Yamaha Sound Editor ver. 2.10 Manuale utente

EFFECT LIST

ver. 2.10

Effect Type List

EFFECT TYPE Display Description

Distortion Distortion Advanced distortion. Mainly used for direct connection to guitar

amp’s front input.

Digital Distortion DigiDistortion Distortion effect. Mainly used for direct connection to guitar amp’s

front input.

Amp Simulator AmpSimulator DG Series amp sound. Mainly used for direct connection to power

amp. Speaker simulator allows direct recording.

Chorus Chorus Chorus effect.

Symphonic Symphonic Symphonic effect.

Flange Flange Flange effect.

Vintage Flange VintageFlanger Flanger produced by utilizing VCM (Virtual Circuitry Modeling) tech-

nology.

Phaser Phaser Maximum 16-stage phaser.

Mono Vintage Phaser MonoVntagPhaser Monaural phaser produced by utilizing VCM (Virtual Circuitry Model-

ing) technology.

Stereo Vintage Phaser StreoVintPhaser Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling)

technology.

Tremolo Tremolo Tremolo effect.

Auto Pan Auto Pan Autopanner.

Rotary Rotary Rotary speaker simulator.

Ring Mod. RingMod. Ring modulator.

Mod. Filter Mod.Filter Modulation ﬁlter.

Compressor Compressor Compressor.

M.Band Dyna. MultiBandDyna. 3-band dynamics processor.

Dyna. Filter Dyna.Filter Filter effect. The effect changes according to input level.

Dyna. Flange Dyna.Flange Flanger effect. The effect changes according to input level.

Dyna. Phaser Dyna.Phaser Phaser effect. The effect changes according to input level.

Tape Echo TapeEcho Vintage tape echo.

Mono Delay MonoDelay Basic monaural delay.

Stereo Delay StereoDelay Basic stereo delay.

Mod. Delay Mod.Delay Basic repeat delay with modulation.

Delay LCR DelayLCR 3-tap delay (left, center, right).

Echo Echo Stereo delay with crossed feedback loop.

8 Band Parallel Delay 8BandParaDelay 8-band modulation delay connected in parallel.

8 Band Series Delay 8BandSeriDelay 8-band modulation delay connected in series.

4 Band 2 Tap Mod.

Delay 4Band2TapModDly 4-band delay connected in parallel w/2 multi-tap modulation delays.

2 Band 4 Tap Mod.

Delay 2Band4TapM.Dly 2-band delay connected in parallel w/4 multi-tap modulation delay.

8 Multi Tap Mod. Delay 8MultiTapM.Dly 8 Multi tap modulation delay.

2 Band Long + 4 Short

Mod. Delay 2Lng4ShrtM.Dly 2 band parallel 2 multi tap + 4 band short modulation delay.

Short + Medium + Long

Mod. Delay S.M.L.ModDly 3 band multi tap delay w/3 delay times.

Reverb Reverb Hall, room, stage, and plate reverb simulations, all with gates.

Early Ref. Early Ref. Early reﬂections.

Gate Reverb Gate Reverb Early reﬂections with gate.

Reverse Gate Reverse Gate Early reﬂections with reverse gate.

Spring Reverb Spring Reverb Spring reverb simulation.

HQ. Pitch HQ. Pitch High-quality pitch shifter.

Dual Pitch DualPitch Pitch shifter.

3 Band Parametric EQ 3BandParaEQ 3-band parametric equalizer.

Multi Filter MultiFilter 3-band multi-ﬁlter (24 dB/octave).

Reverb+Chorus Reverb+Chorus Reverb and chorus effects in parallel.

Reverb->Chorus Reverb->Chorus Reverb and chorus effects in series.

Reverb+Flange Reverb+Flange Reverb and ﬂanger effects in parallel.

Reverb->Flange Reverb->Flange Reverb and ﬂanger effects in series.

Reverb+Symphonic Reverb+Sympho Reverb and symphonic effects in parallel.

Reverb->Symphonic Reverb->Sympho Reverb and symphonic effects in series.

Reverb->Pan Reverb->Pan Reverb and autopan effects in series.

Delay+Early Ref. Delay+E.Ref. Delay and early reﬂections effects in parallel.

Delay->Early Ref. Delay->E.Ref. Delay and early reﬂections effects in series.

