RADIOELECTRIQUE.

J

2

1.

Precautions

!!

PLEASE

read

this

before

PROCEEDING

!!

1.

AVOID

EXCESSIVE

HEAT,

HUMIDITY,

DUST

AND

VIBRATION

Keep

the

unit

away

from

locations

where

it

is

likely

to

be

•

exposed

to

high

temperatures

or

humidity

—

such

as

near

radiators,

stoves,

etc.

Also

avoid

locations

which

are

subject

to

excessive

dust

accumulation

or

vibration

which

could

cause

mechanical

damage.

2.

AVOID

PHYSICAL

SHOCKS

Strong

physical

shocks

to

the

unit

can

cause

damage.

Handle

it

with

care.

3.

DO

NOT

OPEN

THE

CASE

OR

ATTEMPT

REPAIRS

OR

MODIFICATIONS

YOURSELF

This

product

contains

no

user-serviceable

parts.

Refer

all

maintenance

to

qualified

Yamaha

service

personnel.

Opening

the

case

and/or

tampering

with

the

internal

circuitry

will

void

the

warranty.

4.

MAKE

SURE

POWER

IS

OFF

BEFORE

MAKING

OR

REMOVING

CONNECTIONS

Always

turn

the

power

OFF

prior

to

connecting

or

disconnecting

cables.

5.

HANDLE

CABLES

CAREFULLY

Always

plug

and

unplug

cables

—

including

the

cord

of

the

power

supply

—

by

gripping

the

connector,

not

the

cord.

6.

CLEAN

WITH

A

SOFT

DRY

CLOTH

Never

use

solvents

such

as

benzine

or

thinner

to

clean

the

unit.

Wipe

clean

with

a

soft,

dry

cloth.

7.

ALWAYS

USE

THE

CORRECT

POWER

SUPPLY

Always

use

the

supplied

AC

Adaptor

to

power

your

FX500

or,

if

the

original

adaptor

is

lost

or

broken,

a

replacement

or

equivalent

type

obtained

from

your

Yamaha

dealer.

Also,

make

sure

that

the

adaptor

you

have

is

appropriate

for

the

AC

mains

supply

voltage

in

the

area

where

you

intend

to

use

the

FX500

(the

correct

INPUT

voltage

is

marked

on

the

adaptor).

8.

ELECTRICAL

INTERFERENCE

Since

the

FX500

contains

digital

circuitry,

it

may

cause

interference

and

noise

if

placed

too

close

to

TV

sets,

radios

or

similar

equipment.

If

such

a

problem

does

occur,

move

the

FX500

further

away

from

the

affected

equipment.

9.

MEMORY

BACKUP

The

FX500

contains

a

special

long-life

battery

that

retains

the

contents

of

its

internal

RAM

memory

even

when

the

power

is

turned

OFF.

The

backup

battery

should

last

for

approximately

5

years.

When

the

battery

voltage

drops

to

a

level

that

is

too

low

to

maintain

the

memory

contents,

the

following

message

will

appear

on

the

FX500

display

when

the

power

is

turned

ON:

•

**

WARNING

**

MEMORY

DATA

If

this

display

appears,

have

the

backup

battery

replaced

by

qualified

Yamaha

service

personnel.

DO

NOT

ATTEMPT

TO

REPLACE

THE

BACKUP

BATTERY

YOURSELF!

FCC

CERTIFICATION

(USA)

This

equipment

generates

and

uses

radio

frequency

energy

and

if

not

installed

and

used

property,

that

is,

in

strict

accordance

with

the

manufacturer's

instructions,

may

cause

interference

to

radio

and

television

reception.

It

has

been

type

tested

and

found

to

comply

with

the

limits

for

a

Class

B

computing

device

in

accordance

with

the

specifications

in

Subpart

J

of

Part

15

of

FCC

Rules,

which

are

designed

to

provide

reasonable

protection

against

such

interference

in

a

residential

installation.

However,there

is

no

guarantee

that

interference

will

not

occur

in

a

particular

installation.

If

this

equipment

does

cause

interference

to

radio

or

television

reception,

which

can

be

determined

by

turning

the

equipment

off

and

on,

the

user

is

encouraged

to

try

to

correct

the

interference

by

one

or

more

of

the

following

measures:

Reorient

the

receiving

antenna.

