XTZ Divine 100.49 Manuale utente

Divine 100.49

User manual

Table of contents – XTZ Divine

Page:

Contents

About XTZ

Technical presentation

Preparations

Practice of sound / Installation and placement tips

Mounting /Area of usage

Sound adjustment

Technical specifications

Ser ice & Support

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Contents

Congr tul tions to your purch se of the

XTZ Divine 100.49

When combined with hifi nd udio equipments;

you will experience motion pictures or music

records reproduced very deeply nd n tur lly. Now

when you w

tch your f vourite movies or listen to

your reference music CDs, you will he r nd feel

the sound surrounding you in the s me w y s

origin lly intended by m stering engineers.

Re d the m nu l before using the product nd use

ll possibilities c refully.

About XTZ

Philosophy

Our reference nd st rting point is to recre te

n tur l sound, t king into ccount th t coustics

lw ys is m tter of t ste.

XTZ Goal

Our main goal is to pro ide the best alue

for money.

Our concept:

- Cut down the numbers of middlemen

- Put more money on product qu lity

nd less on dvertising.

- M nuf cture cost-effective in l rge volume

- Provide perfect technic l solutions

Contact

Website: www.xtz.se

E-m il: [email protected]

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Technical presentation

Cabinet design

The box design is designed in speci l w y.

Everything is optimized for it’s re son nd only the

best solutions were chosen to obt in the best

possible construction for sound reproduction.

The c binet w ll is built with du l l yers of MDF,

using sound repressive glue between the l yers. A

convex w ll construction is much stronger th n

norm l fl t one, nd this me ns th t the convex

w lls c n be thinner without loosing strength. Still,

the w lls re 28 mm thick. The intern l modes re

reduced gre t de l if the w lls re not fl t nd

p r llel. The result is n extremely silent

construction with no inner reson nces. The front

b ffle is 38 mm, m de using du l l yer technique.

The top of the spe ker is m de from 30 mm

m ssive MDF plus intern l b rs. The c binet h s

tot l of 7 intern l b rs. The integr ted

found tion/feet construction is glued in du l

l yer design nd is 75 mm thick. The b ck of the

spe ker is full 90 mm thick nd glued together of

two pieces of MDF.

The Midr nge h s its own sep r te enclosure.

The intern l box of the midr nge h s “v” sh ped

design to void p r llel w lls nd to suppress the

intern l reson nces to n bsolute minimum. The

d mping m teri l in the midr nge box is

combin tion of miner l wool nd synthetic

bsorbing m teri l. The combin tion is n optim l

blend of these m teri ls.

Both woofers re pl ced in the s me box, so they

c n be fully used in our Room Tuning concept.

The volume nd bsorbing m teri ls re completely

optimized. We put lot of effort into obt ining the

best mix of n tur l nd synthetic wool to optimize

reson nce reduction.

Tweeter dri er

We h ve chosen n ultr f st cer mic tweeter,

m de for reproducing cryst l cle r sound, even t

high SPL levels without ny distortion.

The tweeter is produced by the Germ n comp ny

Vis ton, nd is n bsolute reference cl ss unit.

It is shielded, with n intern lly d mped c vity nd

ventil ted voice coil. The tweeter offers n

extremely fl t frequency response nd low

reson nce frequency.

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Midrange dri er

Thiel & P rtner, lso c lled Accuton, is one of the

most f mous m nuf ctures of loudspe ker drivers.

XTZ Divine 100.49 uses T&P C173N-T6-90, one of

the best (if not the best) midr nge driver in the

world nd c n only be found in extreme High End

loudspe kers.

T&P C173N-T6-90 is cer mic driver with light

cone, equipped with neodymium m gnet.

The driver is extremely stiff nd t the s me time

light, which contributes to the high sensitivity.

The two bl ck dots re f r from design gimmick.

Thiel & P rtner h s put them there for re son.

They suppress reson nce from the cone.

The Accuton driver offers the highest qu lity nd

highest resolution; this is the re son th t this driver

is put in the best spe kers in the world.

Woofer dri er

As woofers we selected two luminium 10” drivers

from the Norwegi n comp ny SEAS; which h s

been producing drivers the l st 60 ye rs. It is with

this knowledge th t Se s h s built this driver.