Delay+Reverb Delay+Reverb Delay and reverb effects in parallel.

Delay->Reverb Delay->Reverb Delay and reverb effects in series.

Distortion->Delay Dist->Delay Distortion and delay effects in series. Mainly used for direct connec-

tion to guitar amp’s front input.

Amp Multi (Chorus) AmpMulti(Cho)

Multi effect consisting of Comp + Amp Simulator + Chorus + Delay +

Reverb. Mainly used for direct connection to power amp. Speaker

simulator allows direct recording.

Amp Multi (Flange) AmpMulti(Flng)

Multi effect consisting of Comp + Amp Simulator + Flanger + Delay +

Reverb. Mainly used for direct connection to power amp. Speaker

simulator allows direct recording.

Amp Multi (Tremolo) AmpMulti(Trem)

Multi effect consisting of Comp + Amp Simulator + Tremolo + Delay +

Reverb. Mainly used for direct connection to power amp. Speaker

simulator allows direct recording.

Amp Multi (Phaser) AmpMulti(Phas)

Multi effect consisting of Comp + Amp Simulator + Phaser + Delay +

Reverb. Mainly used for direct connection to power amp. Speaker

simulator allows direct recording.

Distortion Multi

(Chorus) DistMulti (Cho) Multi effect consisting of Comp + Distortion + Chorus + Delay +

Reverb. Mainly used for direct connection to guitar amp’s front input.

Distortion Multi

(Flange) DistMulti(Flng) Multi effect consisting of Comp + Distortion + Flanger + Delay +

Reverb. Mainly used for direct connection to guitar amp’s front input.

Distortion Multi

(Tremolo) DistMulti(Trem) Multi effect consisting of Comp + Distortion + Tremolo + Delay +

Reverb. Mainly used for direct connection to guitar amp’s front input.

Distortion Multi

(Phaser) DistMulti(Phas) Multi effect consisting of Comp + Distortion + Phaser + Delay +

Reverb. Mainly used for direct connection to guitar amp’s front input.

Acoustic Multi AcousticMulti Multi effect for electric-acoustic guitar.

Bass Preamp BassPreamp Pre-ampliﬁer designed for use with bass guitars.

EFFECT TYPE Display Description

What is TAP?

The “Tap” parameter found in delay effects is the timing at which the delay sound is taken out of the delay loop.

To illustrate this function, the delay shown below is using a delay time setting of 360msec. However, with the

“Tap” parameter set to 60, the ﬁrst delay sound will be heard at 216msec. This happens for the ﬁrst delay sound

only. If the Feedback (FB.) level is increased, all subsequent delay sounds will be heard at 360msec. intervals.

360msec

TAP=100%

216msec

TAP=60%

Delay Circuit

216

msec

360

msec

360

msec

TIME

Original Sound

First Delay Sound

Feedback Delay Sound

Effect Parameters

Distortion

Advanced distortion. Mainly used for direct connection to guitar amp’s front input.

Digital Distortion

Distortion effect. Mainly used for direct connection to guitar amp’s front input.

Parameter Display Range Description

Type TYPE

Lead1, Lead2, Drive1, Drive2,

Crunch1, Crunch2, Fuzz1,

Fuzz2, Distortion1, Distortion2,

Overdrive1, Overdrive2, Tube,

Solidstate

Distortion type

Gain GAIN 0.0 to 10.0 Adjusts the amount of distortion

Master MSTR 0.0 to 10.0 Adjusts the volume

Tone TONE 0.0 to 10.0 Adjusts the tone

EQ 1 Freq. EQ1F 50.0 to 400 Hz Speciﬁes the post effect EQ1 frequency

EQ 1 Gain EQ1G -12.0 to 12.0 dB Speciﬁes the post effect EQ1 gain

EQ 1 Q EQ1Q 0.100 to 20.0 Speciﬁes the post effect EQ1 Q (bandwidth)

EQ 2 Freq. EQ2F 200 to 1.60 kHz Speciﬁes the post effect EQ2 frequency

EQ 2 Gain EQ2G -12.0 to 12.0 dB Speciﬁes the post effect EQ2 gain

EQ 2 Q EQ2Q 0.100 to 20.0 Speciﬁes the post effect EQ2 Q (bandwidth)