Relocate

the

equipment

with

respect

to

the

receiver.

Move

the

equipment

away

from

the

receiver.

Plug

the

equipment

into

a

different

AC

power

outlet

so

that

it

and

the

receiver

are

on

different

branch

circuits.

If

necessary,

the

user

should

consult

the

dealer

or

an

experienced

radio/television

technician

for

additional

suggestions.

The

user

may

find

the

following

booklet

prepared

by

the

Federal

Communications

Commission

helpful:

"How

to

Identify

and

Resolve

Radio-TV

Interference

Problems".

This

booklet

is

available

from

the

U.S.

Government

Printing

Office,

Washington,

DC

20402,

Stock

No.

004-000-00345-4.

J

3

2.

The

FX500:

What

It

Is

and

What

It

Does

m

Effects

The

FX500

SIMUL-EFFECT

PROCESSOR

is

a

high-

performance

digital

signal

processor

intended

for

use

with

electric

guitars,

electronic

keyboards

or

other

instruments.

It

employs

leading-edge

Yamaha

digital

signal

processing

technology

to

provide

a

"chain"

of

up

to

six

independent

effects

thafcan

be

independently

controlled

to

produce

precisely

the

required

overall

sound.

As

shown

below,

the

FX500

includes

five

effect

(compressor,

distortion,

equalizer,

modulation

and

reverb)

stages.

Stages

can

be

turned

on

or

off

as

required,

and

the

order

of

the

modulation

and

reverb

stages

can

be

reversed.

The

compressor,

distortion

and

equalizer

stages

are

basically

single-function

processors.

The

modulation

and

reverb

stages

each

incorporate

a

number

of

separate

effects

which

can

be

selected

and

used

as

required.

Several

of

the

reverb

effects

actually

combine

both

delay

and

reverb,

effectively

giving

you

a

total

of

six

effects

in

the

chain!

Each

effect

has

a

number

of

parameters

which

can

be

adjusted

to

tailor

its

sound

to

your

specific

musical

needs.

•

CHORUS

•

FLANGER

•

SYMPHONIC

•

TREMOLO

REVERB

REVERB

Hall,

Room,

Vocal,

Plate

.

EARLY

REF.

Hall,

Random,

Reverse,

Plate

•

DELAY

•

ECHO

•

REVERB*DELAY

•

REVERB-DELAY

•

DELAY-REVERB

COMPRESSOR

II

DISTORTION

■

Memory

Configuration

The

FX500

has

a

total

of

91

memory

locations.

Memory

locations

1

through

60

are

ROM

(Read

Only

Memory)

containing

60

pre-programmed

effects

that

you

can

simply

select

and

use.

Memory

locations

61

through

90

are

RAM

(Random

Access

Memory),

and

can

be

used

to

store

original

effect

programs

that

you

create

by

editing

the

presets.

The

30

RAM

memory

locations

(61

—

90)

originally

contain

a

selected

group

of

the

preset

programs.

The

last

memory

location

—

memory

location

number

0

—

contains

"initialized

data"

that

can

be

used

as

a

basis

for

creating

your

own

original

effects

programs

from

scratch.

ROM

MEMORY

RAM

MEMORY

ROM

MEMORY

1

—

60

61

—

90

0

•

Preset

effect

•

User-edited

•

Initial

Data

programs

programs

Program

Title

Program

Program

Title

im

Broad

Dist.

mem

Clisp

Chords

Warm

Strings

ws&m

Sharp

Chops

ws&r

Standard

Jazz

wmm

Tremolo

Soft

Echo

sums

Sweet

Flange

Power

Pan

Chord-Clouds

Trad.

Dist.

mmm

Light

Symphonic

mm®

Dark

Dist.

IS

SI

if

Clean

Acoustic

Ring

Dist.

sssiil

Acoustic

Soto

isrll

Metal

Overdrive

mom

Lush

Strings

isasiBii'

Echo

Dist.

Soft

Focus

BUI

Tight

Dist.

Brass

Room

mwmm

WWW

Brass

Burst

hehi

USUI

Trumpet

Flange

HRS

Brass

Energizer

Echo

Rhythm

R

”

1

,

’

Chasing

Leads

Symphonic

Hall

KISBSfB

Horror

House

Symphonic

Dist.

