Lewitt LTS 240 Diversity C Manuale utente

www.lewitt-audio.com

LTS 240 Diversity C+D

GET

INTO

YOUR

LIVE

SHOW.

Thank you that you have opted for a LEWITT product. In this operating manual you will learn more about your LEWITT microphone, its handling

and its proper usage.

Reasonably priced, sophisticated and yet easy-to-use wireless vocal systems which deliver solid, distortion-free sound and excel in a variety of

semi-professional studio and live applications. That's what LEWITT's tech-engineers had in mind when they created the LTS series. No matter

whether at small live gigs, conferences, regional events or karaoke performances, LTS wireless systems are the first choice for ambitious entry-

and mid-level users looking for the perfect combination of consistent performance, smart operation and remarkable audio quality.

Users can choose between systems with condenser or dynamic capsules, and all LTS sets feature handheld transmitters and full metal half-

rack receivers.

Unplug and dive into a great new wireless experience.

LEWITT wishes you a lot of fun and success with this product!

Introduction

LTS 240 Diversity C+D

The product

LTS 240 Diversity C+D

With the LTS 240 Diversity C and the LTS 240 Diversity D systems, LEWITT introduces rugged,

reliable and easy-to-use wireless systems designed to add a remarkable quality to performances of

ambitious entry-level users. Perfectly suited for use on small stages, at club gigs, regional events or

in houses of worship, these reasonably priced wireless systems withstand the rigors of regular stage

use and deliver reliable performance in any setting. Convenient and easy setup makes these

wireless systems the perfect choice for young bands, entertainers and karaoke professionals.

Users can choose between systems with condenser (LTS 240 Diversity C) or dynamic capsules (LTS

240 Diversity D). Each set contains a quality handheld transmitter featuring a convenient LED

display indicating battery status, a quick-acting screw thread closure and a rotary switch for

frequency selection, as well as a rugged diversity half-rack receiver featuring four pre-programmed

frequencies selectable via pushbuttons.

In short, the LTS 240 Diversity C and the LTS 240 Diversity D systems offer everything that users

expect from versatile, modern and durable entry-level wireless systems.

Features

·LTS 240 Diversity C and Diversity D wireless systems are a top choice for ambitious

entry-level users and performances in various acoustic environments

·The LTS 240 Diversity C set includes one handheld transmitter featuring a quality condenser

capsule and a half-rack receiver with a sturdy metal housing

·The LTS 240 Diversity D set includes one handheld transmitter featuring a quality dynamic capsule and

a half-rack receiver with a sturdy metal housing

·Four-part RF- and AF-level LED display

·Transmitters are equipped with two AA batteries for up to ten hours of continuous performance, an LED display indicating

battery status, an On/Off/Mute switch and a rotary switch for frequency selection

·Receiver features four pre-programmed frequencies selectable via pushbuttons, FM modulation, UHF antennas,

XLR and unbalanced (6,3 phone plug) outputs

·Squelch and volume level controls

·Hardened hexagonal steel mesh grille to prevent wear and abuse

·Half-rack all-metal case receiver with a matte black finish

·Set comes in a cardboard box with foam layers and includes LTS 40 MCs shock mount

Features / Top applications

LTS 240 Diversity C+D

Top applications

·Lead and background vocals

Using the mic

LTS 240 Diversity C+D

Receiver front

Antenna A

Antenna B

RF signal level LED meter

Audio signal level LED meter

⑤Channel selection push button

⑥Channel selection LED indicator

⑦Active antenna indicator

①

②

③

④

User-interface

Receiver back

⑧DC power socket

⑨Power cable security latch

⑩On/Off switch

Balanced, male XLR output socket

Unbalanced, 6 3mm phone output socket

Volume control

Squelch control

Handheld transmitter

Channel selector

On/Mute/Off slide switch

Using the mic

LTS 240 Diversity C+D

Quick start

the backside of the receiver.

2. Make sure that the volume of your mixer is turned down before you connect the receiver via a balanced or unbalanced cable.

3. Then turn on the receiver with the on/off switch on the backside ⑩.

4. Open the transmitter body and insert two AA batteries.

5. Turn the transmitter on and make sure the channel selection matches the one on the receiver ⑥.

6. Adjust the volume level on the backside of the receiver and on your mixer to the desired level.

1. Connect the power supply to mains and the receiver ⑧. We recommend to secure the power cable with the security latch ⑨ on

Best performance

8. Position the receiver in a reasonable distance to metal surfaces, walls and other RF equipment.

9. Check which channel provides the most reliable sound transmission in your specific setup.

10. Adjust the squelch control according to the size of your venue. Turn the squelch control to plus for long operating range.

Decrease the operating range and improve the signal reception by turning the squelch control to minus .

. Use balanced XLR cables in order to avoid EMI effects.

Using the mic Tech data /

LTS 240 Diversity C+D

DimensionsHints

1 In order to prevent feedback

(howling):

·Lower the volume.

·Place the microphone so that it

is not pointed to the speaker and

that there is a sufficient distance

between the microphone and the

speaker.

·Do not cover the lower part of the

grille with your hand.

2 Positioning the microphone close to the sound source causes the so-called

proximity effect (a boost in the low frequency response). This phenomenon

can be used to create a richer and warmer bass sound.

Tech data

Transmitters

·Transmission principle:

·Available channels:

·Modulation:

·Audio bandwidth:

·THD:

·Signal / noise ratio:

·RF radiation:

·Battery life:

Directional pattern:

UHF, FM, diversity

4 selectable channels

FM (25 kHz max. deviation),

compander system with

pre- and de-emphasis

70 ... 18.000 Hz

< 0,5 % typical

> 85 dB-A typical

10 mW

2 pcs AA size dry batteries,

10 hours typ.

cardioid

·Dimensions:

·Net weight:

Receiver

·Audio outputs:

·Gain adjustment range:

·Squelch:

·Dimensions:

·Net weight:

50 dia. x 262 mm

1,96 dia. x 10,3 inch

258 g

9,1 oz.

balanced 3-pin XLR,

unbalanced TS 1/4" jack

0 - 6 dB

yes

160 x 115 x 30 mm

6,3 x 4,5 x 1,2 inch

540 g

19,0 oz.

Tech data

LTS 240 Diversity C+D

Accessories

Power Supply

LTS 40 MCsAA Batteries

Accessories

LTS 240 Diversity C+D

Cautions

and force.

·To ensure high sensitivity and best sound reproduction of the microphone, avoid exposing it to moisture, dust or extreme temperatures.

·Keep this product out of the reach of children.

·Do not use force on the switch or cable of the microphone.

·When disconnecting the microphone cable, grasp the connector and do not pull the cable.

·Do not attempt to modify or fix it. Contact qualified service personnel in case any service is needed. Please do not disassemble or modify

the microphone for any reasons as this will void users warranty.

·The casing of the microphone can be cleaned easily using a wet cloth, never use alcohol or another solvent for cleaning. If necessary the

foam wind stopper can be washed with soap water. Please wait till it is dry before using it again.

·Also please refer to the owner’s manual of the component to be connected to the microphone.

The capsule is a sensitive, high precision component. Make sure you do not drop it from high heights and avoid strong mechanical stress

Cautions

LTS 240 Diversity C+D

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