EQ 3 Freq. EQ3F 600 to 4.80 kHz Speciﬁes the post effect EQ3 frequency

EQ 3 Gain EQ3G -12.0 to 12.0 dB Speciﬁes the post effect EQ3 gain

EQ 3 Q EQ3Q 0.100 to 20.0 Speciﬁes the post effect EQ3 Q (bandwidth)

EQ 4 Freq. EQ4F 2.00 k to 16.0 kHz Speciﬁes the post effect EQ4 frequency

EQ 4 Gain EQ4G -12.0 to 12.0 dB Speciﬁes the post effect EQ4 gain

EQ 4 Q EQ4Q 0.100 to 20.0 Speciﬁes the post effect EQ4 Q (bandwidth)

Pre EQ Level PELV 0.0 to 10.0 Speciﬁes the pre effect EQ level

Pre EQ 1 Freq. PE1F 50.0 to 500 Hz Speciﬁes the pre effect EQ1 frequency

Pre EQ 1 Gain PE1G -12.0 to 12.0 dB Speciﬁes the pre effect EQ1 gain

Pre EQ 1 Q PE1Q 0.100 to 20.0 Speciﬁes the pre effect EQ1 Q (bandwidth)

Pre EQ 2 Freq. PE2F 200 to 2.00 kHz Speciﬁes the pre effect EQ2 frequency

Pre EQ 2 Gain PE2G -12.0 to 12.0 dB Speciﬁes the pre effect EQ2 gain

Pre EQ 2 Q PE2Q 0.100 to 20.0 Speciﬁes the pre effect EQ2 Q (bandwidth)

Pre EQ 3 Freq. PE3F 1.00 k to 10 kHz Speciﬁes the pre effect EQ3 frequency

Pre EQ 3 Gain PE3G -12.0 to 12.0 dB Speciﬁes the pre effect EQ3 gain

Pre EQ 3 Q PE3Q 0.100 to 20.0 Speciﬁes the pre effect EQ3 Q (bandwidth)

N. G. Threshold NGTH 0.0 to 10.0 Level at which the noise gate activates

N. G. Attack NGAT 0 to 120 ms Time required for the noise gate to open after signal exceeds threshold

N. G. Hold NGHL 0.02 to 2040 ms Time noise gate stays open

N. G. Decay NGDC 6 to 44500 ms Time required for the noise gate to close after signal goes below thresh-

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Parameter Display Range Description

Type TYPE

Distortion1, Distortion2,

Overdrive1, Overdrive2,

Crunch

Distortion type

Drive DRV 0 to 100 Distortion drive

Master MSTR 0 to 100 Master volume

Tone TONE –10 to +10 Tone

Noise Gate NG 0 to 20 Noise reduction

Amp Simulator

DG Series amp sound. Mainly used for direct connection to power amp.

Speaker simulator allows direct recording.

Chorus

Chorus effect.

Symphonic

Symphonic effect.

Parameter Display Range Description

Amp Type AMP

Heavy1, Heavy2, Lead1, Lead2,

Drive1, Drive2, Crunch1,

Crunch2, Clean1, Clean2, Solid

Amp type

Gain GAIN 0.0 to 10.0 Adjusts the amount of distortion

Master MSTR 0.0 to 10.0 Adjusts the volume

Tone TONE 0.0 to 10.0 Adjusts the tone

Treble TRE 0.0 to 10.0 Adjusts level of high range frequencies

High Middle HMID 0.0 to 10.0 Adjusts level of upper mid frequencies

Low Middle LMID 0.0 to 10.0 Adjusts level of lower mid frequencies

Bass BASS 0.0 to 10.0 Adjusts level of low frequencies

Presence PRE 0.0 to 10.0 Adjusts level of extremely high frequencies

Speaker

Simulator SP

Off, American 412, British 412,

Modern 412, YAMAHA 412, Hybrid

412, American 212, British 212,

Modern 212, YAMAHA 212, Hybrid

212, American 112, Modern 112,

YAMAHA 112, Hybrid 112, 410,

210

When using a line connection to connect directly to a mixer, this can be

used to simulate the natural characteristics of a speaker giving the tone

a more natural sound

N. G. Threshold NGTH 0.0 to 10.0 Level at which the noise gate activates

N. G. Attack NGAT 0 to 120 ms Time required for the noise gate to open after signal exceeds threshold

N. G. Hold NGHL 0.02 to 2040 ms Time noise gate stays open

N. G. Decay NGDC 6 to 44500 ms Time required for the noise gate to close after signal goes below thresh-

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Parameter Display Range Description