M&M

Sitar

mm.

i

Turbo

Drive

Slllil

Staccato

Vibe

...

..

•

Chasing

Rhythm

■

P&M

Sweep

Gate

msm

Stereo

Dist.

Monk

Akka!

Fusion

Dist.

Straight

Bass

Boogie

Room

H

«s

Slap

Bass

Buzz

Backer

iSSfll

Fretless

Bass

Hint!

Liquid

Dist.

BBS?

Trad.

Bass

HHHI

Electric

Chords

:

:

:-m

Sax

Solo

Clean

Repeat

«i

Vocal

Reverb

mmi

Sweet

Swirl

Mi

Drum

Gate/Rev

mmm

Mild

Motion

\

y

.

Tight

Snare

iiiill

Pearly

Chords

mmm

Rock

Drums

S

61-.9®

User

Programs

HU

Initial

Data

■

MIDI

Control

For

further

versatility

and

smooth

integration

with

MIDI-

based

music

systems,

the

FX500

offers

broad

MIDI

control

capabilities.

Any

of

its

90

memory

locations

may

be

directly

selected

from

a

remote

MIDI

device

such

as

a

keyboard

or

MIDI

foot

controller

*.

It

is

also

possible

to

directly

control

up

to

two

different

effect

parameters

simultaneously

in

real

time.

This

means

that

two

MIDI

controllers

(a

MODULATION

WHEEL

and

DATA

ENTRY

slider

on

a

keyboard,

for

example)

could

be

used

to

control,

say,

the

modulation

depth

of

the

flanger

effects

and

the

reverb

time

of

a

reverb

effect

in

real

time

as

you

play!

Any

two

MIDI

controllers

can

be

assigned

to

any

two

effect

parameters

(See

"MIDI

Parameter

Control:

Control

Change

1

Table

Edit

and

Control

Change

2

Table

Edit"

on

page

20

for

operational

details).

*

Extensive

MIDI

control

is

also

possible

with

the

MFC1

MIDI

Foot

Controller.

Consult

the

MFC1

operation

Manual

for

details.

4

3.

Connections:

Basic

System

Setup

O

DC

12V

IN

Jack

and

Cable

Clip

The

DC

output

cable

from

the

supplied

AC

Adaptor

should

be

connected

here.

When

connecting

the

power

supply,

make

sure

that

the

FX500

POWER

switch

is

in

the

OFF

position

(extended).

Plug

the

AC

adaptor

output

cable

into

the

DC

12V

IN

jack,

and

finally

the

adaptor's

AC

plug

into

a

convenient

AC

wall

outlet.

The

cable

clip

located

immediately

below

the

DC

12V

IN

jack

helps

to

prevent

accidental

unplugging

of

the

power

supply

during

use.

Wrap

the

DC

cable

firmly

around

the

clip

a

few

centimeters

from

the

plug

end.

CAUTION!

Do

not

attempt

to

use

a

different

AC

adaptor

to

power

the

FX500.

The

use

of

an

incompatible

adaptor

may

cause

irreparable

damage

to

the

FX500,

and

might

pose

a

serious

shock

hazard!

0

INPUT

Jack

This

jack

duplicates

the

function

of

the

front-panel

INPUT

jack

described

in

the

following

section.

It

is

important

to

note,

however,

that

only

one

of

the

INPUT

jacks

can

be

used

at

a

time.

If

plugs

are

inserted

into

both

the

front

and

rear-panel

inputs,

the

front-panel

input

jack

takes

priority.

0

OUTPUT

LEVEL

Selector

This

switch

is

used

to

match

the

output

level

of

the

FX500

to

the

input

sensitivity

of

the

amplifier,

mixing

console

or

other

device

it

is

feeding.

For

compatibility

with

standard

line-level

inputs

the

-10

dB

setting

should

be

appropriate,

while

the

-20

dB

setting

should

be

used

when

the

FX500

is

connected

to

a

high-

sensitivity

input

—

the

input

of

a

guitar

amplifier,

for

example.

o

OUTPUT

R

and

OUTPUT

L

Jacks

These

are

the

main

stereo

outputs

from

the

FX500.