The woofer h s cone, m de out of pure

luminium. The moulded met l b sket is "high

flow" type th t is coustic lly tr nsp rent nd

offers high precision s the b sket is sh ped ex ctly

th nks to the moulding process. This m kes sure

th t the b sket is very st b

le nd efficiently reduces

reson nces. The b sket is bsolutely none

m gnetic lly, which contributes to higher

efficiency of the driver.

A strong m gnet combined with the light cone

yields high efficiency nd good tr nsient

response. Gold pl ted termin l reduces cont ct

resist nce nd serves s nti-corrosion.

L rge windows in the b sket both bove nd below

the spider reduces sound reflection, ir flow noise

nd c vity reson nces.

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Crosso er/Terminal

When XTZ produced the Divine 100.49 gr

e t de l

of effort w s put into the crossover filter. All

p ssive components re the highest qu lity to

minimize the influence on the sign l. The

crossover is pl ced in sep r te enclosure.

We use n optim l selection of ir wound coils

(with low intern l resist nce) nd coils with steel

cores (these ccept high level of m gnetic

s tur tion), MKP c p citors nd MOX resistors.

The termin l is divided into two input re s. One

for p ssive (norm l) nd one for ctive drive. All

termin l screws nd inputs re gold pl ted.

The ctive inputs h ve direct connection with the

drivers. The thought behind this is th t the spe ker

c n be used fully ctively in the future to get the

most out of the system.

When using the byp ss jumpers in the middle of

the termin l, the spe ker is in “p ssive mode” nd

connected to the p ssive cross over

It is possible to drive the woofers ctively nd g in

the possibility to use DSP b sed room correction.

There re three links/jumpers th t c n be used to

lter the ch r cter of the spe ker.

One link/jumper for the tweeter (0 or +3dB)

One link/jumper for the midr nge (0 or -2dB)

One link/jumper for the woofers (0 or +3dB)

Preparations

Unpacking

C refully unp ck the spe ker, nd p y ttention so

you d

on't bre k nything. If possible, s ve the

c rton box for future tr nsport tions. If there

should be d m ge on the loudspe ker, ple se

cont ct your ret iler.

Accessories

B ss reflex plugs (4 pcs)

User m nu l

Links/Jumpers for level djustment nd

ctive/p ssive connection (18 pcs)

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Practice of sound / Installation and placement tips

This ch pter cont ins gener l inform tion bout

loudspe ker pl cement nd inst ll tion.

These re gener l rules, so there re exceptions in

some c ses.

In which room do

you achie e the best

sound?

No m tter how good the equipment is, in the wrong

listening environment it will inevit bly sound b d.

There re some b sic rules concerning proper

loudspe ker inst ll tion:

Reflections

C rpet

s, curt ins nd soft furniture bsorb mid

r nge nd high frequency sound, nd this is

prefer ble. Big empty re , on the contr ry, reflects

it nd produces h rd reflections th t m y le d to

blurry di logue. Ap rt from colouring the sound,

lso the perspect

ive of the sound will deterior te.

Reflections in the room c n roughly be comp red to

the reflections th t yield ghost pictures on TV

screen.

Amplification of bass

frequencies

A loudspe ker th t is pl ced ne r w ll, ceiling or

floor will mpli

fy lower frequencies in sometimes

not desir ble w y (since it m y le d to n indistinct

sound recre tion). This mplific tion becomes even

more obvious if the loudspe ker is pl ced ne r

corner. Thus, for sound s cle r s possible, the

loudspe ker sh

ould be pl ced t le st 30 cm ( bout

12 inch) w y from the w ll

Some constructions re m de to be pl ced closed to

w ll.

Furniture

Be w re th t furniture m y vibr te nd thus cre te

b d sound t loud b ss.

Room dimension

Qu dr tic ro

oms or rooms where the length is

ex ctly twice s long s the width should be

voided, since they m y cre te unw nted

reson nce.

Placement of the

subwoofer

The pl cement of the subwoofer in the room

dr m tic lly ffects the over ll frequency resp

onse

nd sound level of the system. At low frequencies

the effect of the room is strong. Even slight

ch nge in the subwoofer's loc tion c n m ke

signific nt difference in the frequency b l nce.