Wave WAVE Sine, Triangle Modulation waveform

Freq. FREQ 0.05 to 40.00 Hz Modulation speed

AM Depth AMDP 0 to 100% Amplitude modulation depth

PM Depth PMDP 0 to 100% Pitch modulation depth

Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time

LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving ﬁlter frequency

LSH Gain LSHG –12.0 to +12.0 dB Low shelving ﬁlter gain

EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency

EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain

EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth

HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving ﬁlter frequency

HSH Gain HSHG –12.0 to +12.0 dB High shelving ﬁlter gain

Mix MIX 0 to 100% Mix level

Parameter Display Range Description

Wave WAVE Sine, Triangle Modulation waveform

Freq. FREQ 0.05 to 40.00 Hz Modulation speed

Depth DPT 0 to 100% Modulation depth

Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time

LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving ﬁlter frequency

LSH Gain LSHG –12.0 to +12.0 dB Low shelving ﬁlter gain

EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency

EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain

EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth

HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving ﬁlter frequency

HSH Gain HSHG –12.0 to +12.0 dB High shelving ﬁlter gain

Mix MIX 0 to 100% Mix level

Flange

Flange effect.

Vintage Flange

Flanger produced by utilizing VCM (Virtual Circuitry Modeling) technology.

Phaser

Maximum 16-stage phaser.

Mono Vintage Phaser

Monaural phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.

Parameter Display Range Description

Wave WAVE Sine, Triangle Modulation waveform

Freq. FREQ 0.05 to 40.00 Hz Modulation speed

Depth DPT 0 to 100% Modulation depth

FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time

LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving ﬁlter frequency

LSH Gain LSHG –12.0 to +12.0 dB Low shelving ﬁlter gain

EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency

EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain

EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth

HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving ﬁlter frequency

HSH Gain HSHG –12.0 to +12.0 dB High shelving ﬁlter gain

Mix MIX 0 to 100% Mix level

Parameter Display Range Description

Type TYPE 1, 2, 3 Flanger type

Speed SPD 0.0 to 10.0 Modulation speed

Depth DPTH 0.0 to 10.0 Modulation depth

Manual MANU 0.0 to 10.0 Adjusts ﬂanger’s delay time

Feedback FB 0.0 to 10.0 Feedback gain

Spread SPRD 0.0 to 10.0 Left and right ﬂange spread (diffusion)

Mix MIX 0.0 to 10.0 Mix level

Parameter Display Range Description

Stage STAG 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages

Freq. FREQ 0.05 to 40.00 Hz Modulation speed

Depth DPT 0 to 100% Modulation depth

FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

Offset OFST 0 to 100 Lowest phase-shifted frequency offset

Phase PHAS 0.00 to 354.38 degrees Left and right modulation phase balance

LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving ﬁlter frequency

LSH Gain LSHG –12.0 to +12.0 dB Low shelving ﬁlter gain

HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving ﬁlter frequency

HSH Gain HSHG –12.0 to +12.0 dB High shelving ﬁlter gain

Mix MIX 0 to 100% Mix level

Parameter Display Range Description

Stage STAG 4, 6, 8, 10, 12, 16 Number of phase shift stages

Mode MODE 1, 2 Phaser type

Speed SPD 0.0 to 10.0 Modulation speed

Depth DPTH 0.0 to 10.0 Modulation depth

Manual MANU 0.0 to 10.0 Sets the manner in which the phaser acts

Feedback FB 0.0 to 10.0 Feedback gain

Color CLOR 0.0 to 10.0 Sets the phaser’s tone

Stereo Vintage Phaser

Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.

Tremolo

Tremolo effect.

Auto Pan

Autopanner.

Rotary

Rotary speaker simulator.

