WILSON AUDIO Sasha WP Manuale utente

S a s h a W / P O w n e r ’ s M a n u a l

SASHA W/P Owner’s Manual

W i l s o n A u d i o S p e c i a l t i e s

Wilson Audio® is a registered trademark of Wilson Audio Specialties, Inc.

WATT/Puppy®, WAMM®, Cub®, Sophia®, Sasha W/P™, MAXX®, and Alexandria® are

registered trademarks of Wilson Audio Specialties, Inc.

WilsonGloss™, Duette™, WATCH Center™, WATCH Surround™, and WATCH Dog™

are trademarks of Wilson Audio Specialties, Inc.

This manual was produced by the Wilson Audio Engineering and the Sales and Market-

ing Department. The information contained herein is subject to change without notice.

Current Revision 1.8. If you are in need of a more recent manual, please contact your

dealer.

The information in this manual is the sole property of Wilson Audio Specialties, Inc.

Any reproduction, in whole or in part, without the express written permission of Wilson

Audio Specialties, Inc., is prohibited. No material contained herein may be transmit-

ted in any form or by any means, electronic or mechanical, for any purpose, without

the express written permission of Wilson Audio Specialties, Inc.

W i l s o n A u d i o S p e c i a l t i e s

T a b l e o f C o n t e n t s

Section 1 – i nY our r oom �� 7

Section 1 � 1 – r oom A couSticS �� 9

Final l istening R oom s etup ( V oicing)�� 9

Section 1 � 2 – W ilSon A udio S etup p rocedure (WASp) �� 9

Zone o f n eutrAlitY �� 9

Section 1 � 3 – r oom r eflectionS �� 11

slap e cho�� 11

standing W a V e s �� 13

comb F ilteR e FFect�� 15

Section 1 � 4 – r eSonAnceS �� 15

stRuctuRal R esonance�� 16

Volume R esonance �� 16

Section 1 � 5 – Y our r oom �� 17

Room s hapes �� 17

sasha W / p i na d edicated h ome t heateR �� 18

speakeR p lacement V eRsus l istening p osition �� 19

speakeR o Rientation �� 19

summaRy �� 20

Section 2 – u ncrAting S AShA W/p �� 23

Section 2 � 1 – u ncrAting the S AShA W/p �� 25

initial c heck �� 25

uncRating the W ooFeR m odule �� 25

uncRating the u ppeR m idRange/ t WeeteR m odule �� 26

Section 2 � 2 – c r A t e c ontent c heckliSt �� 26

Section 3 – A SSembling S AShA W/p�� 29

Section 3 � 1 – i nitiAl A SSemblY �� 31

SASHA W/P Owner’s Manual

W i l s o n A u d i o S p e c i a l t i e s

pRepaRation �� 31

uppeR m idRange/ t WeeteR m odule a ssembly �� 31

mounting the u ppeR m idRange/tWeeteR m odule �� 32

umbilical c onnections�� 34

Section 4 – f iniShing u p�� 37

Section 4 � 1 – S piking the S AShA W/p �� 39

WooFeR m odule s pikes �� 39

spike/ d iode a ssembly �� 39

installation p RoceduRe �� 41

Section 4 � 2 – l eveling the S AShA W/p �� 41

Section 4 � 3 – r emoving the p rotective f ilm �� 42

Section 4 � 4 – r eSiStorS�� 43

WooFeR d amping R esistoR �� 44

Section 5 – c Are o f S AShA W/p �� 45

Section 5 � 1 – c Are o f the f iniSh �� 47

dusting the s asha W/p�� 47

caRe o F the g Rilles�� 48

bReak-i n p eRiod �� 48

Section 5 � 2 – e ncloSure t echnologY �� 48

mateRials �� 48

adhesiVe �� 49

Section 5 � 3 – d epth o f d eSign �� 49

Section 6 – t roubleShooting �� 53

Section 6 � 1 – t roubleShooting �� 55

Section 7 – S YStem S pecificAtionS �� 59

W i l s o n A u d i o S p e c i a l t i e s

T a b l e o f C o n t e n t s

Section 7 � 1 – S pecificAtionS �� 61

Section 7 � 2 – S AShA W / p d imenSionS �� 62

Section 8 – p ropAgAtion d e l A Y t AbleS �� 63

Section 8 � 1 – p ropAgAtion d e l A Y t AbleS �� 64

Section 9 – W ArrAntY i nformAtion �� 67

Section 9 � 1 – W ArrAntY i nformAtion �� 69

limited W aRRanty �� 69

conditions �� 69

Remedy�� 70

WaRRanty l imited t o o Riginal p uRchaseR �� 70

demonstRation e quipment �� 71

miscellaneous�� 71

W i l s o n A u d i o S p e c i a l t i e s

S e c t i o n 1 – I n Y o u r R o o m

SASHA W/P Owner’s Manual

W i l s o n A u d i o S p e c i a l t i e s

S e c t i o n 1 . 1 – R o o m A c o u s t i c s

Section 1.1 – Room Acoustics

You are surely excited about setting up Sasha W/P™ loudspeakers and doing some