We

recommend

using

both

outputs

and

connecting

them

to

the

corresponding

right

and

left

channels

of

a

stereo

sound

system,

since

the

full

impact

of

many

of

the

FX500

effects

can

only

be

appreciated

in

stereo.

If,

however,

only

a

mono

sound

system

is

available,

use

either

the

OUTPUT

R

or

OUTPUT

L

jack.

Q

PHONES

LEVEL

Control

and

PHONES

Jack

For

private

listening

or

practice

when

an

external

sound

system

cannot

be

used,

a

pair

of

standard

stereo

headphones

(with

a

1/4"

stereo

phone

plug

or

appropriate

adaptor

plug)

can

be

plugged

into

the

PHONES

jack.

The

PHONES

LEVEL

control

adjusts

the

headphone

listening

level.

0

MIDI

IN

Connector

The

MIDI

IN

connector

accepts

MIDI

signals

from

an

external

MIDI

device

such

as

a

MIDI

foot

controller,

keyboard,

etc.

The

FX500

will

accept

MIDI

PROGRAM

CHANGE

messages

to

directly

select

effect

programs,

or

MIDI

CONTROL

CHANGE

messages

to

control

individual

effect

parameters.

[See

page

19

for

further

details]

O

MEMORY

INC/DEC,

TRIGGER

(TAP

TEMPO

DELAY)

Jack

An

optional

Yamaha

FC4

or

FC5

Footswitch

may

be

connected

here

for

convenient

foot-controlled

selection

of

effect

programs

or

"tap

tempo

delay"

control

which

is

used

to

set

delay

time

for

the

delay

effects.

The

function

of

the

footswitch

is

determined

by

the

UTILITY

mode

Foot

Switch

Function

Select

function

(page

22).

The

range

of

effect

programs

that

can

be

selected

when

the

footswitch

is

assigned

to

memory

selection

is

determined

by

the

UTILITY

mode

Footswitch

Memory

Recall

Range

Edit

function

(page

23).

0

BYPASS

Jack

An

optional

Yamaha

FC4

or

FC5

Footswitch

connected

here

performs

exactly

the

same

function

as

the

front-

panel

BYPASS

key.

Press

the

footswitch

once

to

activate

the

bypass

mode,

and

again

to

turn

bypass

off.

5

Basic

System

Configuration

HEADPHONES

For

foot

bypass

control.

FC4

or

FC5

FooTswrrcH

For

memory

recall

or

tap

tempo

delay

control.

Effects

for

Multitrack

Recording

Multitrack

recorder

or

mixer

ELECTRIC

GUITAR

OR

OTHER

SOURCE

TO

AC

WALL

SOCKET

4

.

The

Controls:

A

Quick

Operation

Guide

O

Power

Switch

Press

once

to

turn

the

FX500

on,

and

a

second

time

to

turn

the

power

off.

When

the

power

is

turned

on,

a

title

and

copyright

notice

will

appear

on

the

display

panel

for

a

few

seconds

before

operation

actually

begins.

©

Input

Jack

Plug

your

guitar,

keyboard

or

other

signal

source

in

here

or

into

the

duplicate

INPUT

jack

provided

on

the

rear

panel

(see

"©INPUT

Jack"

in

the

"3.

Connec¬

tions:

Basic

System

Setup"

section).

Both

jacks

are

standard

monaural

1/4"

phone

jacks.

©

INPUT

LEVEL

Control

with

SIGNAL

and

PEAK

Indicators

For

the

optimum

input

level

setting,

play

your

source

at

the

highest

level

it

will

be

played

in

actual

use.

Adjust

the

INPUT

LEVEL

control

so

that

the

SIGNAL

Indicator

lights

most

of

the

time

but

the

PEAK

indicator

does

not

light,

or

lights

only

occasionally

on

brief

high-level

peaks.

INPUT

LEVEL

•Should

flash

only

occasionally

or

not

at

all.

■

Should

light

most

of

the

time

an

input

signal

is

present.

©

Liquid

Crystal

Display

Panel

This

is

the

FX500's

main

"information

center",

providing

all

information

necessary

for

effect

program

selection,

programming

and

utility

control.

Program

number.

•

"L

Appears

when

BYPASS

-

key

is

pressed

to

bypass

all

effects.