P tience nd methodic l experiment tion is needed

to find

n optim l pl cement. The pl cement

ffects the ph se difference between the m in

loudspe kers nd the subwoofer.

One b sic rule is to pl ce the subwoofer together

with or ne r the front system (especi lly import nt

if the front loudspe ker lso prop g t

e b ss

frequencies) s this will minimize the risk of ph se

elimin tions in the room.

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Cables

Try to keep them s short s possible. By its

electric l p r meters, long conductor will h ve

bigger influence on the sound th n short one. It

m y l

so work s n ntenn nd thus receive

v rious sign ls th t m y become const nt noise in

n ctive subwoofer.

M ke sure th t ll connections re cle n nd not

oxidized. All connections should be mech nic lly

st ble, both power, sign l nd loudspe ker c

bles.

Sign l c bles should be sep r ted from other

c bles.

Front speakers

To get the best result the front spe kers should be

pl ced symmetric l in front of the listener. The

dist nce between the front spe kers should be

round 80% of the dist nce

to the listener. In other

words, the recommended ngle between the front

spe kers should be 45°.

Why use 2

Subwoofer

There re more then one

benefits of h ving 2

subwoofers inste d of one.

The sound pressure level will be higher.

Less dips nd

st nding w ves in the room nd

better frequency response in the room ( nd on

sweet spot)

The need of power is less, to re ch the s me SPL s

with one subwoofer

Finally

Ple se remember th t good sound is m tter of

t ste, so you h ve to experime

nt to obt in your

f vourite one.

We wish you best of luck!

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Mountin and connectin tips

Mounting

alternati es

XTZ Divine 100.49 c n be pl ced st nding by

w ll. The w ll behind nd beside the loudspe ker

influences both the b ss level nd the b ss

ch r cteristics, so ple se be p tient nd try

different dist nces to the re r nd side w lls.

To pl ce the spe ker with dist nce to the w ll is

often best, to decre se influence of the w ll (room)

Connect using the

correct phase

Alw ys connect using the correct ph se, from the

+-pole on the mplifier to the +-pole on the

loudspe ker nd corresponding for minus (-).

If you by ccident connect the other w y,

there is no risk of d m ge. However, the

sound will not be correct, especi lly in the

lower frequencies.

O erload

At high lo d during extensive time periods, there is

lw ys the risk of overlo ding the driver nd

mplifier.

All loudspe kers h ve limited h ndling

c p city for high power, so be c reful not

to pl y extremely loud nd

not to incre se

treble or b ss settings to much.

By incre sing the b ss or treble from 0 to

m x you will incre se the power by bout

16 times.

The initial playing

time

It t kes bout 50 to 100 hours of initi l pl ying

time, for the drivers to sound optim l. During this

time, the spe ker m y be used norm lly.

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Connecting

Passi e cross-o er

The termin l is divided in two p rts, one for the p ssive

drive nd one for the ctive drive.

It is important that the connection is done

in a correct way. An incorrect connection

can destroy the dri ers.

Passi e connection

When using p ssive drive, the spe ker c ble should be

connected to “+” nd “-“ to the upper p rt of the

termin l. When the met l pl tes re connected between

the termin l screws, only one p ir of spe ker c ble is

needed.

Bi-wire or Tri-wire

When using bi-

wiring, remove the met l pl tes between

midr nge nd woofer termin l screws.

Using Tri-wiring, lso remove the met l pl tes between

midr nge nd tweeter termin l screws.

Below is dr wing of how to connect the spe ker when

using single wire.

BI-AMPING

When bi-

mping, the met l pl tes between the termin l

screws MUST be removed.

See dr wing below

N.B!!!

A broken speaker that is caused by a

connected in an incorrect way is

NOT co ered by warranty.

Be c reful when connecting the spe kers

with the mplifier.

Passi e dri e is connected to the

upper part of the terminal.

Bi- nd Tri- mping is p ssive

connection, but e ch r nge is powered by

sep r te mplifier.

It is import nt th t ll mplifiers h ve the

s me output level; else there will be non

correct frequency response curve.

Make sure that the metal plates are

remo ed from the terminal screws

when bi- or tri-amping.

See the different between single, bi- nd

tri- mping.

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