Parameter Display Range Description

Stage STAG 4, 6, 8, 10 Number of phase shift stages

Mode MODE 1, 2 Phaser type

Speed SPD 0.0 to 10.0 Modulation speed

Depth DPTH 0.0 to 10.0 Modulation depth

Manual MANU 0.0 to 10.0 Sets the manner in which the phaser acts

Feedback FB 0.0 to 10.0 Feedback gain

Color CLOR 0.0 to 10.0 Sets the phaser’s tone

Spread SPRD 0.0 to 10.0 Left and right phaser spread (diffusion)

Parameter Display Range Description

Wave WAVE Sine, Triangle, Square Modulation waveform

Freq. FREQ 0.05 to 40.00 Hz Modulation speed

Depth DPTH 0 to 100% Modulation depth

LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving ﬁlter frequency

LSH Gain LSHG –12.0 to +12.0 dB Low shelving ﬁlter gain

EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency

EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain

EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth

HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving ﬁlter frequency

HSH Gain HSHG –12.0 to +12.0 dB High shelving ﬁlter gain

Parameter Display Range Description

Wave WAVE Sine, Triangle, Square Modulation waveform

Freq. FREQ 0.05 to 40.00 Hz Modulation speed

Depth DPTH 0 to 100% Modulation depth

Direction DIR L<->R, L—>R, L<—R, Turn L,

Turn R Panning direction

LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving ﬁlter frequency

LSH Gain LSHG –12.0 to +12.0 dB Low shelving ﬁlter gain

EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency

EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain

EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth

HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving ﬁlter frequency

HSH Gain HSHG –12.0 to +12.0 dB High shelving ﬁlter gain

Parameter Display Range Description

Rotate ROT Stop, Start Rotation stop, start

Slow SLOW 0.05 to 10.00 Hz Slow rotation speed

Fast FAST 0.05 to 10.00 Hz Fast rotation speed

Speed SPD Slow, Fast Rotation speed (see Slow and Fast parameters)

Drive DRV 0 to 100 Overdrive level

Accel ACCL 0 to 10 Acceleration at speed changes

Low LOW 0 to 100 Low-frequency ﬁlter

High HIGH 0 to 100 High-frequency ﬁlter

Mix MIX 0 to 100% Mix level

Ring Mod.

Ring modulator.

Mod. Filter

Modulation ﬁlter.

Compressor

Compressor.

Parameter Display Range Description

Source SRC OSC, SELF Modulation source: oscillator or input signal

OSC Freq. OSC 0.0 to 5000.0 Hz Oscillator frequency

FM Freq. FM.F 0.05 to 40.00 Hz Oscillator frequency modulation speed

FM Depth FM.D 0 to 100% Oscillator frequency modulation depth

Mix MIX 0 to 100% Mix level

Parameter Display Range Description

Type TYPE Low Pass Filter, High Pass Filter,

Band Pass Filter Filter type: low pass, high pass, band pass

Freq. FREQ 0.05 to 40.00 Hz Modulation speed

Depth DPTH 0 to 100% Modulation depth

Phase PHAS 0.00 to 354.38 degrees Left-channel modulation and right-channel modulation phase differ-

ence

Offset OFST 0 to 100 Filter frequency offset

Resonance RESO 0 to 20 Filter resonance

Level LEVL 0 to 100 Output level

Mix MIX 0 to 100% Mix level

Parameter Display Range Description

Comp. Threshold THRE -54.0 to 0.0 dB Level at which compressor activates

Comp. Ratio RATI 1:1 to ∞:1 Compression ratio

Comp. Attack ATAK0to 120 ms Time required for compressor to peak after exceeding threshold

Comp. Release RELE 6 to 11500 ms Time required for compressor to terminate after going below threshold

Comp. Knee KNEE Hard, 1 to 5 Adjusts the width of the gain curve just above the threshold

Comp. Gain GAIN 0.0 to 18.0 dB Output level

M.Band Dyna.

3-band dynamics processor, with individual solo and gain reduction metering for each band.

Dyna. Filter

Filter effect. The effect changes according to input level.

Dyna. Flange

Flanger effect. The effect changes according to input level.

Parameter Display Range Description

Slope SLOP –6, –12 dB Filter slope

Low Gain LO.G –96.0 to +12.0 dB Low band level

Mid Gain MI.G –96.0 to +12.0 dB Mid band level

High Gain HI.G –96.0 to +12.0 dB High band level

Lookup LKUP 0.0 to 100.0 ms Lookup delay

Ceiling CEIL –6.0 to 0.0 dB, Off Speciﬁes the maximum output level

L–M Xover L-MX 21.2 Hz to 8.00 kHz Low/mid crossover frequency

M–H Xover M-HX 21.2 Hz to 8.00 kHz Mid/high crossover frequency

Presence PRE –10 to +10

For positive values, the threshold of the high band is lowered and the

threshold of the low band is increased. For negative values, the oppo-

site will occur. When set to 0, all three bands are affected the same.