Broad

Dist.

Fig

Dly

Currently

selected

effect,

parameters

—I

being

programmed,

or

utility

function.

©

COMP,

DIST,

EQ,

MOD

and

REV

Effect

Keys

These

keys

function

differently

in

the

MEMORY

and

PARAM

modes.

•

When

the

MEMORY

mode

is

selected

(i.e.

when

the

MEMORY

key

indicator

is

lit

—

see

"©MEMORY

Mode

Key"),

these

keys

are

used

to

turn

the

corresponding

effect

stage

ON

(indicator

lit)

or

OFF

(indicator

out).

[See

page

10

for

further

details]

•

When

the

PARAM

mode

is

selected

(i.e.

when

the

PARAM

key

indicator

is

lit

—

see

"©PARAM

Mode

Key"),

these

keys

select

the

various

parameters

available

for

editing

in

the

corresponding

effect

stage.

[See

page

11

for

further

details]

©

Arrow

(Aand

▼

)

keys

The

Aand

Tkeys

function

differently

in

the

MEMORY,

PARAM

and

UTILITY

modes.

•

When

the

MEMORY

mode

is

selected

(i.e.

when

the

MEMORY

key

indicator

is

lit

—

see

"©MEMORY

Mode

Key"),

the

Aand

Tkeys

are

used

to

select

the

desired

effect

program.

[See

page

9

for

further

details]

•

When

the

PARAM

mode

is

selected

(i.e.

when

the

PARAM

key

indicator

is

lit

—

see

"©PARAM

Mode

Key"),

they

are

used

to

"edit”

the

selected

effect

parameter.

[See

page

11

for

further

details]

•

When

the

UTILITY

mode

is

selected

(i.e.

when

the

UTILITY

key

indicator

is

lit

—

see

"©UTILITY

Mode

Key"),

the

Aand

Tkeys

are

used

to

program

the

selected

utility

function.

[See

page

19

for

further

details]

7

o

SEL/ASN

Key

The

SEL/ASN

key

functions

differently

in

the

MEMORY

and

PARAM

modes.

•

When

the

MEMORY

mode

is

active

this

key

reverses

the

order

of

the

MOD

and

REV

processing

stages.

[See

page

10

for

further

details]

•

In

the

PARAM

mode,

the

SEL/ASN

key

is

used

to

assign

effect

parameters

for

control

via

external

MIDI

controllers.

[See

page

21

for

further

details]

o

BYPASS

Key

When

the

BYPASS

key

is

pressed

and

"BYPASS"

appears

on

the

display

panel,

all

FX500

effect

stages

are

completely

bypassed

and

the

input

signal

is

fed

directly

to

the

output.

Press

the

BYPASS

key

a

second

time

to

turn

the

bypass

function

off.

The

rear-panel

BYPASS

footswitch

jack

can

also

be

used

for

bypass

control

(see"®

BYPASS

Jack"

on

page

5).

Q

MEMORY

Mode

Key

and

Indicator

When

the

MEMORY

key

indicator

is

lit,

the

FX500

MEMORY

mode

is

active

and

effect

programs

(1

—

90)

can

be

selected

and

recalled

using

the

▲

and

Y

keys

and

RECALL

key.

In

the

MEMORY

mode

it

is

also

possible

to

turn

effect

stages

ON

or

OFF

using

the

COMP,

DIST,

EQ,

MOD

and

REV

keys.

The

MEMORY

mode

can

be

activated

while

the

PARAM

mode

is

selected

by

pressing

the

MEMORY

key.

The

MEMORY

mode

can

not

be

directly

selected

from

the

UTILITY

mode

by

pressing

the

MEMORY

key.

The

UTILITY

mode

must

first

be

exited

by

pressing

the

UTILITY

key

several

times

or

holding

it

down

(approximately

1

second)

until

the

UTILITY

key

indicator

goes

out.

[See

page

9

for

further

details)

©

RECALL

Key

After

using

the

▲

and

Y

keys

to

select

a

desired

effect

program

while

in

the

MEMORY

mode,

the

RECALL

key

is

pressed

to

actually

recall

and

activate

the

selected

program.