listening, but before you begin, we would like to discuss some of the important room

acoustical information that will help you set up your loudspeakers properly.

Final Listening Room Setup (Voicing)

For a speaker system its size, the Sasha W/P is unmatched in its ability to re-

produce the musical event. It is truly state of the art. However, room acoustics and

boundary interactions affect the sound of a loudspeaker to such a large degree that

poor setup can seriously degrade your enjoyment of even the finest loudspeaker.

Therefore, we offer the following section, which will present some guidelines on

room acoustics and their interactions with loudspeakers. While we will also outline

some detailed suggestions on the setup of the Sasha W/P, we strongly suggest that you

have your local Wilson Audio dealer perform the final speaker “voicing” with you.

Wilson dealers are specially trained in setting up Wilson loudspeakers and will ensure

that you realize the full value of your purchase.

Section 1.2 – Wilson Audio Setup Procedure (WASP)

Zone of Neutrality

The “Zone of Neutrality” is an area in your room where the speakers will sound

most natural. This location is where the speakers interact the least with adjacent room

boundaries. It is important to have a clear working space while determining the Zone

of Neutrality.

The following is a simple method to locate the Zone of Neutrality within your lis-

tening environment:

1. Stand against the wall BEHIND the location where you intend to position

SASHA W/P Owner’s Manual

W i l s o n A u d i o S p e c i a l t i e s

Sasha W/P. Speaking in a moderately loud voice and at a constant vol-

ume, project your voice out into the room. Your voice will have an over-

ly heavy, “chesty” quality because of your proximity to the rear wall.

2. While speaking, slowly move out into the room, progressing in a direc-

tion parallel to the sidewall. It is helpful to have another listener seated

in the listening position to assist you during this process. Listen to how

your voice “frees up” from the added bass energy imparted by the rear

wall boundary. Also notice that your voice is quite spatially diffuse (to

your assistant, your voice will sound spatially large and difficult to local-

ize) as you begin to ease away from the rear wall.

3. At some point during your progression forward into the room, you will

observe a sonic transition in your voice; it will sound more tonally cor-

rect and less spatially diffuse (your assistant can now precisely localize

the exact origin of your voice). When you hear this transition, you have

entered the inner edge of the Zone of Neutrality. Place a piece of tape

on the floor to mark this location. Although it will vary from room to

room, the zone in most rooms begins between two and a half to three feet

from the rear wall.

4. Continue to walk slowly away from the rear wall. After some distance,

usually one to two feet past the first piece of tape, you will begin to hear

your voice lose focus and appear to reflect (echo) in front of you. This is

caused by the return of the room’s boundary contribution; your voice is

now interacting with the opposite wall. At the point where you begin to

hear the reflected sound of your voice, you have reached the inner edge

of the Zone of Neutrality. Place a piece of tape on the floor and mark

this location. The distance between the “inner” and “outer” edge tape

marks is usually between eight inches (for small, interactive rooms) and

three feet (for large, more neutral rooms).

5. Now position yourself against the side wall perpendicular to the intended

speaker location. Stand between the two tape marks. Using the same

procedure as above, begin moving into the room toward the opposite

sidewall, progressing between the two pieces of tape. As above, listen

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