Comp. Bypass COMP Off, On Compressor bypass

Comp. Threshold CMPT –24.0 to 0.0 dB Compressor threshold

Comp. Ratio CRAT 1:1 to 20:1 Compressor ratio

Comp. Attack CATA 0 to 120 ms Compressor attack

Comp. Release CREL 6 to 11500 ms Compressor release time

Comp. Knee CKNE 0 to 5 Adjusts the width of the gain curve just above the compressor‘s thresh-

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Exp. Bypass EXP Off, On Expander bypass

Exp. Threshold EXPT –54.0 to –24.0 dB Expander threshold

Exp. Ratio ERAT 1:1 to ∞:1 Expander ratio

Exp. Release EREL 6 to 11500 ms Expander release time

Lim. Bypass LIM Off, On Limiter bypass

Lim. Threshold LIMT –12.0 to 0.0 dB Limiter threshold

Lim. Attack LATA 0 to 120 ms Limiter attack

Lim. Release LREL 6 to 11500 ms Limiter release time

Lim. Knee LKNE 0 to 5 Adjusts the width of the gain curve just above the limiter‘s threshold

Parameter Display Range Description

Type TYPE Low Pass Filter, High Pass Filter,

Band Pass Filter Filter type

Decay DCY 6 to 46000 ms Filter frequency change decay speed

Direction DIR Up, Down Upward or downward frequency change

Sense SENS 0 to 100 Sensitivity

Offset OFST 0 to 100 Filter frequency offset

Resonance RESO 0 to 20 Filter resonance

Level LVL0to 100 Output level

Mix MIX 0 to 100% Mix level

Parameter Display Range Description

Decay DCY 6 to 46000 ms Decay speed

FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

Direction DIR Up, Down Upward or downward frequency change

Sense SENS 0 to 100 Sensitivity

Offset OFST 0 to 100 Delay time offset

LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving ﬁlter frequency

LSH Gain LSHG –12.0 to +12.0 dB Low shelving ﬁlter gain

EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency

EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain

EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth

HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving ﬁlter frequency

HSH Gain HSHG –12.0 to +12.0 dB High shelving ﬁlter gain

Mix MIX 0 to 100% Mix level

Dyna. Phaser

Phaser effect. The effect changes according to input level.

Tape Echo

Vintage tape echo.

Mono Delay

Basic repeat delay.

Stereo Delay

Basic stereo delay.

Parameter Display Range Description

Decay DCY 6 to 46000 ms Decay speed

FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

Direction DIR Up, Down Upward or downward frequency change

Sense SENS 0 to 100 Sensitivity

Offset OFST 0 to 100 Lowest phase-shifted frequency offset

Stage STAG 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages

LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving ﬁlter frequency

LSH Gain LSHG –12.0 to +12.0 dB Low shelving ﬁlter gain

HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving ﬁlter frequency

HSH Gain HSHG –12.0 to +12.0 dB High shelving ﬁlter gain

Mix MIX 0 to 100% Mix level

Parameter Display Range Description

Time DT 0.0 to 10.0 Delay time

Feedback FB 0.0 to 10.0 Delay feedback level

Level LEVL 0.0 to 10.0 Delay level

Parameter Display Range Description

Delay TIME 0.0 to 2730.0 ms Delay time

FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio

High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass ﬁlter cutoff frequency

Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass ﬁlter cutoff frequency

Mix MIX 0 to 100% Mix level

Parameter Display Range Description

Delay L DT.L 0.0 to 1350.0 ms Left channel delay time

Delay R DT.R 0.0 to 1350.0 ms Right channel delay time

FB. Gain L FB.L –99 to +99% Left channel feedback (plus values for normal-phase feedback, minus

values for reverse-phase feedback)

FB. Gain R FB.R –99 to +99% Right channel feedback (plus values for normal-phase feedback, minus

values for reverse-phase feedback)

High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio

High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass ﬁlter cutoff frequency

Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass ﬁlter cutoff frequency

Mix MIX 0 to 100% Mix level

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