[See

page

9

for

further

details)

©

STORE

Key

After

editing

any

of

the

effect

programs,

the

new

program

can

be

stored

in

any

of

the

FX500’s

RAM

memory

locations

(61

through

90)

for

later

recall

and

use.

The

STORE

key

is

used

to

store

edited

data

to

a

RAM

memory

location.

[See

page

12

for

further

details]

_

■

©

PARAM

Mode

Key

and

Indicator

The

PARAM

key

selects

the

PARAM

(parameter)

mode

in

which

the

individual

parameters

for

each

effect

stage

can

be

edited

as

required.

The

PARAM

key

indicator

lights

when

the

PARAM

mode

is

active.

The

PARAM

mode

can

not

be

directly

selected

from

the

UTILITY

mode

by

pressing

the

PARAM

key.

The

UTILITY

mode

must

first

be

exited

by

pressing

the

UTILITY

key

several

times

or

holding

it

down

(approximately

1

second)

until

the

UTILITY

key

indicator

goes

out.

[See

page

11

for

further

details]

©

UTILITY

Mode

Key

and

Indicator

Pressing

this

key

activates

the

UTILITY

mode,

allowing

access

to

7

different

utility

functions:

•

Program

Title

Edit

[Page

191

•

MIDI

Setup

[Page

20)

•

Program

Change

Table

Edit

[Page

20]

•

Control

Change

1

Table

Edit

[Page

21]

•

Control

Change

2

Table

Edit

[Page

21]

•

Foot

Switch

Function

Select

[Page

221

•

Foot

Switch

Memory

Recall

Range

Edit

[Page

231

The

UTILITY

key

LED

lights

when

the

UTILITY

mode

is

active.

Each

time

the

UTILITY

key

is

pressed

the

next

function

on

the

utility

"list"

is

selected.

The

mode

that

was

active

before

the

UTILITY

key

was

pressed

(MEMORY

or

PARAM)

is

selected

following

the

last

function

on

the

utility

list.

The

UTILITY

mode

can

also

be

exited

by

pressing

the

UTILITY

key

several

times

or

holding

it

down

(approximately

1

second)

until

the

UTILITY

key

indicator

goes

out.

8

5.

The

MEMORY_

Mode:

Selecting

Effect

Programs

Irt

the

FX500

MEMORY

mode,

the

A

and

▼

k

eys

can

be

used

to

select

individual

effect

programs.

When

a

new

program

number

is

selected,

its

number

will

flash

on

the

.

display

and

its

title

will

appear

on

the

upper

line.

Press

the

RECALL

key

to

actually

recall

and

activate

the

selected

program.

(3)

The

number

of

the

selected

effect

program

should

now

be

flashing

on

the

display,

indicating

that

the

program

has

been

selected

but

has

not

yet

been

recalled

(the

previous

effect

program

is

still

active).

Press

the

RECALL

key

to

actually

recall

and

activate

the

selected

program.

The

program

number

will

stop

flashing.

jU

Echo

Dist.

Fig

■

»

Ech

(D

If

ths

MEMORY

mode

is

not

already

selected

(i.e.

if

the

MEMORY

key

indicator

is

nol

lit),

press

the

MEMORY

key

to

select

the

MEMORY

mode.

j

Broad

Dist.

Fig

•»

Dly

The

MEMORY

mode

can

not

be

directly

selected

from

the

UTILITY

mode

by

pressing

the

MEMORY

key.

The

UTILITY

mode

must

first

be

exited

by

pressing

several

times

or

holding

(about

one

second)

the

UTILITY

key

until

the

UTILITY

key

indicator

goes

out.

(2)

Use

the

A

and/or

Vkeys

to

select

the

number

of

the

desired

effect

program

(in

this

example

we

go

to

program

number

10

from

number

1,

so

only

the

Akey

is

used).

Press

the

Aor

Vkey

briefly

to

select

the

next

highest

or

lowest

numbered

program,

or

hold

either

key

down

for

continuous

scrolling

in

the

corresponding

direction.

Faster

scrolling

is

achieved

by

pressing

the

opposite

arrow

key

while

holding

the

arrow

key

corresponding

to

the

direction

of

scrolling.

|-V-

A

-V-

:

-

?

10

*"

E

c

h

o

Dist>

A

„

A

Fig

->

Ech

Flashing